Is Your God A Dog - Public Enemy

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Is Your God A Dog Lyrics

Crosstown traffic
Black to black
You should a seen 'er
Long and winding road to the arena
Crystal ball
I prophesized
What was on the horizon
Forewarned yall
Is it any wonder
What kind of ground you goin under
A September ender
To march madness remember?
You never heard a murder
Take for example
Unsolved mystery
Life lost in a funk sample
Enter the bandwagons
Braggin hangin banners
Clearin the way for younger MCs
And new hammers
What was criticized six years back
Is now back
With New York on the jersey front and back
Feel like Tiger Woods
Got madd goods
Way up from the cheap seats
Comin outta the hood
Race to the black seats
Amongst the wack seats
Be the hardcore
Alongside the deadbeats
The world lookin on
Like spectators
At crucified gladiators
Feels like a jungle inside
Where fish swim birds fly
Man got a tendency to die
Man falls to the hands of man
But damn if i'll ever try
To survive at courtside
Four tickets to fly
Rap or play ball do the game
Or duck the drive by

Same league that defends
Be the same ones that do us in
Spys
CIA - FBI
And them suits in that
Corporate sky
Eye for an eye
The target is the bad guy
Heard the war is on
>From the announcer
Bound to get the crowd
Bouncin
Yes and it counts and
In this corner representin the
Best in the west
Died from four bullets
Two in the chest
Worshipped on the other side
Of TV sets
Had madd fans
Comin outta both sex
Sold, multi platinum
Eight times gold
But died of homicide
Twenty five years old
Heard he died in debt too
I ain't seen a winner yet, you?
The confused crowd boos
The move shit
In that corner
Number one in the east
The peace cursed for life
By the mark of the beast
Raised by peeps rode jeeps
Deep in Brooklyn beats
Praised as a hero
Who came up off the streets
The crowd looks on
Claimin sides they don't own
A house built up on
Their skulls and bones
Knew it be a matter of time
The play by play
Two rappers slain
Main
So let us pray

Wit all the gunnin
Crowd goin crazy
Gettin bigger
Proud to be called a bunch
Bitches and niggas
The ghetto stage fulla
Field nigga goals
Hip hop shoot outs vs those house negros
Five bodies got on the shot clock
Runnin down in the count made
The scoreboard rock
The referees the LAPD
The LVPD
Said they couldn't catch
What they couldn't see
Question
Was it bigger than the names
Not only in the game
But the game behind the game
Down to the remaining
Seconds of this record
Anatomy of a murder
Intensity of a mystery
Dead and gone
As the heads looked on
Helpless
As the atmosphere preyed on
Investigating
And the winner be
Interscope/UNI Arista/BMG
Lost in overtime
Da tombstone trophy for people that shit
The rhymes that died
Beats that deceased
Fuck best
Rest in peace

Chorus
Rainy days from stormy nights
Though the stars shined
Days were bright
That was then this is now
That was them this is how

Rainy days from stormy nights
Though the stars shined
Days were bright
Live and die by the sword
Come playoff time
Is your lord a god
Or is your god a dog?

Lyrics provided by LyricsEver.com
Public Enemy, also known as P.E., is a seminal Golden Age era Hip-Hop group known for their densely layered production and politically charged lyrics demonstrating their interest in the concerns of the African American community.

PE formed in Long Island, New York, in 1982 around a WBAU radio show as Spectrum City. After one less-than-successful single, they regrouped and signed to the still developing Def Jam record label after Rick Rubin heard Chuck D freestyling on a demo. Their debut, ‘Yo! Bum Rush The Show’, was released in 1987 to mild critical acclaim, although the Hip-Hop climate changed dramatically due to sampling during the time of release. As a response, they went on to release the revolutionary ‘It Takes a Nation of Millions to Hold Us Back’ in 1988, which performed better in the charts than their previous release, and included the hit single ‘Don’t Believe the Hype’.

Slightly less militant than their previous releases Public Enemy’s, ‘Fear Of A Black Planet’ was officially recognised as being the most successful and influential of the Public Enemy recordings when, in 2004, it became one of 50 recordings, chosen that year by the Library of Congress, to be added to the National Recording Registry. Sales-wise it was the most successful of any of their albums to date. It included the powerful and controversial singles ‘911 is a Joke’ (which criticized emergency response units for taking longer to arrive at emergencies in the black community than those in the white community), and ‘Fight the Power’, which is considered by many to be the group’s premier self-describing anthem. The song is considered to be amongst the most popular and influential in Hip Hop history and was the theme song for Spike Lee’s landmark film ‘Do The Right Thing’.

Public Enemy are to be considered musical pioneers for a broad variety of reasons. For instance, Terminator X elevated DJing to a refined art. Some of his most innovative scratching tricks can be heard on the track ‘Rebel Without A Pause’. PE’s production team, ‘The Bomb Squad’, offered up a web of innovative samples and beats; critic Steven Thomas Earlewine declared that PE “brought in elements of free jazz, hard funk, even musique concrète, via their [production] team, the Bomb Squad, creating a dense, ferocious sound unlike anything that came before.”

PE revolutionized the rap world with their political, social and cultural consciousness. These themes became infused into skilled and poetic rhymes with jazzy backbeats. They are recognised as the first Hip Hop group to make extended world tours, leading to huge popularity and influence within the Hip Hop communities of Europe and Asia. They also changed the internet’s music distribution capability by being the first group to release MP3 albums, a format virtually unknown at the time.

Public Enemy, in keeping with their ‘pioneer’ status, also helped to form and define the so-called ‘crossover’ genre of music (heavy rock music spliced with hip hop) by collaborating with New York thrash metal outfit Anthrax in 1991. The single ‘Bring The Noise’ was a remarkable potpourri of semi-militant pro-black lyrics, grinding guitars and sporadic humour. The two bands, cemented by a mutual respect, and the personal friendship between Chuck D and his Anthrax counterpart Scott Ian, introduced a hitherto alien genre to rock fans.

During the seemingly unlikely tour of Anthrax and Public Enemy, Flavor Flav made his famous pronouncement onstage that “They said this tour would never happen” (heard on Anthrax’s Live: The Island Years CD). This has become something of legendary significance in both rock and rap circles. There is some justification for the theory that without this unlikely musical partnership, bands such as Rage Against The Machine and Linkin Park would not have existed, and the genres of rap rock, nu metal and their related offshoots might have never developed.

Members of Public Enemy

Chuck D
Real name: Carlton Douglas Ridenhour
Role: Group leader, lyricist, main vocalist, and artwork
Birthdate: August 1, 1960

Flavor Flav
Real name: William Jonathan Drayton, Jr.
Role: Lyricist, vocalist, hype-man, and comic relief.
Birthdate: March 16, 1959

Professor Griff
Real name: Richard Griffin
Role: Head of S1W, liaison between PE and S1W, road manager. Ensured that the chaotic Flavor Flav was available when needed. Occasional vocalist and/or producer, plays drums at live shows.
Birthdate: August 1, 1960 (the same as Chuck D)

Terminator X
Real name: Norman Rogers
Role: DJ, Producer
Birthdate: August 25, 1966

Dj Lord
Real name: Lord Aswod
Role: DJ, Producer

The following are a part of The Bomb Squad, the revolutionary production group which is closely associated with (and sometimes considered a part of) Public Enemy:

Hank Shocklee
Real name: Hank Boxley
Bill Stephany
Keith Shocklee
Eric “Vietnam” Sadler
Chuck D - often listed as a member of the Bomb Squad under the pseudonymn “Carl Ryder”, a shortened form of his real name.

The S1W’s are sometimes considered a part of Public Enemy, as well.

There are three other groups named Public Enemy:

2) The first Public Enemy, an Oi!/punk band formed in 1984 who released one LP album (England's Glory) and one 7 inch (Skinheads). This band was never white supremacist and has no connection to the "revived" Public Enemy:

3) White Power group from the UK, formed by Paul Burnley (of No Remorse). Released 3 CDs: “Paul Burnley Is The Real Public Enemy”, "There is only one..." and “Archives”.

4) Public Enemy was a Hardcore/Punk group from Tuscon, Arizona. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Public Enemy