Krink’s sets and productions are intricate, well planned and well executed. They make people dance and clearly represent his pluralist musical approach. Surely no producer or dj would claim a monocultural influence nowadays, but Krink is not just about referring to unanimous heroes. He is seeking the good and true: quality according to taste, if you will.

Consequently Grandma’s old vinyl or the latest Vice-mag discovery can both offer inspiration and/or initiate his elaborate and functional productions. Besides, early childhood guitar- and piano lessons, later substituted with hardcore rock, brought forth his affinity for organic instruments and strong foundations in model kit-like productions.

But, the boy is not only shining as an expert in theory of dance music, he also knows how to have a ball. In addition to hosting his own sequence of party nights in Hamburg, Krink is well respected as an artful filou amongst German and international peers and party people. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.