Expresso 2222 - Gilberto Gil

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Expresso 2222 Lyrics

Começou a circular o Expresso 2222
Que parte direto de Bonsucesso pra depois
Começou a circular o Expresso 2222
Da Central do Brasil
Que parte direto de Bonsucesso
Pra depois do ano 2000
Dizem que tem muita gente de agora
Se adiantando, partindo pra lá
Pra 2001 e 2 e tempo afora
Até onde essa estrada do tempo vai dar
Do tempo vai dar
Do tempo vai dar, menina, do tempo vai
Segundo quem já andou no Expresso
Lá pelo ano 2000 fica a tal
Estação final do percurso-vida
Na terra-mãe concebida
De vento, de fogo, de água e sal
De água e sal
De água e sal
Ô, menina, de água e sal
Dizem que parece o bonde do morro
Do Corcovado daqui
Só que não se pega e entra e senta e anda
O trilho é feito um brilho que não tem fim
Oi, que não tem fim
Que não tem fim
Ô, menina, que não tem fim
Nunca se chega no Cristo concreto
De matéria ou qualquer coisa real
Depois de 2001 e 2 e tempo afora
O Cristo é como quem foi visto subindo ao céu
Subindo ao céu
Num véu de nuvem brilhante subindo ao céu

Lyrics provided by LyricsEver.com
Gilberto Gil (born 26 June, 1942) is a Brazilian singer, guitarist and songwriter, and Brazil's former Minister of Culture. Gil is best known for his late 1960s tropicalismo recordings, including "Roda", "Lunik 9", and "Domingo No Parque". Elis Regina recorded many of his songs.

He began his career as a bossa nova musician, but soon began writing songs that reflected a new focus on political awareness and social activism, along with fellow singer Caetano Veloso. In the 1970s, Gil added new elements of African and North American music to his already broad palette, and continued to release a steady stream of albums, including Realce and Refazenda. João Gilberto recorded Gil's "Eu Vim da Bahia" ("I Came from Bahia") on his classic João Gilberto LP.

In 1969, Gil and Veloso, whose status in Brazil was, and is, equivalent to that of John Lennon and Paul McCartney in the English-speaking world, were arrested by the military government of Brazil for anti-government activities. Upon their release, the pair both moved to London. Gil began playing with groups like Yes, Pink Floyd and The Incredible String Band, while continuing his solo career. In the 1970s, he toured the US and recorded an English-language album. He worked with Jimmy Cliff and released in 1980 a cover of "No Woman, No Cry" (Bob Marley & the Wailers) that was a massive hit and introduced reggae to Brazil.

Gil continued recording, performing and involving himself in various social causes, and was eventually elected to office in Salvador, his hometown, in the early 1990s. His 1993 album with Caetano Veloso, "Tropicália 2", featured a cover of a Jimi Hendrix song, "Wait Until Tomorrow", and is regarded as one of his finest efforts since the late 1960s.

When President Lula da Silva took office in January 2003, he chose Gil to serve as Brazil's new Minister of Culture.

During Ministry, Gil released his songs "Refazenda", "Rebento" and "Refavela" under the Creative Commons Sampling License.

In May 2005 Gil was awarded the Polar Music Prize in Stockholm, Sweden. He was the first Latin American recipent of the annual award, which was given to him by the King of Sweden. Gil also performed four songs in an outdoors concert the day before the award show and again at the show with only two songs, accompanied by Jimmy Cliff.

In September 2005 he was awarded the Légion d'honneur from the French Government. This coincided with the Année du Brésil en France (Brazil's Year in France).

His daughter Preta Gil is also a musician. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Gilberto Gil