Johnny Too Bad - UB40

Viewed 7 times


Print this lyrics Print it!

     
Page format: Left Center Right
Direct link:
BB code:
Embed:

Johnny Too Bad Lyrics

Walking down the road
With a pistol in your waist
Johnny you're too bad

Walking down the road
With a ratchet in your waist
Johhny you're too bad

You're just robbin' and stabbin'
And lootin' and shootin'
You're too bad

You're just robbin' and stabbin'
And lootin' and shootin'
You're too bad

One of these days
When you hear a voice say come
Where you gonna run to?

One of these days
When you hear a voice say come
Where you gonna run to?

You're gonna run to the rock
For rescue, there'll be no rock
You're gonna run to the rock
For rescue, there'll be no rock

Walking down the road
With a pistol in your waist
Johnny you're too bad

Walking down the road
With a ratchet in your waist
Johhny you're too bad

You're just robbin' and stabbin'
And lootin' and shootin'
You're too bad

You're just robbin' and stabbin'
And lootin' and shootin'
You're too bad

One of these days
When you hear a voice say come
Where you gonna run to?

One of these days
When you hear a voice say come
Where you gonna run to?

You're gonna run to the rock
For rescue, there'll be no rock
You're gonna run to the rock
For rescue, there'll be no rock

You're gonna run to the rock
For rescue, there'll be no rock

You say that you're bad, you gwan like you mad
You terrorize the people and you make them sad
Why, why, you are the Babylon

You think that you're tough, you gwan like you're rough
Intimidate a man just to call him bluff
Why, why, you are the Babylon

You're just robbin' and stabbin'
And lootin' and shootin'
Boy you're too bad

You're just robbin' and stabbin'
And lootin' and shootin'
Boy you're too bad

You stop an' you search an' you broke in on de house
You turn it upside down like a damn crab louse
You set up a man anyway you can
You double cross the man according to plan.

Why, why you are the Babylon
Why, why you are the Babylon

You give a man weed, put him on the street
You get a three year stretch courtesy of the queen,
Why, why, why you so wicked?

You come an' dance, you will take chance You better watch your step or you will get lanced
Why, why? Because you so wicked

You're just robbin' and stabbin'
And lootin' and shootin'
Boy you're too bad

You're just robbin' and stabbin'
And lootin' and shootin'
Boy you're too bad

In the daytime you smile
In the night time you snarl
You get equipment
Forget in a brawl
You let loose your dogs to set upon the wogs
You come in disguise but everyone get wise
Why, why you are the Babylon

You're gonna run
You're gonna run
But you cannot hide no, no.

Oh no, but you cannot hide
But you cannot hide no, no.

You're gonna run
You're gonna run
But you cannot hide no, no.

Lyrics provided by LyricsEver.com
A reggae band formed 1978 in Birmingham, UK. The music grasps from roots reggae and dub to lovers rock and pop. It is the second most commercial successful reggae band with +70 million sold albums. Many of their hits have been stylishly covers of early reggae and rocksteady hits from Jamaica. After success in UK, UB40's won USA with Labour of Love (1983), their first album of covers. UB40 was 1986 the first Western band to play behind the Iron Curtain, live in Moscow, Soviet Union. UB40 is known for hits as 'Food For Thought', (1980) 'Red Red Wine' (1983), 'Please Don't Make Me Cry' (1983), 'I Got You Babe' (1985) with frontman Ali Campbell in duet with Chrissie Hynde just like in 'Breakfast in Bed' (1988). Their most successful worldwide single release is their reggae/pop version of 'I Can't Help) Falling in Love With You' (1993).

UB40 are a British dub / reggae pop music band formed in 1978 in Birmingham, England.

The band is one of the most culturally diverse dub Ska bands with musicians of English, Scottish, Irish, Yemeni and Jamaican parentage. The band is named from the paper form issued by the UK government's Department of Health and Social Security at the time of the band's formation for claiming unemployment benefit (UB40 = Unemployment Benefit, Form 40).

UB40 were influenced by the many Blues Parties they attended as teenagers in the multiracial Balsall Heath area of Birmingham, their love of ska and reggae inspired such original tracks as King, Madam Medusa, Food for Thought, Signing Off and One in Ten.

Their early music style was unique, with a heavy influence of analogue synthesizers, psychedelic rock guitar, saxophone and dub producer techniques which were later perfected by the late Pablo Falconer.

Ali and Robin Campbell have a musical heritage, being sons of Ian Campbell, a folk musician.

The band purchased its first instruments with compensation money Ali Campbell received after a bar fight. They have had a number of hits, most commercially and to amusement of the band, "Red Red Wine", a cover version of a Neil Diamond song (in an arrangement similar to that of Tony Tribe's version). Their most successful single release is the cover of the Elvis Presley ballad Can't Help Falling In Love which was intended to be the main title to the 1992 Sharon Stone movie Sliver and was a Number One hit across Europe and in the U.S.

Many of UB40's recordings were inspired by 1960s ska and early lovers rock songs that would have otherwise been forgotten in the public eye. Their new injection of life into so many old Jamaican hits has resulted in many musicians' and producers' renewed popularity and income.

UB40's early music often tackled social issues such as racism and unemployment.

Other artists that UB40 have collaborated with include: Pato Banton, Madness, Bitty McLean, Chrissie Hynde, Robert Palmer, Hunterz, Japanese artist Mikidozan, French artist Nuttea, Lady Saw and Afrika Bambaataa. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

View All

UB40