Data data - Jorge Drexler

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Bolivia

Europa, 1939.
Todos decían que no en las cancillerías
(años de guerra caliente
varios años antes de la guerra fría).

Todos decían que no,
cuando dijo que sí Bolivia.

Berlín era un nido de ratas.
El paladín de la bravata, gritaba,
llenaba estadios
de un árido erial de desvarío ario,
un árido erial de desvarío ario.

Las puertas se iban cerrando.
El tiempo colgaba de un pelo.
Y aquel niño en los brazos de mis abuelos.

Y el pánico era evidente.
Y todo lo presagiaba:
El miedo ganaba cauce,
abría fauces, vociferaba.
Y entonces llegó del frío,
en pleno glaciar hiriente,
una insólita vertiente de agua tibia:

Todos decían que no,
cuando dijo que sí Bolivia.

Y el péndulo viene y va
y vuelve a venir e irse
y tras alejarse vuelve
y tras volver, se distancia
y cambia la itinerancia
y los barcos van y vienen,
y quienes hoy todo tienen
mañana por todo imploran
y la noria no demora
en invertir los destinos,
en refrescar la memoria.

Y los caminos de ida
en caminos de regreso
se transforman, porque eso:
una puerta giratoria
no más que eso, es la historia.

Lyrics provided by LyricsEver.com
Jorge Drexler (n. Montevideo; September 21, 1964), is a critically acclaimed Uruguayan singer/songwriter who resides in Spain, began his recording career in the early 90's but didn't experience mainstream breakthrough success until his seventh album, Eco (2004), and its Oscar-winning song ''Al Otro Lado Del Río''.

He comes from a Jewish family that fled persecution in Germany. He studied to become an otolaryngologyst (i.e., ear, throat, and nose doctor) like his parents but ultimately chose to pursue his passion for music.

Drexler made his full-length album debut with La Luz Que Sabe Robar (1992), followed by Radar (1994). In hopes of furthering his career, he went to Spain in 1995 upon the invitation of legendary singer/songwriter Joaquín Sabina , who showed him around the Madrid music scene and helped him secure an international recording contract. So impressed with Madrid that he chose to make his permanent residency there, Drexler got together with a band of Spanish musicians to re-record material from his first two albums along with new material and release it internationally as Vaivén (1996), the first of four albums on Virgin España. The highlights of Vaivén along with those of its three follow-ups, Llueve (1998), Frontera (1999), and Sea (2001), were later compiled on the best-of compilation La Edad Del Cielo (2004).

Upon his switch to the Dro Atlántic label, Drexler's career reached new heights of success with the critically acclaimed Eco (2004). Most notably, the album includes the Oscar-winning song ''Al Otro Lado Del Río'', which was prominently featured during the closing credits of the Walter Salles film The Motorcycle Diaries (2004).

Eco proved so successful, in fact, that it was re-released with bonus material as Eco² (2005). Subsequent albums include 12 Segundos de Oscuridad (2006), the double-disc live album Cara B (2008), and Amar la Trama (2010).

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Jorge Drexler