Foot of Pride - Bob Dylan

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Foot of Pride Lyrics

Like the lion tears the flesh off of a man
So can a woman who passes herself off as a male
They sang, 'Danny Boy' at his funeral and the Lord's Prayer
The preacher talking 'bout Christ betrayed

It's like the earth just opened and swallowed him up
He reached too high, was thrown back to the ground
You know what they say about
Bein' nice to the right people on the way up
Sooner or later you gonna meet them comin' down

Well, there ain't no goin' back when your foot of pride come down
Ain't no goin' back

Hear ya got a brother named James, don't forget faces or names
Sunken cheeks and his blood is mixed
He looked straight into the sun and said revenge is mine
But he drinks, and drinks can be fixed

Sing me one more song, about ya love me to the moon and the stranger
And your fall by the sword love affair with Erroll Flynn
in these times of compassion when conformity's in fashion
Say one more stupid thing to me before the final nail is driven in

Well, there ain't no goin' back when your foot of pride come down
Ain't no goin' back

There's a retired businessman named Red
Cast down from heaven and he's out of his head
He feeds off of everyone that he can touch
He said he only deals in cash or sells tickets to a plane crash
He's not somebody that you play around with much

Miss Delilah is his, a Philistine is what she is
She'll do wondrous works with your fate
Feed you coconut bread, spice buns in your bed
If you don't mind sleepin' with your head face down in a grave

Well, there ain't no goin' back when your foot of pride come down
Ain't no goin' back

Well they'll choose a man for you to meet tonight
You'll play the fool and learn how to walk through doors
How to enter into the gates of paradise?
No, how to carry a burden too heavy to be yours?

Yeah, from the stage they'll be tryin' to get water outta rocks
A whore will pass the hat, collect a hundred grand and say thanks
They like to take all this money from sin
Build big universities to study in
Sing, 'Amazing Grace' all the way to the Swiss banks

Well, there ain't no goin' back when your foot of pride come down
Ain't no goin' back

They got some beautiful people out there, man
They can be a terror to your mind and show you how to hold your tongue
They got mystery written all over their forehead
They kill babies in the crib and say only the good die young

They don't believe in mercy
Judgment on them is something that you'll never see
They can exalt you up or bring you down main route
Turn you into anything that they want you to be

Well, there ain't no goin' back when your foot of pride come down
Ain't no goin' back

Yes, I guess I loved him too
I can still see him in my mind climbin' that hill
Did he make it to the top, well he probably did and dropped
Struck down by the strength of the will

Ain't nothin' left here partner
Just the dust of a plague that has left this whole town afraid
From now on, this'll be where you're from
Let the dead bury the dead, your time will come
Let hot iron blow as he raised the shade

Ain't no goin' back when your foot of pride come down
Ain't no goin' back, oh yeah, oh yeah

Lyrics provided by LyricsEver.com
Bob Dylan (born Robert Allen Zimmerman on May 24, 1941 in Duluth, Minnesota, United States) is an American musician, poet and artist whose position in popular culture is unique.

Dylan started his musical odyssey in 1959 when he began playing in Dinkytown, Minneapolis while attending the University of Minnesota. Shortly after starting to play he changed his stage name to Bob Dylan, after being influenced by the poetry of Dylan Thomas before legally changing his name in 1962.

Much of his best known work is from the 1960s, when he became an informal documentarian and reluctant figurehead of American unrest, promoted by Joan Baez. Some of his songs, such as "Blowin' in the Wind" and "The Times They Are A-Changin'", became anthems of the anti-war and civil rights movements, with Joan Baez and Dylan singing together at the March on Washington in 1963. However he later became disenchanted with the and civil liberty protest scene, feeling that he had been used by them.

His album Bringing It All Back Home marked a move away from the folk scene and a move towards rock and roll and Dylan began to consciously distance himself from his early association with civil rights. He also started to become irritated when being interviewed, often given facetious or irreverent answers to questions. Bringing It All Back Home was a controversial album as it the first on which he played electric guitar. This was seen by some of his fans as a betrayal of this folk roots, with some saying that it obscured his meaningful and poetic lyrics.

The second half of the 1960s was marked by a string of well received releases, with his song "Like a Rolling Stone", released in July of 1965, later being named "The Greatest Song of All Time" by Rolling Stone magazine in 2004, placing #1 in a list of 500 titles. It also marked the formation of Dylan's backing band The Hawks (who would later call themselves simply The Band). Dylan embarked on a world tour of Australia and Europe in 1966, during which he seemed to be under a lot of strain and pressure by both his fans, the music press and his own promoters. Dylan himself admitted that he began taking drugs seriously whilst on this tour, and found it immensely hard work. On returning to New York he crashed his motorbike, sustaining serious injuries in the process, and went into a period of withdrawal while he recuperated. During the late 1960s, Dylan again changed stylistic tradition, moving away from the psychedelic culture of the time. It was then that he recorded All Along the Watchtower, perhaps more famously recorded by Jimi Hendrix.

The 1970s were a period during which Dylan was more sporadic in his output, releasing some poorly received LPs. He rarely appeared in person until 1973, when he began touring again with his backing band The Band. He also wrote one of his most extensively covered songs, Knockin' On Heaven's Door, as well as what is now recognised as one of his best albums Blood On The Tracks. Towards the end of the 1970s, Dylan discovered God, and released some albums of gospel music. He started to talk to the crowd about his faith during his performances, and wouldn't play any of his early work, which alienated some of his previous fans.

Dylan today still remains an influential and popular artist; despite a period of little note between 1970-2000, his 2006 album Modern Times reached the US chart at #1, as did his 2009 album Together Through Life, in the US, Britain, France and several other countries. His 2012 album Tempest was also critically acclaimed. Since 1988, Dylan has been on the so-called Never Ending Tour, during which his performanes have provoked controversy, with some critics claiming that his lyrics have become incomprehensible, an experience which is not helped by his tendency to change his set-list and vocals almost every performance.

Bob Dylan's strong influence over the past few years is becoming even more prominent amongst a growing group of younger emerging artists such as George Ellias and Devendra Banhart. Dylan's early lyrics incorporated politics, social commentary, philosophy and literary influences, defying existing pop music conventions and appealing widely to the counterculture of the time. While expanding and personalizing musical styles, Dylan has shown steadfast devotion to traditions of American song, from folk and country/blues to rock and roll and rockabilly, to Gaelic balladry, even jazz, swing and Broadway.

Dylan performs with the guitar, keyboard and harmonica. Backed by a changing lineup of musicians, he has toured steadily since the late 1980s. He has also recently performed alongside other iconic artists, such as Paul Simon, Joni Mitchell, Tom Petty and Eric Clapton. Although his contributions as a performer and recording artist have been central to his career, his songwriting is generally held as his highest accomplishment.

Nobel Prize for Literature (2016) - On October 13, 2016, Dylan was awarded the Nobel Prize for Literature for “for having created new poetic expressions within the great American song tradition”. The prestigious award has been given annually since 1901 and previous Nobel Laureates for Literature include Harold Pinter and Samuel Beckett. Here is the speech written by Dylan, although unable to attend:
http://www.nytimes.com/2016/12/10/arts/bob-dylan-nobel-prize-acceptance-speech.html?_r=0
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