My Sister - Tindersticks

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My Sister Lyrics

Do you remember my sister? how many mistakes did she make with those never blinking eyes? I couldn't work it out. I swear she could read your mind, your life, the depths of your soul at one glan
Aybe she was stripping herself away, saying

Here I am, this is me
I am yours and everything about me, everything you see...
If only you look hard enough
I never could.
Our life was a pillow-fight. we'd stand there on the quilt, our hands clenched ready. her with her milky teeth, so late for her age, and a stanley knife in her hand. she sliced the tyres on my b
Nd I couldn't forgive her.

She went blind at the age of five. we'd stand at the bedroom window and she'd get me to tell her what I saw. I'd describe the houses opposite, the little patch of grass next to the path, the gat
H it's rotten hinges forever wedged open that dad was always going to fix. she'd stand there quiet for a moment. I thought she was trying to develop the images in her own head. then she'd say:


I can see little twinkly stars,
Like christmas tree lights in faraway windows.
Rings of brightly coloured rocks
Floating around orange and mustard planets.


I can see huge tiger striped fishes
Chasing tiny blue and yellow dashes,
All tails and fins and bubbles.
I'd look at the grey house opposite, and close the curtains.
She burned down the house when she was ten. I was away camping with the scouts. the fireman said she'd been smoking in bed - the old story, I thought. the cat and our mum died in the flames, so
Ook us to stay with our aunt in the country. he went back to london to find us a new house. we never saw him again.

On her thirteenth birthday she fell down the well in our aunt's garden and broke her head. she'd been drinking heavily. on her recovery her sight returned, a fluke of nature everyone said. that'
N she said she'd never blink again. I would tell her when she started at me, with her eyes wide and watery, that they reminded me of the well she fell into. she liked this, it made her laugh.

She moved in with a gym teacher when she was fifteen, all muscles he was. he lost his job when it all came out, and couldn't get another one. not in that kind of small town. everybody knew every
Lse's business. my sister would hold her head high, though. she said she was in love. they were together for five years until one day he lost his temper. he hit over the back of the neck with hi
Lworker. she lost the use of the right side of her body. he got three years and was out in fifteen months. we saw him a while later, he was coaching a non-league football team in a cornwall seas
Own. I don't think he recognized her. my sister had put on a lot of weight from being in a chair all the time. she'd get me to stick pins and stub out cigarettes in her right hand. she'd laugh l
Ad because it didn't hurt. her left hand was pretty good though. we'd have arm wrestling matches, I'd have to use both arms and she'd still beat me.

We buried her when she was 32. me and my aunt, the vicar, and the man who dug the hole. she said she didn't want to be cremated and wanted a cheap coffin so the worms could get to her quickly. s
Id she liked the idea of it, though I thought it was because of what happened to the cat, and our mum.

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Tindersticks are an alternative band from Nottingham, England. Their sound is characterized by a synthesis of orchestral backing, lounge jazz, and soul; the lush orchestrations of multi-instrumentalist Dickon Hinchliffe and the smoky baritone of lead vocalist Stuart A. Staples are the band's hallmarks. Tindersticks have employed electric guitars, as most rock bands have done, but augment their instrumentation with a wide array of instruments: Rhodes piano, glockenspiel, vibraphone, violin, trumpet, trombone, clarinet, bassoon, Hammond organ, and many more are prominently utilized in the music of Tindersticks.

The band has a cult following in the United Kingdom and continental Europe, although the eclectic and unique sound Tindersticks possesses never made significant inroads in the mainstream.

Personnel

* Stuart Ashton Staples, born 14 November 1965 - Lead voice, guitar, melodica
* Dickon James Hinchliffe, born 9 July 1967 - violin, guitar, voice, piano, string and brass arrangements
* Neil Timothy Fraser, - born 22 November 1962 - lead guitar, vibraphone
* David Leonard Boulter, born 27 February 1965 - keyboards, percussion
* Alasdair Robert De Villeneuve Macaulay, born 2 August 1965 - drums, percussion, trumpet
* Mark Andrew Colwill, born 12 May 1960 - bass guitar

The band formed in late 1991, Staples, Boulter, Frazer, Macauley and Hinchcliffe having previously been members of Asphalt Ribbons. The final band line-up for the "old horse" mini-LP (1991) was: Stuart Staples (vocals) Dave Boulter (organ & accordion) Neil Fraser (guitar) Dickon Hinchliffe (Guitar & strings) Al Macauley (percussion & drums) John Thompson (bass). Mark Colwill was recruited when John Thompson left the Asphalt Ribbons, but it is not sure if he played any gigs under the Asphalt Ribbons name. Then they changed their name to Tindersticks after Stuart A. Staples discovered a box of German matches on a Greek beach.

Tindersticks started recording demo tapes in 1992, and were signed by Tippy Toe Records who released their first single, "Patchwork".

Their self-titled first and second albums established their signature sound and received widespread critical acclaim. Their live performances, often augmented by large string sections and even, on occasion, a full orchestra, were rapturously received. (The live album Bloomsbury Theatre 12.3.95 is a recording of one such concert.) By the time of the third album, Curtains, however, it was clear that a change of direction was called for. There was a certain ennui to the songs, and the lengthy "Ballad of Tindersticks" was a weary swipe at the pressures of being a touring band.

The fourth album, Simple Pleasure, lived up to its title with a series of snappy, direct songs influenced by soul music. The female backing vocals on several tracks, and the respectful cover of Odyssey's "If You're Looking For A Way Out", signalled the band's wish to move towards lighter, more soulful material. However, the inner sleeve's documentation of the number of takes each track went through was evidence that the band continued to adopt a painstaking approach to recording.

The fifth album, Can Our Love, continued the band's soulful direction, in particular evidence on the tender "Sweet Release" and in the nod to the Chi-Lites in the title of "Chilitetime".

The sixth and most recent album, Waiting For The Moon, was more stripped down and introspective in nature, particularly on the harrowing "4.48 Psychosis" (based on the play of the same name by the British playwright Sarah Kane) and "Sometimes It Hurts". Only the bouncy "Just A Dog" lightened the otherwise melancholy mood of the album.

In 2005 Staples embarked on a solo career and there was resultant speculation that the band had split. Staples has so far produced two solo albums, Lucky Dog Recordings 03-04 and Leaving Songs. The title of the second album, and Staples' notes on it, indicate that Tindersticks may indeed be at an end: "These are songs written on the verge of leaving the things I loved and stepping into a new unknown life, both musically and personally. I was always aware that these songs were the end of something, a kind of closing a circle of a way of writing that I started so long ago and I knew I had to move on from."

In September 2006, the band played a one-off concert at London's Barbican Centre, performing their second album in full with a nine-member string section and two brass players, including former collaborator Terry Edwards on trumpet. This concert brought the band's members back together. A new recording process in 2007 resulted in a new album, The Hungry Saw, which was released on April 28th 2008.

In the meantime, in July 2007, Island Records had released The BBC Sessions, a double CD compilation of the band's sessions for BBC radio programmes. Also in 2007, a stripped-down line-up of three of the original band, Staples, Boulter and Fraser, spent time writing and recording in a newly-equipped studio in Limousin, France. They were joined by Thomas Belhom on drums and Dan McKinna on bass, with Ian Caple engineering. The resulting album, The Hungry Saw, was released on Beggars Banquet in April 2008. Tindersticks played a number of other European dates during the summer festival season and also announced a winter 2008 European tour.

In 2010, the eighth album Falling Down a Mountain was released on 4AD / Constellation Records with a changed band line-up, with Earl Harvin replacing Belhom on drums and David Kitt, a solo artist in his own right, joining the band on guitar and vocals.

The group's ninth album The Something Rain was released in February 2012.

As well as their nine studio albums, the band has produced the soundtracks for four films by the French director Claire Denis: Nenette et Boni,Trouble Every Day, 35 Rhums and White Material
They recorded a cover of the Four Tops song, "What Is A Man", for the theme to the British TV series The Sins.
The Tindersticks song Tiny Tears was featured prominently in the Series 1 episode "Isabella" of HBO's The Sopranos. Additionally, a version of "Running Wild" was played during the ending credits of the penultimate episode of the series, "The Blue Comet". In the Season One Finale of Brotherhood, "El Diablo En El Ojo" is used twice.

* Tindersticks (aka First Album) (This Way Up, 1993)
* Tindersticks (aka Second Album) (This Way Up, 1995)
* Curtains (This Way Up, 1997)
* Simple Pleasure (Island, 1999)
* Can Our Love... (Beggar's Banquet, 2001)
* Waiting for the Moon (Beggar's Banquet, 2003)
* BBC Sessions (2007)

On 17th October 2014, Tindersticks released the commissioned soundscapes from the In Flanders Fields WW1 museum in Ypres, Belgium.

See the band's site at www.tindersticks.co.uk. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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