Phuk U - Canibus

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Phuk U Lyrics

Canibus)
Yo, yo
Ayo, nobody can flow with 'Bis, rock a show with 'Bis
Or go toe to toe with Bis, none of y'all can coexist
We living in an Ice Age, and it's cold as shit
A hundred-thousand dollar price range; niggas is frozen stiff
All I know is this, my felt tip, hotter than Hell get
A hundred eighty six thousand miles per sec can melt flesh
Give a nigga a tan, aerosol cans expand and explode in my hand
While I promote that new Canibus jam
Niggas feel it underground with stalactites hanging from the ceiling
I'm out on tour with thirty city trips
Every state is like bitches be bulimic for dicks
Screaming the chorus, half unconscious, I hold my cordless
Smoke the most enormous trees in the rain forest
While the people go insane for us
I pierce a cloud and make it rain on us
Break the equipment and tell the engineer that I ain't paying for it
I freestyle the whole set
Kicking a hundred bars, nigga fuck who's on next
Phuk U

(Canibus)
Fuck them extra niggas that's always around you
Fuck niggas that talk about you and try to clown you
Fuck niggas you run into that never did nothing for you
Fuck niggas that's lying telling people they discovered you
Fuck niggas that's jealous 'cause you nicer than them
Don't give a fuck who you offend you got to fight 'til the end
If you fuck a groupie chicken when you out on tour
Smoke a little bit of weed with her then fuck her some more
Tell her to bring three friends so you can fuck all four
Menage-a-trois, what the fuck she expect, you a dog
Almighty God blessed you with a dick and two balls
So if you like to fuck pussy that don't mean that you wrong
Unless you fuck it raw dog, I fuck a nappy dug out
Bust in her mouth, kick her the fuck out
She'll cuss me out, like //

(Canibus)
Yo, yo
Your superstar status don't mean shit to me
Lyrically sucker emcees still get frequency
Try to diss me now, how you sound?
Yo, whoever signed you, must be running the circus 'cause you a clown
You a rapper with a drug habit, hiding the truth
Camouflaging your needle tracks with some colourful tattoos
You was never equipped for this, never equipped to spit with Bis
I'm swift as shit, let me point out the main differences
You magnificent, I'm Mic-Nificent
Yo, I'd even go out on a limb with it, say you write a little bit
That don't make you a tight lyricist, cause you don't practice or stick with it
Look at the sixty hour shifts I spend with this
I never quit, I got a gift for the art
A low maintenance cost, no physical moving parts
In ninety-eight, niggas thought I was God
How the fuck did that change, I'm still one of the illest niggas in the game
So look inside yourself and tell me what you see
If you see a hungry nigga then you looking at me
And it's aight if you don't trust me, cause I don't trust you
As a matter of fact I'll probably bust you, mother fucker, fuck you //

Lyrics provided by LyricsEver.com
Born Germaine Williams in 1974 in Jamaica, Canibus moved to the United States with his mother at a young age. Because his mother's career required constant relocation, the family moved frequently and the soon-to-be rapper found solace within himself. His rhetorical abilities blossomed later, once hip-hop became the guiding force in his life. He began rhyming and in the mid-'90s joined a group called T.H.E.M. (The Heralds of Extreme Metaphors.)

This group consisted also of his partner Webb. Following a fallout with his partner, Canibus pursued a solo career and began infiltrating the mix-tape circuit. By 1997, he had approached the brink of the major-label rap game, guesting regularly on high-profile releases: He contributed to "Uni-4-orm," an inclusion on the Rhyme & Reason soundtrack also featuring Heltah Skeltah and Rass Kass; "Love, Peace & Nappiness," an inclusion on the Lost Boyz's Love, Peace & Nappiness also featuring Redman and A+; "Making a Name for Ourselves," an inclusion on Common's One Day It'll All Make Sense; the non-album remix of Wyclef Jean's "Gone Till November."

And most famously, "4, 3, 2, 1," an inclusion on LL Cool J's Phenomenon also featuring Redman, DMX, and Method Man.

Of the several guest appearances, "4, 3, 2, 1" certainly meant the most, as it brought together many of New York's preeminent hardcore rappers and thus ushered Canibus into that same elite class. At the same time, however, Canibus lashed out shortly afterward with the Mike Tyson-featuring "Second Round K.O.," where he rhymed, "So I'ma let the world know the truth, you don't want me to shine/You studied my rhyme, then you laid your vocals after mine."

In fact, the entirety of the song directed barbed rhymes at LL: "You walk around showin' off your body cause it sells/Plus to avoid the fact that you ain't got skills/Mad at me 'cause I kick that sh*t real niggaz feel/While 99 percent of your fans wear high heels," and so on. Shortly thereafter, LL sought his revenge, releasing "The Ripper Strikes Back" on the Survival of the Illest soundtrack (1998) and thus channeling even more attention toward Canibus.

From the track's chorus ("Can-I-bus? Yes you can!") to practically every line of the verses ("You soft as a newborn baby takin' a nap/Make my dick hard with that bitch-ass track/Where you at? smokin' in some one-room flat/Suckin' on Clef's dick hopin' to come back"), LL unleashed a fury of insults and threats. The media, of course, elevated the battle to grand heights, as even MTV gave the story headlines. In the aftermath of 2Pac's and Biggie's deaths, such confrontations fascinated the rap community, and Canibus certainly capitalized on his newfound publicity.

As for his debut full-length, Can-i-bus (1998), though, the response was sobering. Critics expressed little support, and sales quickly dropped as listeners also felt genuinely disappointed. Executive produced by Wyclef, the album suffered on many levels, both production-wise and rhetorically as well (critics targeting Canibus' delivery more than his lyrics or themes). The momentum that "Second Round K.O." had generated simmered almost immediately, and it didn't help that LL's "Ripper Strikes Back" found substantial acceptance at the time as well.

In the two years following the release of Can-i-bus, the rapper maintained an extremely low profile, much in contrast to the regular guest appearances he had made leading up to his debut. As a result, when he finally did return with his follow-up album, 2000 B.C. (2000), few noticed, it came and went generally unheard, and Canibus returned to the underground after parting ways with Universal. He continued to record albums and release them on the independent circuit (including 2002's Mic Club, 2003's Rip the Jacker, and 2005's Mind Control); furthermore, he retained a small base of fans as well, yet his days as the next-big-thing had clearly come and gone, as they similarly had for so many other talented rappers. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Canibus


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