Closing Time - Leonard Cohen

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Embed: And the moon is swimming naked
and the summer night is fragrant
with a mighty expectation of relief
So we struggle and we stagger
down the snakes and up the ladder
to the tower where the blessed hours chime
and I swear it happened just like this:
a sigh, a cry, a hungry kiss
the Gates of Love they budged an inch
I can't say much has happened since
but CLOSING TIME

I swear it happened just like this:
a sigh, a cry, a hungry kiss
the Gates of Love they budged an inch
I can't say much has happened since
CLOSING TIME

I loved you for your beauty
but that doesn't make a fool of me:
you were in it for your beauty too
and I loved you for your body
there's a voice that sounds like God to me
declaring, declaring, declaring that your body's really you
And I loved you when our love was blessed
and I love you now there's nothing left
but sorrow and a sense of overtime
and I missed you since the place got wrecked
And I just don't care what happens next
looks like freedom but it feels like death
it's something in between, I guess
it's CLOSING TIME

Yeah I missed you since the place got wrecked
By the winds of change and the weeds of sex
looks like freedom but it feels like death
it's something in between, I guess
it's CLOSING TIME

Yeah we're drinking and we're dancing
but there's nothing really happening
and the place is dead as Heaven on a Saturday night
And my very close companion
gets me fumbling gets me laughing
she's a hundred but she's wearing
something tight
and I lift my glass to the Awful Truth
which you can't reveal to the Ears of Youth
except to say it isn't worth a dime
And the whole damn place goes crazy twice
and it's once for the devil and once for Christ
but the Boss don't like these dizzy heights
we're busted in the blinding lights,
busted in the blinding lights
of CLOSING TIME

The whole damn place goes crazy twice
and it's once for the devil and once for Christ
but the Boss don't like these dizzy heights
we're busted in the blinding lights,
busted in the blinding lights
of CLOSING TIME

Oh the women tear their blouses off the men they dance on the polka-dots
It's CLOSING TIME
And it's partner found, it's partner lost
and it's hell to pay when the fiddler stops
It's CLOSING TIME
I swear it happened just like this:
a sigh, a cry, a hungry kiss
It's CLOSING TIME
The Gates of Love they budged an inch
I can't say much has happened since
But CLOSING TIME
I loved you when our love was blessed
I love you now there's nothing left
But CLOSING TIME
I miss you since the place got wrecked
By the winds of change and the weeds of sex.Lyrics provided by TANCODEhttp://lyricsever.com/" readonly=""/>

Closing Time Lyrics

Ah we're drinking and we're dancing
and the band is really happening
and the Johnny Walker wisdom running high
And my very sweet companion
she's the Angel of Compassion
she's rubbing half the world against her thigh
And every drinker every dancer
lifts a happy face to thank her
the fiddler fiddles something so sublime
all the women tear their blouses off
and the men they dance on the polka-dots
and it's partner found, it's partner lost
and it's hell to pay when the fiddler stops:
it's CLOSING TIME

Yeah the women tear their blouses off
and the men they dance on the polka-dots
and it's partner found, it's partner lost
and it's hell to pay when the fiddler stops:
it's CLOSING TIME

Ah we're lonely, we're romantic
and the cider's laced with acid
and the Holy Spirit's crying, "Where's the beef?"
And the moon is swimming naked
and the summer night is fragrant
with a mighty expectation of relief
So we struggle and we stagger
down the snakes and up the ladder
to the tower where the blessed hours chime
and I swear it happened just like this:
a sigh, a cry, a hungry kiss
the Gates of Love they budged an inch
I can't say much has happened since
but CLOSING TIME

I swear it happened just like this:
a sigh, a cry, a hungry kiss
the Gates of Love they budged an inch
I can't say much has happened since
CLOSING TIME

I loved you for your beauty
but that doesn't make a fool of me:
you were in it for your beauty too
and I loved you for your body
there's a voice that sounds like God to me
declaring, declaring, declaring that your body's really you
And I loved you when our love was blessed
and I love you now there's nothing left
but sorrow and a sense of overtime
and I missed you since the place got wrecked
And I just don't care what happens next
looks like freedom but it feels like death
it's something in between, I guess
it's CLOSING TIME

Yeah I missed you since the place got wrecked
By the winds of change and the weeds of sex
looks like freedom but it feels like death
it's something in between, I guess
it's CLOSING TIME

Yeah we're drinking and we're dancing
but there's nothing really happening
and the place is dead as Heaven on a Saturday night
And my very close companion
gets me fumbling gets me laughing
she's a hundred but she's wearing
something tight
and I lift my glass to the Awful Truth
which you can't reveal to the Ears of Youth
except to say it isn't worth a dime
And the whole damn place goes crazy twice
and it's once for the devil and once for Christ
but the Boss don't like these dizzy heights
we're busted in the blinding lights,
busted in the blinding lights
of CLOSING TIME

The whole damn place goes crazy twice
and it's once for the devil and once for Christ
but the Boss don't like these dizzy heights
we're busted in the blinding lights,
busted in the blinding lights
of CLOSING TIME

Oh the women tear their blouses off the men they dance on the polka-dots
It's CLOSING TIME
And it's partner found, it's partner lost
and it's hell to pay when the fiddler stops
It's CLOSING TIME
I swear it happened just like this:
a sigh, a cry, a hungry kiss
It's CLOSING TIME
The Gates of Love they budged an inch
I can't say much has happened since
But CLOSING TIME
I loved you when our love was blessed
I love you now there's nothing left
But CLOSING TIME
I miss you since the place got wrecked
By the winds of change and the weeds of sex.

Lyrics provided by LyricsEver.com
Leonard Cohen, (Leonard Norman Cohen, CC GOQ, 21 September 1934 – 7 November 2016) was a Canadian singer, songwriter, poet and novelist. His work explored religion, politics, isolation, sexuality, and personal relationships. Cohen was inducted into both the Canadian Music Hall of Fame and the Canadian Songwriters Hall of Fame as well as the Rock and Roll Hall of Fame. He was a Companion of the Order of Canada, the nation's highest civilian honour. In 2011, Cohen received one of the Prince of Asturias Awards for literature and the ninth Glenn Gould Prize.

Cohen's first album was Songs of Leonard Cohen (1967), featuring "Suzanne" and "So Long Marianne", followed by Songs from a Room (1969), featuring "Bird on the Wire", and Songs of Love and Hate (1971), featuring "Avalanche" and "Famous Blue Raincoat".
His 1977 record Death of a Ladies' Man was co-written and produced by Phil Spector, which was a move away from Cohen's previous minimalist sound. In 1979 Cohen returned with the more traditional Recent Songs, which blended his acoustic style with jazz and Oriental and Mediterranean influences. "Hallelujah" was first released on Cohen's studio album Various Positions in 1984. I'm Your Man in 1988 marked Cohen's turn to synthesized productions and remains his most popular album. In 1992 Cohen released its follow-up, The Future, which had dark lyrics and references to political and social unrest.
Cohen returned to music in 2001 with the release of Ten New Songs, which was a major hit in Canada and Europe. His eleventh album, Dear Heather, followed in 2004. After a successful string of tours between 2008 and 2010, Cohen released three albums in the final four years of his life: Old Ideas (2012), Popular Problems (2014) and You Want It Darker (2016), the last of which was released three weeks before his death.

The critic Bruce Eder assessed Cohen's overall career in popular music by asserting that "he is one of the most fascinating and enigmatic … singer/songwriters of the late '60s … and has retained an audience across four decades of music-making.... Second only to Bob Dylan (and perhaps Paul Simon), in terms of influence, he commands the attention of critics and younger musicians more firmly than any other musical figure from the 1960s who is still working at the outset of the 21st century."

The Academy of American Poets has commented more broadly on Cohen's overall career in the arts, including his work as a poet, novelist, and songwriter, stating that "Cohen's successful blending of poetry, fiction, and music is made most clear in Stranger Music: Selected Poems and Songs, published in 1993, which gathered more than 200 of Cohen's poems … several novel excerpts, and almost 60 song lyrics... while it may seem to some that Leonard Cohen departed from the literary in pursuit of the musical, his fans continue to embrace him as a Renaissance man who straddles the elusive artistic borderlines."

In 1967, disappointed with his lack of financial success as a writer, Cohen moved to the United States to pursue a career as a folk music singer-songwriter. During the 1960s, he was a fringe figure in Andy Warhol's "Factory" crowd. Warhol speculated that Cohen had spent time listening to Nico in clubs and that this had influenced his musical style. His song "Suzanne" became a hit for Judy Collins and was for many years his most covered song. After performing at a few folk festivals, he came to the attention of Columbia Records representative John H. Hammond who signed Cohen to a record deal.

Musically, Cohen's early songs are based in folk music, in terms of both melody and instrumentation; from the 1970s, though, his work begins to show the influence of various types of popular and cabaret music. Since the 1980s he has typically sung in a deep bass register, accompanied by synthesisers and female backing vocals.

Despite not embarking on a tour since 1993, Cohen was forced to go on the road in 2008, following the alleged misappropriation of over five million U.S. dollars from his retirement by his longtime former manager, Kelley Lynch. This left him close to bankruptcy, and Cohen's mammoth world tour lasted two and a half years and included 246 shows.

Cohen's songs are often emotionally heavy and lyrically complex, owing more to the metaphoric word play of poetry than to established conventions of songcraft. His work often explores the themes of religion, isolation, and complex interpersonal relationships.

Cohen's music has greatly influenced other singer-songwriters, and more than a thousand cover versions of his works have been recorded. He is also popular in his native land, having been inducted into the Canadian Music Hall of Fame and awarded the Order of Canada, the nation's highest civilian honour.

Cohen released 14 studio albums and eight live albums during the course of a recording career lasting almost 50 years, throughout which he remained an active poet. His entire catalogue is available on Columbia Records. His 1967 debut Songs of Leonard Cohen earned an RIAA gold record; he followed up with three more highly acclaimed albums: Songs from a Room (1969), Songs of Love and Hate (1971) and New Skin for the Old Ceremony (1974), before allowing Phil Spector to produce Death of a Ladies' Man for Warner Bros. Records in 1977. Cohen returned to Columbia in 1979 for Recent Songs, but the label declined to release his next album, Various Positions (1984) in the US, leaving it to American shops to import it from CBS Canada. In 1988, Columbia got behind Cohen again and gave full support to I'm Your Man, which brought his career to new heights, and Cohen followed it with 1992's The Future. Cohen then took a nine-year hiatus, and returned with Ten New Songs in 2001, which he made with Sharon Robinson, following this with Dear Heather (2004). In 2008 Cohen began touring for the first time in 15 years and, as well as the release of several live albums, he released Old Ideas (2012), which peaked at number three on the Billboard 200 albums chart. This was the highest ranking ever for a Leonard Cohen album, and it became his first to top the Canadian Albums Chart, a feat he repeated with his followup, Popular Problems, released in 2014. His live albums included Live Songs (1973), Cohen Live: Leonard Cohen in Concert (1994), Live in London (2009), Songs from the Road (2010), from his 2008–2009 world tour, and Live at the Isle of Wight 1970 (2009).
You Want It Darker is the fourteenth and final studio album by Canadian singer-songwriter Leonard Cohen, released on 21 October 2016, by Columbia Records. Cohen died three weeks after its commercial release, on 7 November 2016.
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