Ahab the Arab - Ray Stevens

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He brought that camel to a screeching halt
At the rear of Fatima's tent jumped off Clyde,
Snuck around the corner and into the tent he went
There he saw Fatima laying on a Zebra skin rug
Wearing rings on her fingers and bells on her toes
And a bone in her nose ho, ho.
Spoken

There she was friends lying there in all her radiant beauty. Eating on a raisin, grape, apricot, pomegranate, bowl of chitterlings, two bananas, three Hershey bars, sipping on a "R C" Co-Cola listening to her transistor, watching the Grand Ole Opry on the tube reading the Mad magazine while she sung, "Does your chewing gum lose it's flavor?" and Ahab walked up to her and he said, (imitate Arabian speech) which is arabic for, "Let's twist again like we did last summer, baby." (laughter) You know what I mean! Whew! She looked up at him from off the rug, give him one of the sly looks, she said, (coy, girlish laugh) "Crazy baby".
'Round and around and around and around... etc.


And that's the story 'bout Ahab the Arab
The Sheik of the Burnin' sand
Ahab the Arab
The swinging Sheik of the burnin' sandLyrics provided by TANCODEhttp://lyricsever.com/" readonly=""/>

Ahab the Arab Lyrics

Let me tell you 'bout Ahab The Arab
The Sheik of the burning sand
He had emeralds and rubies just dripping off 'a him
And a ring on every finger of his hands

He wore a big ol' turban wrapped around his head
And a scimitar by his side
And every evening about midnight
He'd jump on his camel named Clyde... and ride

Spoken


Silently through the night to the sultan's tent where he would secretly meet up with Fatima of the Seven Veils, swingingest grade "A" number one U.S. choice dancer in the Sultan's whole harem, 'cause, heh, him and her had a thing going. You know, and they'd been carrying on for some time now behind the Sultan's back and you could hear him talk to his camel as he rode out across the dunes, his voice would cut through the still night desert air and he'd say (imitate Arabian speech) which is arabic for, "stop, Clyde!" and Clyde would say, (imitate camel voice). Which is camel for, "What the heck did he say anyway?"
Well...

He brought that camel to a screeching halt
At the rear of Fatima's tent jumped off Clyde,
Snuck around the corner and into the tent he went
There he saw Fatima laying on a Zebra skin rug
Wearing rings on her fingers and bells on her toes
And a bone in her nose ho, ho.
Spoken

There she was friends lying there in all her radiant beauty. Eating on a raisin, grape, apricot, pomegranate, bowl of chitterlings, two bananas, three Hershey bars, sipping on a "R C" Co-Cola listening to her transistor, watching the Grand Ole Opry on the tube reading the Mad magazine while she sung, "Does your chewing gum lose it's flavor?" and Ahab walked up to her and he said, (imitate Arabian speech) which is arabic for, "Let's twist again like we did last summer, baby." (laughter) You know what I mean! Whew! She looked up at him from off the rug, give him one of the sly looks, she said, (coy, girlish laugh) "Crazy baby".
'Round and around and around and around... etc.


And that's the story 'bout Ahab the Arab
The Sheik of the Burnin' sand
Ahab the Arab
The swinging Sheik of the burnin' sand

Lyrics provided by LyricsEver.com
(For the actor and singer with The Village People, see Ray Stephens.)

Ray Stevens (born Harold Ray Ragsdale, 24th January 1939) is an American country and pop singer-songwriter, the musician being best known for a series of irreverent, quirky singles such as "Mississippi Squirrel Revival" and "The Streak". His recording career began with two singles released on Prep Records, followed by a short stint with Capitol Records. Both contracts were made with the help of Atlanta, Georgia music maven Bill Lowery.

Stevens joined Lowery's National Recording Corporation in 1958, where he also was a member of the NRC staff band, playing numerous instruments, arranging, and doing background vocals. When NRC went into bankruptcy, he signed with Mercury Records, and started a series of hit records in the 1960s that included "Ahab the Arab" and "Jeremiah Peabody's Polyunsaturated Quick-Dissolving, Fast-Acting Pleasant-Tasting Green and Purple Pills". The later song held the record as the longest title to hit the Top 40 chart until being surpassed in 1981 by the Stars on 45 Medley, whose official title included the titles of 10 other songs because of copyright requirements.

Stevens became a producer and well-known studio musician on the Nashville scene, and recorded hits for Monument, Barnaby, Warner Brothers, MCA and RCA. Perhaps his most famous hit is "The Streak" (1974), which poked fun at the early-1970s "streaking" fad of running nude in public; this was a No 1 in both the UK and the USA. His novelty song "Bridget the Midget (The Queen of The Blues)" made No 2 on the UK chart in 1971

Stevens' biggest hit was his gospel-inflected single "Everything Is Beautiful" (1970). A plea for love and tolerance during turbulent times in the United States, the song shot to Number 1 there. Stevens has won two Grammy Awards: one for "Everything Is Beautiful" and one for the arrangement of his country and western version of the jazz standard "Misty" (1975). He also recorded a version of Glenn Miller's "In The Mood" in the style of a clucking chicken, under the pseudonym Henhouse Five Plus Too. This was a Top 40 hit in the US and UK.

With the popularity of the song "Everything Is Beautiful", Stevens had a variety show on CTV. The Ray Stevens Show appeared in Canada in 1970 and soon appeared in the United States on NBC and the United Kingdom on the BBC. Although it only has eight episodes, it is mostly known for being the show that launched the career of regular cast member Steve Martin.

Ray Stevens was inducted into the Nashville Songwriters Hall of Fame in 1980. Since the 1980s, Stevens has appeared regularly at the country music performing venue of Branson, Missouri. 2005 was his last year for performances in Branson. Currently, there are no scheduled performances anywhere for the year 2006.
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