Ocean Death - Baths

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Ocean Death Lyrics

Burrow into my
Bury your body in my
Burrow into my
Bury your body in my
Graveyard
I am the ocean
Return to the earth through the water

Fade White

Screw the rations, screw the map
I'll see you at the sun's collapse
Forget work done, forget our past
I'll see you at the sun's collapse
And if it isn't old braveheart that's not ready to die
Love would you at least come lay down and try
If it isn't up to the great heart in the burning sky to decide
At least we're all here right on time
Come fade to white with me
Come fade to light with every other idiot

Come fade to white with me
Come fade to white with me

Voyeur

I'm a bit of a mope
I'm always in
The wake of the hope that
You might just sit and
Talk a bit

Orator

As kids you never spoke to me
It was bleak
Dogs don't see so well
Every old person goes to hell
And i
I don't love you
I don't love you

We can talk, we can talk
We can talk all you want
But you don't speak to me
We can talk, we can talk
We can talk, we can talk
But you'll never speak to me

Yawn

Your steady breath when you're reading
I think about our love
And it's lack of meaning
Complacent, yes,
But i daydream about leaving

Like an oak may come and go
In an eon
The world will yawn
Yawn and move on

Lyrics provided by LyricsEver.com
Baths is the stage name of American electronic musician Will Wiesenfeld (born 1989). He was born in Tarzana and was raised in Woodland Hills. He currently resides in Chatsworth, California.

Wiesenfield is a classically trained musician, and began learning the piano at the age of four “to compete with his brother”. By twelve he had “completely abandoned it,” but continual musical experimenting lead him to record his first piece of music at age fourteen. Under a previous moniker, [Post-foetus], he wrote four albums and three EPs. He also ventured into a more ambient style with side-project Geotic, a project which Irish magazine State.ie called “gorgeous”.

After adopting the name Baths, he released debut album Cerulean on independent record label Anticon. He recorded the entire album in two months from his bedroom. The BBC’s Mike Diver claims Baths’ nearest musical sound-a-like is chillwave musician Toro Y Moi. Pitchfork noted Baths’ influences, acts such as Björk and Flying Lotus, were “obvious” in his work.

Drowned in Sound noted Baths’ use of “unorthodox” sounds layered in and around the electronics, in particular “clicking pens, vocal samples, rustling blankets and scissor snaps”. British newspaper The Guardian’s Paul Lester commented he was reminded of “J Dilla playing around with the Pavement and Prince catalogues” while listening to the album. While a lot of his music is instrumental, it can occasionally incorporate vocals, most of them falsetto.

Cerulean was listed by the AV Club as the 21st best album of 2010. It made Pitchfork’s Album of the Year: Honorable Mention list. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Baths