Anything - Black Lab

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Anything Lyrics

it could have been anyone
could have been a woman or a man
must have swept her away
made her forget who I am
it could have been anyone
could have slipped me a drug
must have been a permanent dose
to make me forget who she was

it could have been anything
could have been the time we spent alone
maybe too much time together
maybe too close to the bone
it could have been anything
any word i might have said
just a look i might have given
just the angle of my head (I forget)

but we come we go
we say that we know
but we don't remember and
we don't remind each other
we come we go
we say that we know
but we don't remember no we
don't recognize each other

it could have been anyone
any rumor passed around
someone made her doubt me
made her head for higher ground
it could have been anything
any gesture or word
maybe something I misstated
something she misunderstood (I would)

we come we go
but we don't remember and we
don't recognize that
maybe this time things might work out right
maybe this time she might catch my eye
maybe something
anything
could strike me blind and
I might remember her and
she might remember me this time

it could have been anything
anything
the ring around her finger
it could have been anything
any piece
shattered on the way
it could have been anything
anyone
she'll take another lover
it could have been anything anything anything anything

we come we go
but we don't rememeber and we
we don't recognize each other.

Lyrics provided by LyricsEver.com
Black Lab is a rock band which formed in 1995 in Berkeley, California, United States. The band is lead by Paul Durham (vocals, guitar), who has been the only constant member of the band. The only other official member is Andy Ellis (keyboards, guitar), who has been in the band since 2000.

In 1998, Paul Durham and his rock band, Black Lab, released their Geffen Records debut Your Body Above Me to critical acclaim. The album yielded the top 10 rock and alternative single "Wash it Away," and the top 40 ac and pop track "Time Ago."

Paul Durham grew up in Twin Falls, Idaho before moving to San Francisco to pursue his passion for musical invention. He recorded and toured with a group of friends under the moniker “Durham,” and made an acoustic-based singer/songwriter record with celebrated jazz producer Lee Townsend. (now available at blacklabworld.com under the title Ten Million Years: songs from the nineteen nineties).

“Durham” split, but a deal with Geffen Records followed, a new band was built, and Black Lab's debut was tagged as "one of this year's breakout records" (Billboard). Hollywood called, and the band contributed songs to the soundtracks for Can't Hardly Wait, Varsity Blues, Permanent Midnight, and Buffy the Vampire Slayer. After a year of touring, Black Lab was poised to fulfill their destiny as "the American U2" (San Francisco Chronicle) when their record label was quickly shuttered. Over the next two years, Durham left his band, fired his manager and moved to LA. "In the end, all I had were my guitars and the songs I was writing." Durham wanted to control the sound around his voice, so he bought a computer and learned to use it. "I had to get back to how it was in high school -- just me and my four-track."

The resulting demos got Durham a new deal with Epic Records. "The first thing I did was buy a giant ProTools system." The only problem was, he didn't know how to install the software. On advice from a friend, Durham hired Andy Ellis to set up his studio. "So, we're sitting around waiting for the computer to reboot," remembers Durham, "And this guy picks up my guitar, without asking. I was cringing inside, afraid of what he would play. But he was great. I wanted to sing over the top of everything he played. Pretty soon, we were writing together."

At 23, Ellis was already an accomplished guitarist, keyboard player and programmer. He had been working as an assistant to some of the best engineers in the business and knew how to twiddle some serious knobs. Durham had found the missing link between what he heard in his head and what came out of the speakers. "Working with Andy is the first time collaboration has ever been easy," says Durham. "Instead of the whole hell-is-other-people thing, we have a blast just making sounds.

See the Sun has a depth and emotional range that broadens with each listen. Much of the album was mixed by Tom Lord-Alge (Live, Blink 182, Avril Lavigne). What shines brightest is the band's pop sensibility – the liquid swirl of "Remember," the epic sweep of "See the Sun," the raging loss of "Without You," and the open-armed surrender of "Lonely Boy."

“Learn to Crawl” was tapped as the fourth track on the platinum Spider-Man soundtrack. Produced by Durham and veteran mixer/producer Tom Lord-Alge, the song wraps an aggressive guitar riff around what Rolling Stone calls "Black Lab's tightly spun, highly melodic rock."

The title of "Ecstasy," a pulsing shadow that wakes to full rock glory, was inspired by Durham's experience recording: "The freedom to do what I wanted – in the studio across the hall from my bedroom – was amazing. I would get up late, go to the beach, then work until four or five in the morning. I got to record this album the same way I wrote it."

While See the Sun represents a zenith in Black Lab’s songwriting and production, the band continues to push and expand its sound into uncharted territory, contributing a vicious techno track called “This Blood” to the worldwide hit movie Blade : Trinity. Black Lab also continues to produce music for television (MTV’s Real World, “What I Like About You,” “The Days”) as well as the upcoming film Lovewrecked.

The third Black Lab album, entitled "Passion Leaves A Trace" was released on January 16th, 2007. Highlights include the majestic "Mine Again", the jet-black remorse of "This Night" (featured in the trailer for The Shield Season 6, and on the episode "Out of the Chute" of House), the hook-laden driving force that is "The Real You", and the achingly beautiful "Ghost In Your Mind".

All things Black Lab, including streaming and free downloads from the new and past albums, can be found at blacklabworld.com.
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