39 Thieves - Aesop Rock

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Embed: Rubber necks froze, slows by the multiplex
Rodeo commotion, I'm open to see what culminates
Bougie on the right, left rep rebel force
Both say the feudal group
the parking lot was never yours
Black top pebble wars
Soldiers mold it where the Jones is every grown up
Want the code again to get to grow in
No motive, it showed up in dose quotas
Hog barn burner come see if your homes hold us
Eighty-five rattle-trap parked through fancy
Which swayed with stepping out of Comanche, antsy
Let us in the jetty when they jettison the medicine
And paranormal hatchet and cadets to break the levees in
Both know the totem camaraderie
Token of equality, they post it horizontally
Chronicle the loading dock, they crawl to lodge the colony
Half-massed flags, half caps stole the properly
And sleep the sleep of the just
Ready on the left
Where the witchcraft spun out of a neighboring sect
With the usual undesirables and the big brother cutters
On the day your name became "This Motherfucker?"

Another dark night
Another not-all-right
Another bad ritual
More botched surgery
Better follow the bread crumbs back in fact, urgently
Or waddle through this section where the natives feel "murdery"
Vicinity wander
Claim no soul
Never let an anchor drop
Never had a home
Never talk to strangers
Never trust a friend
This is the life and the life will not end.Lyrics provided by TANCODEhttp://lyricsever.com/" readonly=""/>

39 Thieves Lyrics

Hunters with their dogs and deer rifles
Thousands of them line the pavement
Like patient pupae waiting to become worms


Another dark night, teething I'm marking a beast sheep
Like I walk in front of 39 thieves in a beat
Smores over warm helvetica brown proper
For the odd God or monster, proper to teleprompter
Wild blue yonder, blue in the face, angel
Blew into the bugles in lieu of the euthanasia
Usually the shooter community chew the corpse
But I see the wolves have already gotten to you and yours
Day of the dead, play the ledge closely
Train a barrel of monkeys to aim at the lowest bogey
Dope the gonzo of what we sold choked socially
Stole the golden fleece with the culture of total nobodies
Earth rised, the divide up of fighting tribes
All we do is watch 'em waddle back and forth lighting fires
Detonator, wire cutter, pliers
Two cities and the one is broken up in tiny towns
And I won't pose, I'm in the heart of the lion's throat
For a photographic token of my primordial growth
You parade around and kill, so damn proud
Like a flatline fetish, had it's feathers fanned out
War tore the symmetry, skipped into it gingerly
Silk worms ping-pong ministry to ministry
Hell's bells every which way the the wind blows
So I bang my head against any wall you can build, go.

Another dark night
Another not-all-right
Another bad ritual
More botched surgery
Better follow the bread crumbs back in fact, urgently
Or waddle through this section where the natives feel murdery
Vicinity wander
Claim no soul
Never let an anchor drop
Never had a home
Never talk to strangers
Never trust a friend
This is the life and the life will not end.

Money Money Money Money
Money Money Money Money

Next time think
39 Thieves are quicker than 40 winks
Raise your drinks
39 thieves are quicker than 40 winks

We're not concerned with the community aloofness
Duke, we're animals, we just go where the most food is
Lower the toast, most formal etiquette is useless
Truth is you're equally expendable if spoonfed
(Money Money)
Money is cool and I'm only human
But they use it as a tool to make the WORKERS feel excluded
Like the shinier the jewel the more exclusive the troop is
Bullets don't take bribes stupid, they shoot shit

Another dark night...

Calicos tread around the rabbit hole
Weapons to the heavens and arsenic where the carrots grows
Piss warmed sugar water wore the summer canteen
Plus burned rubber like "green is the new green"
Rubber necks froze, slows by the multiplex
Rodeo commotion, I'm open to see what culminates
Bougie on the right, left rep rebel force
Both say the feudal group
the parking lot was never yours
Black top pebble wars
Soldiers mold it where the Jones is every grown up
Want the code again to get to grow in
No motive, it showed up in dose quotas
Hog barn burner come see if your homes hold us
Eighty-five rattle-trap parked through fancy
Which swayed with stepping out of Comanche, antsy
Let us in the jetty when they jettison the medicine
And paranormal hatchet and cadets to break the levees in
Both know the totem camaraderie
Token of equality, they post it horizontally
Chronicle the loading dock, they crawl to lodge the colony
Half-massed flags, half caps stole the properly
And sleep the sleep of the just
Ready on the left
Where the witchcraft spun out of a neighboring sect
With the usual undesirables and the big brother cutters
On the day your name became "This Motherfucker?"

Another dark night
Another not-all-right
Another bad ritual
More botched surgery
Better follow the bread crumbs back in fact, urgently
Or waddle through this section where the natives feel "murdery"
Vicinity wander
Claim no soul
Never let an anchor drop
Never had a home
Never talk to strangers
Never trust a friend
This is the life and the life will not end.

Lyrics provided by LyricsEver.com
Aesop Rock (born Ian Bavitz on June 5, 1976) is an alternative hip hop artist/producer from Northport, New York, United States. He has released seven albums: "Music for Earthworms" (1997), "Float" (1999), "Labor Days" (2001), "Bazooka Tooth" (2003), "None Shall Pass" (2007), "Skelethon" (2012) and "The Impossible Kid" (2016). He is also a member of the groups Hail Mary Mallon, The Weathermen, Two of Every Animal and The Uncluded.

Bavitz was born in Syosset, New York and grew up in Northport, New York. While attending college, Bavitz initially recorded and released two self-financed efforts, Music for Earthworms (1997), a full-length featuring underground artist Percee P on two tracks. Bavitz also released a music video to "Abandon All Hope", which was one of the tracks on the CD. The album sold over 300 copies, largely from a grassroots internet-based promotion at his website AesopRock.com and then-popular web portal, MP3.Com. It was a success. With the money he made from his previous release, he then released his Appleseed EP in 1999 which received critical acclaim in the underground hip hop circuit.[citation needed] Both of his early records were produced by long-time friend Blockhead, and underground producer Dub-L. He completed these albums while also working as a waiter.

After his breakthrough success in the underground hip hop and indie rap community, he was eventually noticed by the Mush label and obtained his first record deal in 1999, just a year after he graduated from college. Aesop released his first major album, Float (2000), with guest appearances from Vast Aire, Slug, and Dose One. Production was split between Blockhead and Aesop himself, with one track by Omega One. During this time, Aesop worked at a photography gallery. In August 2001 tragedy struck when Bavitz had a nervous breakdown. The song "One of Four" on his Daylight EP documents his struggles.

Shortly after releasing Float, Aesop Rock signed to Manhattan-based label Definitive Jux (commonly shortened to Def Jux), where he released Labor Days (2001), an album dedicated to the discussion of labor in American society and the concept of "wage slaves". This album was most well known for its single "Daylight". Because of its popularity, Daylight was re-released in 2002 as a seven-track EP, including an "alternative" new version of the song "Night Light", whose paraphrased lyrics simultaneously refer back to, and stand in stark opposition to, the original's. The song "Labor" (from Labor Days) was featured in Tony Hawk's Pro Skater 4; it also was the first album in his catalog to break through the Billboard charts, peaking at number 15 at the United States Independent Charts, giving Aesop Rock more recognition.

Labor Days was followed by Bazooka Tooth in 2003. For the first time, production was mostly handled by Rock himself, with three tracks from longtime collaborator Blockhead and one from close friend and Definitive Jux label CEO El-P. Guest appearances include Party Fun Action Committee, El-P, and Mr. Lif (all Definitive Jux labelmates) and Camp Lo. With this release Aesop hit a higher level of recognition, releasing "No Jumper Cables" as a single and music video, then another single, "Freeze", shortly after. A remix of "No Jumper Cables" was featured on Tony Hawk's Underground 2, furthering Aesop's recognition. In 2004, He released Build Your Own Bazooka Tooth and created a contest in which you had to create a remix of an Aesop Rock song using the a cappellas and instrumentals.

In February 2005, Aesop Rock released a new EP, Fast Cars, Danger, Fire and Knives. The first pressing of the EP included an 88-page booklet with lyrics from every release from Float until this EP (the lyric booklet is titled The Living Human Curiosity Sideshow); later pressings of the album come without the booklet, but with an additional bonus track, "Facemelter". In addition, a limited number of albums were available direct from Def Jux with Aesop Rock's graffiti tag on them. In response to demands from his fans, Rock did less production on the EP: three songs are produced by Blockhead, three produced by Aesop, and one by Rob Sonic. During this time he was asked to join The Weathermen to replace Vast Aire.

Aesop Rock was commissioned to create a 45-minute instrumental track for the Nike+iPod running system, entitled All Day. It was released in February 2007. Distributed via the iTunes Music Store and featuring his wife Allyson Baker on guitar and scratches from DJ Big Wiz, Aesop has described the release as "something that evolved enough that the sound was constantly fresh and attractive, as though the runner were moving through a set of differing cities or landscapes."

All Day was followed in August of the same year by Bavitz's fifth full-length album, None Shall Pass released in 2007. The album also contained original artwork by Jeremy Fish. About Jeremy Fish, Aesop Rock said: "Man that guy is my hero. We have a friend in common who hit me up a while back saying that this guy Jeremy Fish had an opportunity to pitch a cartoon to Disney and wanted me to be involved in the music side. I flipped out cuz I was also a fan of his, and owned some of his work." Aesop Rock also teamed up with Jeremy Fish again in a project called Ghosts of the Barbary Coast. Aesop Rock made a song called "Tomorrow Morning", to go along with a slideshow of drawings that Jeremy Fish drew. This was displayed in San Francisco, but was also made available for download online. None Shall Pass had positive reviews from critics and fans, applauding Aesop for his change in sound.

In 2011, Rhymesayers released "Are You Going to Eat That?", the debut album from Hail Mary Mallon, a collaboration between Aesop Rock, Rob Sonic, and DJ Big Wiz.

On July 10, 2012, Rhymesayers released Aesop Rock's sixth studio album, "Skelethon". Its first single, "Zero Dark Thirty", was released four months earlier on April 10. A second single, "ZZZ Top", was released on June 29.

In 2011, Aesop Rock and Kimya Dawson of The Moldy Peaches formed the duo The Uncluded. The duo's debut album, "Hokey Fright" was released on May 7, 2013. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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