Dans l'eau de la claire fontaine - Georges Brassens

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Dans l'eau de la claire fontaine Lyrics

Esta de parranda el jefe
Lo tenemos que cuidar
Recuerdo la vez pasada
Cuando se puso a tomar
Se llevo una jovencita
Al salir de aquel lugar
Las puertas ya se cerraron
Va pa' largo el reventón
Conozco muy bien sus mañas
Esta vez ya se pico
Ya que dice salucita
Es señal que amaneció
Pa' variar tiene visita
Es su amigo el coronel
Y esta bien acompañado
Por la reina que usa el
Vale mas sacar la nuestra
Por que nos va amanecer
Que se traigan las muchachas
Mas bonitas pero ya
La mejor es de mi amigo
Que me vino a visitar
Y si acaso no le gusta
Tráiganle una sin usar
No hablaremos del negocio
Por que todo marcha bien
Que le traigan lo que pida
A mi amigo el coronel
Cuando el jefe esta de buenas
No se mide en complacer
Se emociona con corridos
Y con este mucho más
Cada vez que se termina
No se cansa de escuchar
Lo repite y lo repite
Mas no se por que será

Lyrics provided by LyricsEver.com
Georges Brassens was a French singer-songwriter known for accompanying himself with his acoustic guitar. He wrote some extremely controversial, yet poetic songs. In doing so, he managed to change attitudes across France.

He was uncompromising when composing his songs. His tactical method of addressing issues was profound and often humorous, making him a unique and effective figure in the French community.

Brassens, born in 1921 in the small Mediterrenean port of Sete, wanted to be a poet. He realized very early however that poetry in the 20th century could hardly put bread on the table and instead set himself to become a singer.

He is much less famous internationally than contemporaries like Charles Aznavour, Edith Piaf and Yves Montand, as much of the impact of his songs came from the lyrics, which proved difficult to translate into other languages. He loved the Middle Ages and used a great deal of Old French vocabulary, as well as many classical - ie., Latin and Greek - references. Few people, even in France, possess the background to fully understand his songs.

Yet he was at the same time a hugely popular singer and many of his songs still carry a lot of appeal and relevance. In this sense, he can be compared to Boris Vian, to Jacques Brel, and to a lesser extent to Serge Gainsbourg.

He was very sophisticated, yet at the same time used profanity liberally. While he wasn't politically engaged, he was nevertheless unambiguously a leftist, many of his songs carrying blatant and buoyant anarchist overtones.

While his music was initially quite primitive, the 1950's St-Germain-des-Pres influence quickly made itself felt and while subdued and - in his mind - always secondary to the lyrics, it became increasingly sophisticated - to the point that many of his songs have been covered and reinterpretated by jazzmen (see for instance this UK site: www.projetbrassens.eclipse.co.uk)

He died in 1981, but up to this date (2006) there are few French people - including most of those born since - who can't sing along to his most famous song, Les Copains d'abord ("Friends foremost") or his "Bancs public" ("Public Benches").

For those interested, this site carries a number of (quite good) English tranlations of his songs: www.brassens.org Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Georges Brassens