Le Bien, Le Mal - Guru

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Le Bien, Le Mal Lyrics

(feat. MC Solaar)

[Guru]
It's...
Chorus:]
[Guru] The good, the bad.
[MC Solaar] Le bien, le mal.
[Guru] The good, the bad.
[MC Solaar] Le bien, le mal.

[MC Solaar]

Il était vraisemblable que tout les faux semblants
De la farce humanitaire aboutiraient au néant
C'est une boule à facette comme dans les discothèques
Ca reflète à la lumière mais sans elle (fuh) du vent
J'aime les images fortes car je suis comme toi
Le poids des mots et le choc des photos...

[Guru]

...hey yo it's time to get up
Want to change the world cause I'm fed up
Who can expose the world that's been goin' run
The people die and the street still
In every city, like the kids may be ill
I live in Brooklyn, my boys is all over
Never ran the world and you know that I know that

[Guru]
It's...
Chorus:]
[Guru] The good, the bad.
[MC Solaar] Le bien, le mal.
[Guru] The good, the bad.
[MC Solaar] Le bien, le mal.

[MC Solaar]

L'homme, qui tend le microphone, se nomme Solaar,
Maître de la rime roi accompagné de bombarse et de gangstar
A Paris en France, comme dans la Rome Antique,
Imite le maître, m'appellent maître comme Spartacus
M'imitent qui nient naître qu'avec des intellectes qu'à des kilomètres

(It's yo turn Guru)

[Guru]

Crazy madness, it's all I see out my window
It doesn't matter who is frightening yo
I ain't no tired, but slavery is still in a fact
I haven' a Jack, a smack for the eight free year
I make a bad, and feel don't like the truth down
Yo, even I rule without a doubt

[Guru]
And it's...
Chorus:]
[Guru] The good, the bad.
[MC Solaar] Le bien, le mal.
[Guru] The good, the bad.
[MC Solaar] Le bien, le mal.

[MC Solaar]

C'est le monde des affaires, OPA sur la misère
Le réel me nargue, tralalalalère
L'air de rien je doute de l'existence des Dieux
De l'existence du mieux, dans un lieu plus pieux
Alors je prends de l'avance, en prenant du recul
car prendre du recul, c'est prendre de l'élan

[Guru]

I come in peace, but it's not to tryna friends so,
I gotta let'em know, gotta let'em know,
These ain't no game pod, cause you can round on then,
Where bullet to the hell from the passage ledge
I'm like your menthor, and this is for your benefit
So give the noise cause the rude boys ain't have it

[Guru]
It's...
Chorus:]
[Guru] The good, the bad.
[MC Solaar] Le bien, le mal.
[Guru] The good, the bad.
[MC Solaar] Le bien, le mal.

[MC Solaar]

En prophete de la fete,
Je suis contre ceux qui fetent la defaite de la fete.
Alors faites, attention, cette recette,
Intercepte [de l'adepte] trouble fete,
Et le son, domine la situation,
Le bien et le mal, situation critique,
Omettre la politique est ta technique
ok man tout s'explique

[Guru]

Yeah, my men MC Solaar
In the house, in the house of Guru
Louche, Blackjack, The Mack, Terry, Ramses, The City Emcees,
[...], Men at Large, Strife, Regious, Bouillabase, Le [...]
[...] and their whole entire crew
You know what I'm sayin'?
Taking no shorts in 1993.
Peace, it's the good and the bad, and I'm out.

Lyrics provided by LyricsEver.com
There are two artists which use this name
1. A rapper from the United States and member of alternative hip-hop duo Gang Starr
2 A rapper from Ghana

1. (July 17, 1961 – April 19, 2010) was one half of the legendary hip hop duo Gang Starr and an accomplished solo artist. Guru, an acronym for Gifted Unlimited Rhymes Universal, originally began his hip hop career in Boston but due to lack of local support moved to New York where Gang Starr then blew up. Guru was well known for his smooth voice; socially conscious and hardcore lyrics; and an effortless, confident delivery.

Founded in 1987, Gang Starr built a sizable following in the early 90's, releasing classic albums like Step in the Arena (1991) and Daily Operation (1992). Guru's lyrical style was based on battle rhymes delivered smoothly, modestly, and with sly wit; he typically avoided using overwhelming charisma, focusing instead on his rhyming ability. Over the years he even took on younger rappers, including Jeru the Damaja, as proteges. He is credited, along with DJ Premier, for the executive production of Jeru's debut, The Sun Rises in the East (1994).

In 1993, he released his first solo album, Jazzmatazz, Vol. 1. The album featured collaborations with Donald Byrd, N'Dea Davenport, Dee C. Lee, and Roy Ayers, whilst his second LP, Jazzmatazz, Vol. 2: The New Reality, featured Ramsey Lewis, Branford Marsalis, and Jamiroquai. The Jazzmatazz albums have been met with mixed reviews, Guru continued with Jazzmatazz, Vol. 3: Streetsoul (2000) and Baldhead Slick & Da Click (2001).

Moreover, recent Gang Starr albums have continued to garner Guru critical acclaim. Prominent Boston underground rapper Mr. Lif frequently cites Guru as a major stylistic influence; he appears as a guest with Lif on the Perceptionists' debut album, Black Dialogue (2005).

Besides Gang Starr, his Jazzmatazz and solo albums, Guru collaborated with countless artists since the early 90s. Not only in Hip-Hop, but also with artists from various genres such as pop, electronica/dance, acid jazz, and even brass bands.

His "first proper solo album", in his own words, was Version 7.0: The Street Scriptures (2005), released with the help of producer and new backup MC/producer Solar. The album reached #1 on the college hip-hop charts, but was a failure with both fans and critics. It still managed to sell relatively well for an independent release.

Guru's latest project is the fourth installment in the Jazzmatazz series, entirely produced by Solar. It was released in early June 2007 and received good reviews and comments from fans.

In 2007 Guru was ranked at 45 for the Top 50 MCs of our time: 1987-2007

On February 28th 2010, Guru suffered a severe heart attack and was in a coma. He passed away on April 19, 2010 at the age of 49 after a long battle with cancer.

2. Guru also refers to a Ghanaian hip-hop artist known for his single "LaPaz Toyota" and the song "Akayida" - basis for a azonto dance craze Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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