Fairy Tales (Edited Version) - Anita Baker

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Fairy Tales (Edited Version) Lyrics

I can remember stories, those things my mother said
She told me fairy tales, before I went to bed
She spoke of happy endings, then tucked me in real tight
She turned my night light on, and kissed my face good night
My mind would fill with visions, of perfect paradise
She told me everything, she said he'd be so nice
He'd ride up on his horse and, take me away one night
I'd be so happy with him, we'd ride clean out of sight
She never said that we would, curse, cry and scream and lie
She never said that maybe, someday he'd say goodbye

The story ends, as stories do
Reality steps into view
No longer living life in paradise - of fairy tales - uh
No, uh - huh - mmm - mmm

She spoke about happy endings, of stories not like this
She said he'd slay all dragons, defeat the evil prince
She said he'd come to save me, swim through the stormy seas
I'd understand the story, it would be good for me
You never came to save me, you let me stand alone
Out in the wilderness, alone in the cold

My story end, as stories do
Reality steps into view
No longer living life in paradise - no fairy tales - yes

I don't look for pie up in the sky, baby
Need reality, now, said I
Don't feel the need to be pacified, don't cha try
Honey, I know you lied

You never came to save me, you let me stand alone
Out in the wilderness, alone in the cold
I found no magic potion, no horse with wings to fly
I found the poison apple, my destiny to die
No royal kiss could save me, no magic spell to spin
My fantasy is over, my life must now begin

My story end, as stories do
Reality steps into view
No longer living life in paradise - no fairy tales - eh,
hey, hey - eee - mmm, mmm
Lord have mercy - ooo
ooo - mmm - oh Lord

Lyrics provided by LyricsEver.com
Anita Baker (born January 26, 1958, in Toledo, Ohio) is a soul and adult contemporary Rhythm and blues singer.

With her classy, refined brand of romantic soul, Anita Baker was one of the definitive quiet storm singers of the '80s. Gifted with a strong, supple alto, Baker was influenced not only by R&B, but jazz, gospel, and traditional pop, which gave her music a distinctly adult sophistication. Smooth and mellow, but hardly lifeless, it made her one of the most popular romantic singers of her time.

Baker was born January 26, 1958, in Toledo, OH, and raised in nearby Detroit, where she grew up listening to female jazz singers like Sarah Vaughan, Nancy Wilson, and Ella Fitzgerald. At age 12, she began singing a gospel choir, and by age 16 she was performing with several local bands. In 1975, she successfully auditioned for Chapter 8, one of Detroit's most popular acts at the time; the group eventually signed with Ariola and released an album in 1979, but were immediately dropped when the label was acquired by Arista (which didn't care for Baker's vocals). Chastened, Baker worked low-paying jobs in Detroit and eventually found steady work as a receptionist at a law firm. In 1982, Otis Smith -- an executive who'd worked with Chapter 8 -- contacted Baker about recording for his new label Beverly Glen. Happy with her employment benefits and skittish over the experience with Arista, Baker was reluctant at first, but eventually flew out to the West Coast to record her debut album, The Songstress, in 1983. Though it didn't gain quite enough exposure to become a hit, it did help Baker build a strong fan base through word-of-mouth and she was signed by Elektra in 1985.

Working with producer Michael J. Powell (an old Chapter 8 cohort), Baker released her major-label debut Rapture in 1986. It was a platinum, Grammy winning smash, appealing to both urban and adult contemporary listeners and producing two all-time quiet storm classics in "Caught Up in the Rapture" and "Sweet Love." Baker toured the world in 1987 and her guest appearance on the Winans track "Ain't No Need to Worry" won a Grammy. Her equally stylish follow-up album, Giving You the Best That I Got, appeared in 1988, spawning more staples in the title track and "Just Because." "Giving You the Best That I Got" also won Baker two more Grammys, for Best Female R&B Vocal and Best R&B Song. For her third Elektra album, Baker decided to handle a greater share of the songwriting, hence the title Compositions, which was released in 1990 and featured even stronger jazz inflections than Baker's previous work (not to mention all live instruments).

Following Compositions, Baker took a break from recording and touring; after having her first son in 1993, she returned to the studio to craft Rhythm of Love, which was released in 1994. In the years that followed, Baker was mostly silent, despite her fans' clamoring for a jazz album; instead, she raised her family and became embroiled in contract disputes with Elektra, which eventually led her to move to Atlantic. She began working on a new album in 2000, but had to start over from scratch due to defective recording equipment that made the original tracks unsalvageable. In 2004 it was announced that she had signed with Blue Note and still working on her new album. In the meantime, the Atlantic imprint Rhino released Night of Rapture: Live, a 1987 concert originally available on video. Baker finally returned to the studio in 2003 and issued My Everything, her first album in 10 years. Two years later she released her first holiday album, Christmas Fantasy. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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