Gold Into Straw - Brendan Benson

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Gold Into Straw Lyrics

I'm writing the words to this song with a poison pen
I'm turning straw into gold and then back again
When you used to be my friend
Before you turned your back on me in the end

I'm building a box made of wood from a tree that I grew
I'm sewing the lining in silk that I spun just for you
And I lay you to rest
I pour flowers on your chest, on your chest

And it's happened again
Pull a fast one on me
And I've got to be dumb
If it's always in fun

I'm digging a hole with my hands six fee in the ground
I'm chiseling this epitaph on a stone that I found
Meet this friend indeed
May he rest in peace and get on with

I'm learning to live with the guilt of remembering
I'm willing to try to forgive and forget this thing
That's gone on too long
You were right, I was wrong, so wrong

And it's happened again
Pull a fast one on me
And I've got to be dumb
If it's always in fun

But enough's enough
Hold my breath while I pass
While I pass you by

And it's happened again
Pull a fast one on me
You can undo what you've done
And it's always in fun
If it happens again
Pull a fast one on me
Then I've got to be dumb
And in more ways in one

And it's always in fun
And in more ways in one

Lyrics provided by LyricsEver.com
Brendan Benson is a Detroit, Michigan born musician and singer-songwriter. He plays guitar, bass guitar, keyboard and drums. He has released four solo albums and is a member of the band The Raconteurs.

His music is typically labeled as power pop, though he doesn't completely agree. His major musical influences include The Cars, David Bowie, Electric Light Orchestra, Elvis Costello, The Kinks, Robyn Hitchcock, Paul McCartney, and Todd Rundgren.

His debut album, One Mississippi, was released in 1996 on Virgin Records. The album featured several contributions with Jason Falkner and gained many favourable reviews in the music press but failed to sell in sufficient numbers and Benson was dropped by Virgin.

It would be another six years until Benson issued the follow-up, Lapalco. Again the critical plaudits poured in but this time the record enjoyed a certain degree of commercial success.

While touring this record Benson played the Reading and Leeds Festivals and finished his Leeds set with a performance of the track "Jet Lag" featuring guest appearances from Meg White of The White Stripes along with members of The Datsuns and Soledad Brothers.

In 2003 Benson re-released his debut album along with bonus tracks including the unreleased six track extended player, Welfed Boy EP, featuring songs from a demo session with Falkner.

Also in 2003, Benson released an EP, Metarie, with his then band, The Wellfed Boys. The EP featured a cover of Paul McCartney's "Let Me Roll It". This was the first song written completely by another artist to be featured on a Benson release. Another cover, this time "Strong Boy", from Gram Parsons International Submarine Band's 1968 album, Safe at Home, was released as a b-side in 2005.

In 2005, Benson released his third album, The Alternative to Love, and toured extensively in the US, UK and Europe with his new touring band, The Stiff Tissues.

Benson is also a member of The Raconteurs, a collaboration with Jack White of The White Stripes and two members of The Greenhornes, Jack Lawrence and Patrick Keeler. The group's debut album, Broken Boy Soldiers, was released in the US on May 16th, 2006, with "Steady, As She Goes" the first single.

Brendan currently lives in Nashville, Tennessee.

He has also worked as a producer for The Greenhornes, The Nice Device, The Mood Elevator (a permutation of The Welfed Boys), and Stiff Tissues member Dean Fertita's former band, The Waxwings.

In 2008, his song "What I'm Looking For" was used in an Apple iPod Touch television ad, propelling sales of that particular song on iTunes and other online music retailers.

Benson's fourth full-length record, My Old, Familiar Friend, was released on August 18, 2009. This was followed by What Kind of World (2012), and You Were Right (2013). Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Brendan Benson