A Little Green Rosetta - Frank Zappa

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A Little Green Rosetta Lyrics

Act III

(after the song ends)
This is the CENTRAL SCRUTINIZER... As you can see, MUSIC can get you
pretty fucked up... Take a tip from Joe, do like he did, hock your imaginary guitar
and get a good job... Joe did, and he's a happy guy now, on the day shift at
the Utility Muffin Research Kitchen, arrogantly twisting the sterile canvas snoot of
a fully-charged icing anointment utensil. And every time a nice little muffin comes
by on the belt, he poots forth... And if this doesn't convince you that MUSIC
causes BIG TROUBLE... then maybe I should turn off my plastic' megaphone and
sing the last song on the album in my regular voice...

SCENE EIGHTEEN
A LITTLE GREEN ROSETTA

CENTRAL SCRUTINIZER:
A little green rosetta
A little green rosetta
A little green rosetta
A little green rosetta
You'll make a muffin betta
With a green rosetta
A little green rosetta
A tiny green rosetta
A little green rosetta
A little green rosetta
A little green rosetta
A little green rosetta
You'll make a muffin betta
Betta
It's really getting betta
It's betta, it's betta
With a green rosetta

Green rositti
A little green rositti
It's really, really meaty
A little green rositti
Betta, betta,
(Hey, really out there... really good)
It's really getting betta
It's betta, it's betta
With a green rosetta
Setta, setta
(Good God, give the drummer some)
Green rosetta
A little green rosetta
A little green rosetta
A little green rosetta
(Setta, setta, setta, etc...)
(Make a muffin, make a muffin, make a muffin,
Make a muffin betta, make a muffin betta, etc...)
With a green rosetta
A little green rosetta
(Etc...)

Good God! You're really jammin! Now the Reggae version, hey, for the People in
the Third World... we haven't forgotten anybody on this song. .for all of you French
people... who think that you re outta sight... And for the people in Spain... who think
the French people are where its at... And for the people in Mongolia who always
wanted to go to Spain for a vacation... And for those of you in Taiwan who got chumped,
this chorus is for you: (Rang Tang Ding Dong, I am the Japanese Sandman...
Take eight...)

Green rosetta
Green rosetta
A little green rosetta
(Against the Reggae beat, though... No, it's still Reggae, but it s all backwards)

A little green rosetta
A little green rosetta
A little green rosetta
You'll make a muffin betta (Etc., etc., etc...)

Now you see, some places in the Third World it might be difficult to dance to this because
the kerosene record player is not a very efficient device. .And a lot of times they run out of,
they run out of spunk right in the middle of the chorus... Causing the song to sound like this...

A little green rosetta

However we continue in spite of the fact that the fuel may be low on your record player.
We suggest that in places like the Fourth World where things are really tough that you
keep the record player going by rubbing two sticks together. And if all else fails, throw
the record away... build your own green rosetta... try this recipe: Well start with a lump of
grass... the grass bone connected to the ankle bone... the knee bone connected to the
wishbone... and then everybody moves to New York and goes to a party with Warren.
Hey! And we've flown in, at great expense, (triple scale, no less, ladies and gentlemen),
Steve Gad's clone to play the out-chorus on this song... he's really outa-site, in spite of
the fact that the click track is totally irrelevant to what he's doing now. I'm listening to
the click, yes I'm suffering with the click track right now... this guy is totally out of sync with it,
but what the fuck. Ed Mann will call him up later, show him the sign. Okay Vinnie, where
is five?

They're pretty good musicians
They re pretty good musicians
They're pretty good musicians
They're pretty good musicians
But it don't make no difference
If they're good musicians
Because anybody who would buy this record
Doesn't give a fuck if there's good musicians on it
Because this is a stupid song
AND THAT'S THE WAY I LIKE IT
A little green rosetta
A little green rosetta
A little green rosetta
A little green rosetta
You make a muffin betta
With a little green rosetta
A little green rosetta
Rosetta, rosetta, rosetta
(etc., etc., etc...)

AL MALKIN.
Zetta.

Lyrics provided by LyricsEver.com
Frank Vincent Zappa (born December 21, 1940 in Baltimore, Maryland, United States – December 4, 1993 in Los Angeles, California, United States) was an American composer, guitarist, singer, bandleader and producer. He was one of the most prolific musicians of his time, releasing over fifty albums of original material spanning over a thirty-five year career.

Zappa's earliest influences were 1950s pop and rock (such as doo-wop and rhythm and blues), and 20th-century classical composers including Igor Stravinsky and Edgard Varèse. His output was divided between adventurous instrumental compositions and succinct, catchy rock songs with ribald, satirical, or comically absurd lyrics. On stage he demanded virtuosity and spontaneity from his musicians, and employed many performers who would later go on to achieve fame in their own rights. He directed and released a number of films featuring himself, his musicians and entourage, including 200 Motels and Baby Snakes.

His career started in 1955. His earliest recordings date from the mid-1960s, and include collaborations with his school friend Captain Beefheart. In 1965 he joined a bar-band called The Soul Giants, quickly dominating its musical direction and rechristening it The Mothers. Their first release (as The Mothers of Invention; the name alteration requested by their record company) was the 1966 double album Freak Out!. The line-up of the Mothers gradually expanded to accommodate Zappa's increasingly ambitious and avant-garde music, but by 1969 he decided to work outside the band structure, focusing on his solo career, and effectively disbanding the Mothers in 1971.

The beginnings of his solo career in the late sixties and early seventies was characterised by a strong free jazz influence, with albums containing little, if any, lyrical content, such as Hot Rats, Waka/Jawaka and The Grand Wazoo. Towards the mid-seventies his albums became more rock-orientated, with a combination of Jazz Fusion instrumentation and Rock song structures. This more accessible sound bore reasonable mainstream appeal, especially with the release of the well-advertised albums Over-Nite Sensation and Apostrophe (') (which both went Gold), but Zappa's unpredictably eclectic output never led to solid mainstream recognition. He received uniformly lukewarm reviews from popular music publications such as Rolling Stone throughout his career. In his late seventies' output, the gulf between his humorous songs and more lengthy, complex instrumental music widened, and albums, such as Zappa in New York, Joe's Garage: Acts I, II & III, and Sleep Dirt displayed, by track, both sides firmly segregated.

Zappa saw a second run of success in the early eighties with the release of many albums with predominantly comedic rock songs, but later continued to experiment with virtually every style of music through the eighties, and was productive as ever until his death. His output in this later-career period included two albums of strikingly original classical music with the London Symphony Orchestra, an electronic take on 18th-century chamber music (written by the obscure Italian composer 'Francesco Zappa', no relation), an album of Synclavier compositions (misleadingly titled Jazz From Hell which garnered a Grammy award), a double-CD release of electric guitar instrumental music (the laconically titled Guitar) and a plenitude of official live releases, revisiting fan-favourites as well as showcasing Zappa's talent for reinventing the music of others; his version of Stairway to Heaven becoming a word-of-mouth favourite.

Zappa produced almost all of his own albums, spending many hours in the studio recording and manipulating tracks, and was always at the forefront of emerging technologies; from tape editing, collage, multitrack and overdubbing in the sixties to digital recording, electronic instruments and sampling in the eighties. Conversely, Zappa was also a obsessive self-archivist, recording virtually every one of his live performances, and often using live recordings of new material without needing to enter the studio. The archive of tapes at his family home in Los Angeles continues to be a source of posthumous releases for the Zappa Family Trust. He was also noted as a spotter of talent and his shifting line-up of musicians included Lowell George, Jean-Luc Ponty, Terry Bozzio, Chad Wackerman, George Duke, Mike Keneally, Adrian Belew and Steve Vai, as well as giving Alice Cooper his first break in music and working again with his old collaborator Captain Beefheart when his career was in decline.

In the late 1980s he became active in politics, campaigning against the PMRC's music censorship scheme and acting as culture and trade representative for Czechoslovakia in 1989; and considered running as an independent candidate for president of the US.

His death in Los Angeles, California, on 4th December 1993 came three years after he was diagnosed with prostate cancer. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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