Le parapluie - Georges Brassens

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Le parapluie Lyrics

Il pleuvait fort sur la grand-route
Elle cheminait sans parapluie
J'en avais un, volé sans doute
Le matin même à un ami
Courant alors à sa rescousse
Je lui propose un peu d'abri
En séchant l'eau de sa frimousse
D'un air très doux, elle m'a dit oui

Un p'tit coin d'parapluie
Contre un coin d'paradis
Elle avait quelque chose d'un ange
Un p'tit coin d'paradis
Contre un coin d'parapluie
Je n'perdais pas au change, pardi

Chemin faisant, que ce fut tendre
D'ouïr à deux le chant joli
Que l'eau du ciel faisait entendre
Sur le toit de mon parapluie
J'aurais voulu, comme au déluge
Voir sans arrêt tomber la pluie
Pour la garder, sous mon refuge
Quarante jours, quarante nuits

Un p'tit coin d'parapluie
Contre un coin d'paradis
Elle avait quelque chose d'un ange
Un p'tit coin d'paradis
Contre un coin d'parapluie
Je n'perdais pas au change, pardi

Mais bêtement, même en orage
Les routes vont vers des pays
Bientôt le sien fit un barrage
A l'horizon de ma folie
Il a fallu qu'elle me quitte
Après m'avoir dit grand merci
Et je l'ai vue toute petite
Partir gaiement vers mon oubli

Un p'tit coin d'parapluie
Contre un coin d'paradis
Elle avait quelque chose d'un ange
Un p'tit coin d'paradis
Contre un coin d'parapluie
Je n'perdais pas au change, pardi

Lyrics provided by LyricsEver.com
Georges Brassens was a French singer-songwriter known for accompanying himself with his acoustic guitar. He wrote some extremely controversial, yet poetic songs. In doing so, he managed to change attitudes across France.

He was uncompromising when composing his songs. His tactical method of addressing issues was profound and often humorous, making him a unique and effective figure in the French community.

Brassens, born in 1921 in the small Mediterrenean port of Sete, wanted to be a poet. He realized very early however that poetry in the 20th century could hardly put bread on the table and instead set himself to become a singer.

He is much less famous internationally than contemporaries like Charles Aznavour, Edith Piaf and Yves Montand, as much of the impact of his songs came from the lyrics, which proved difficult to translate into other languages. He loved the Middle Ages and used a great deal of Old French vocabulary, as well as many classical - ie., Latin and Greek - references. Few people, even in France, possess the background to fully understand his songs.

Yet he was at the same time a hugely popular singer and many of his songs still carry a lot of appeal and relevance. In this sense, he can be compared to Boris Vian, to Jacques Brel, and to a lesser extent to Serge Gainsbourg.

He was very sophisticated, yet at the same time used profanity liberally. While he wasn't politically engaged, he was nevertheless unambiguously a leftist, many of his songs carrying blatant and buoyant anarchist overtones.

While his music was initially quite primitive, the 1950's St-Germain-des-Pres influence quickly made itself felt and while subdued and - in his mind - always secondary to the lyrics, it became increasingly sophisticated - to the point that many of his songs have been covered and reinterpretated by jazzmen (see for instance this UK site: www.projetbrassens.eclipse.co.uk)

He died in 1981, but up to this date (2006) there are few French people - including most of those born since - who can't sing along to his most famous song, Les Copains d'abord ("Friends foremost") or his "Bancs public" ("Public Benches").

For those interested, this site carries a number of (quite good) English tranlations of his songs: www.brassens.org Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Georges Brassens