Ella (feat. Guaco) - Gilberto Santa Rosa

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Ella (feat. Guaco) Lyrics

Hay que ser idiota
para no entender
que ella es todo lo
que lo que busco
en una mujer

Ella es bella,
Inteligente
Y lo que no le gusta
Te lo dice en la cara


De frente...
Por la calle
Caminamos juntos
(de frente por la vida
siempre me pregunto)
si hubiera seguido con
mi vida aquella,
me hubiera perdido el
estar con ella

ilusiones que se encierran
en los corazones
creando emociones
que son bendiciones
el milagro que aniquila
los fantasmas del pasado

sumergida aquí
en mi vida en ella
te colaste
como una bandida,
yo soy tu guarida

hay que ser idiota
para no adivinar
que cualquier otra
escogencia no habría
estado mal
pero nada comparado
a ella
y pensar por un minuto
la vida sin ella.

Hay que ser idiota
para no entender
que ella es todo
lo que busco en una mujer...
y al mirarme
ella me tiene entre
sus manos y es
por eso que la amo

Hay que ser idiota
para no entender
que ella es todo lo que busco.
La que yo buscaba,
Como la soñaba,
La encontré y no
Me preocupo

Hay que ser idiota
para no entender
que ella es todo
lo que busco en una mujer...
ella es dueña
de mi mundo, con
sus besos, sus caricias
que son todo para mi

si es así, me canso (ME CANSO)
me canso (Y NO ME CANSO)
me canso
y si no avanzo
estaría sin rumbo
sin seguir sus huellas...

si hubiera
seguido con mi vida
aquella me hubiera perdido.
el estar con ella
me hubiera perdido
en mi vida aquella
y no hubiera tenido
esa estrella tan bella

ella es ahora
mi rayito de luz
me llena de
calma y me quita
la inquietud

ella es ahora
mi rayito de luz
me enamora
su belleza y me arrebata
su virtud.

ella es ahora
mi rayito de luz en
la sombra...
hace que
mi vida se componga

ella es ahora
mi rayito de luz en
la sombra...
con su cariño
me asombra

ella es ahora
mi rayito de luz
tiene una cara bonita
y una bonita actitud
ella es ahora
mi rayito de luz
hasta el medico
me dijo
que es buena pa mi salud

¡caminaloo.... Pero con Guaco
Santa Rosa dile a esa nena,
Cuídate que eres muy linda
Y así,
por siempre
sigámonos
queriendo
eternamente
Y así,
por siempre
no hay nada
que nos detenga,
juntitos seguiremos
defrente

Hay que ser idiota
para no entender
hay que ser
muy idiota para no comprender
que ella es
todo lo que busco
en una mujer
que la vida me
regala
otra manera
de querer

y encima
mira bonito
y yo me
derrito
cuando le
veo los ojitos
mi mira y
yo grito

y en cima
mira bonito
que la amo
que la adoro
y que yo la necesito
y en cima
mira bonito
pero que
rico

cuando le
veo los ojitos
con sus dos
luceritos
y en cima
mira bonito
flotando
en el infinito
me tiene lo dulce
de su querer

Hay que ser idiota
para no entender
que ella es todo lo
que lo que buscaba
en una mujer
y siempre supe que era ella....

Lyrics provided by LyricsEver.com
Gilberto Santa Rosa was born on 21 August 1962, in Puerto Rico and today is known as "El Caballero de la Salsa" (the gentleman of salsa).

In 1976 he started with a group of amateurs in Puerto Rico, and his first recording was with the Mario Ortiz Orchestra. He then moved on to Orquesta La Grande, and during the two years Gilberto was with them, he met Mr. Elias Lopés who later helped mold and polish the promising young singer, releasing three recordings.

In 1980, he got an important opportunity recording "Homenaje a Eddie Palmieri" with the Puerto Rico All Stars. He then went on to record with Tommy Olivencia. From 1981 through 1986 he was with the Willie Rosario Orchestra where he recorded six albums.

Santa Rosa then signed with Ralph Cartagena's Combo Records. In 1986, he debuted on Good Vibrations fronting his own salsa orquesta. After releasing three more albums on Combo, including "De Amor y Salsa", he switched to CBS Records and issued the chart-topping salsa romantica set Punto De Vista in 1990, which went platinum and spawned the smash hits "Vivir Sin Ella" and "Perdoname". Santa Rosa's 1991 CBS/Sony follow-up, Perspectiva, was another monster hit.

Since the mid-80s, the mainstream salsa recording industry in Puerto Rico and the USA has been largely preoccupied with developing and marketing the images of "good looking" young male vocalists, rather than producing solid, stimulating music performed by swinging soneros (improvising salsa singers). Santa Rosa, however, who was one of the first of this new crop of solo singers, is regarded as being amongst the small number who deserve to be called a sonero.

In 1990, Santa Rosa was in the illustrious company of Andy Montañez and Pedro Brull (from Mulenze ), as one of the contemporary soneros assembled by bandleader Don Perignon for his all-star La Puertorriqueña project. In 1990, he won the Billboard Lo Nuestro award for Best Male Singer. He has also performed at New York's prestigious annual salsa festival. But 1990 was an important year in other respects. Santa Rosa made acting debut in the play "La pareja dispareja", where he was joined by Rafo Muñiz and Luis Vigoreaux.

He visited Japan in 1995 as Puerto Rico's musical ambassador and sang one of his songs, "De cara al viento" in Japanese in his effort to bridge the cultural barriers. Since then Santa Rosa's fame reached across borders and continents; commanding recognition as salsa artist in most demand. In 1996 he released yet another smash album Esencia which included hit songs such as No Quiero Nada Regala'o.

Santa Rosa's recent work has not been limited to soloist recordings. He joined other artists in the First President's Festival in the Dominican Republic; Andy Montañez in New York's Lincoln Center, in 1997; and Olga Tañon in the Universal Studios Amphitheater in Holloywood, in 1997.

In 1999, he released Expresión, which reinforced his international fame. The album included the hit song "Que alguien me diga", written by Omar Alfanno, which was at the top of Billboard‘s latin chart for various weeks. The album also included the song Fulana, unlike his well known salsa, demonstrating his wide range of interests and ability. The album was selected as one of the 20 best recordings of the year by the National Foundation Popular Culture of Puerto Rico. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Gilberto Santa Rosa