Bring On the Day - Charlotte Martin

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Bring On the Day Lyrics

Well, I'm feeling like I'm falling
But I'm still on my feet
Reality is calling
But that don't bother me

'Cause I'm on my way
And I'm okay

I'm ready to get ready
Willing to get by
I'm able to imagine
What it's like to fly

Into the blue
Fall down too


Hey, hey, come on bring on the day
'Cause I just might get everything I need
Hey, hey, I'm givin' what it takes
I'm ready as I'm ever gonna be
So bring on the day, bring on the day

Like a diver in the water
Everything feels slow
But my caramel macchiato
Really gets me in the flow

And I'm on my way
Whatever it takes

Hey, hey, come on bring on the day
'Cause I just might get everything I need
Hey, hey, I'm givin' what it takes
I'm ready as I'm ever gonna be
So bring on the day, bring on the day

What you get is what you see
Open up your eyes they'll set you free
It all works out eventually
You gotta keep on keepin' on

I can rock and I can roll
I know I wanna move, I gotta take control
Watch out world, 'cause here I come
And I can't stop 'til I'm done

Hey, hey, I'm finally on my way

Hey, hey, come on bring on the day
'Cause I just might get everything I need
Hey, hey, I'm givin' what it takes
I'm ready as I'm ever gonna be
So bring on the day, bring on the day

You gotta keep on keepin' on
You gotta keep on keepin' on
Keep on, keep on, keep on keepin' on

Lyrics provided by LyricsEver.com
Singer-songwriter Charlotte Martin got her start singing opera while attending Eastern Illinois University in the late '90s. Her father was a respected professor in the music department, and naturally Martin followed his footsteps. She'd been playing piano since she was a little girl and her childhood was surrounded by music.

While attending school, Martin experienced "real life," from living with her goth roommate and dealing with typical college-like drama to the tragic suicides of two close friends. Martin turned to music for solace. She desperately wanted to make music into a career; therefore, a whirlwind move to Los Angeles seemed like the right thing to do.

Martin eventually made a record, One Girl Army, with producer Tom Rothrock (Badly Drawn Boy, Beck, Elliott Smith), but it was never released. Before 2002 came to a close, Martin got her own studio and recorded a new batch of songs with Ken Andrews (Air, Pete Yorn). The melodic dreamscapes of In Parentheses arrived in August 2003 and Martin's bright voice drew comparisons to Fiona Apple and Kate Bush. Dates with Howie Day and Damien Rice also coincided with the release of the EP.

On Your Shore followed in 2004. Unfortunately, Martin's relationship with RCA proved creatively trying as the singer/songwriter continued writing and recording new material. A decision to leave the major label in 2005 allowed Martin to accomplish her creative goals, thus reconnecting with Test-Drive Records to issue the Veins and Darkest Hour EPs before the year's end. Additional support dates around North American followed into the fall, and Martin rounded out the Veins tour with her first DVD recording, the limited-edition Something Like a DVD.

She also married her long-time collaborator and co-producer, Ken Andrews (Pete Yorn, Year of the Rabbit, Failure), in the midst of recording her second album, Stromata. The album arrived on Martin and Andrews' own Dinosaur Fight label in September 2006. (All Music Guide)

http://www.charlottemartin.com Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Charlotte Martin