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Radio, Radio Lyrics

I was tuning in the shine on the light night dial
Doing anything my radio advised
With every one of those late night stations

Playing songs, bringing tears to me eyes

I was seriously thinking about hiding the receiver
When the switch broke 'cause it's old
They're saying things that I can hardly believe
They really think we're getting out of control

Radio is a sound salvation
Radio is cleaning up the nation
They say you better listen to the voice of reason
But they don't give you any choice
'Cause they think that it's treason
So you had better do as you are told
You better listen to the radio

I wanna bite the hand that feeds me
I wanna bite that hand so badly

I wanna make them wish they'd never seen me

Some of my friends sit around every evening
And they worry about the times ahead

But everybody else is overwhelmed by indifference
And the promise of an early bed
You either shut up or get cut out
They don't wanna hear about it
It's only inches on the reel-to-reel

And the radio is in the hands of such a lot of fools
Tryin' to anaesthetise the way that you feel

Radio is a sound salvation
Radio is cleaning up the nation
They say you better listen to the voice of reason
But they don't give you any choice

'Cause they think that it's treason
So you had better do as you are told
You better listen to the radio

Wonderful radio
Marvelous radio
Wonderful radio
Radio, radio
Radio, radio
Radio, radio
Radio, radio
Radio, radio
Radio, radio
Radio, radio
Radio, radio

Lyrics provided by LyricsEver.com
Elvis Costello & The Attractions was a critically acclaimed pop and rock band formed by English musican Elvis Costello in 1977. Producing famous work in the genres of punk and new wave music, it also contained Steve Nieve (ne Nason) on keyboards, Pete Thomas on drums, and Bruce Thomas (no relation) on bass. Costello recorded and toured solidly with them until 1984, when he disbanded them to pursue solo projects.

Internationally, the band is perhaps best known for popular rock hits such as "Oliver's Army" and "Pump It Up", both featuring expressive yet sardonic vocals from Costello. He reconvened the band for one-off albums and tours over the following decade, particularly from 1994 through 1996. He has also enlisted Nieve, and to a lesser extent Pete Thomas, for other recordings and performances, and this continues to the present day. Costello and Bruce Thomas have had a notoriously stormy relationship, documented in Thomas' 1990 autobiographical novel 'The Big Wheel'. The original Attractions reunited for the 'Brutal Youth & All This Useless Beauty' sessions despite Costello and Thomas' differences. Pete Thomas and Steve Nieve, along with Bruce Thomas' replacement Davey Faragher, have been a part of Costello's other most well known backing band, The Imposters.

Together, Costello and the Attractions, based out of London, England, recorded ten albums. Most of which are critically regarded as among Costello's finest. They are: 'This Year's Model' (1978); 'Armed Forces' (1979); 'Get Happy' (1980); 'Trust' (1981); 'Almost Blue' (1981); 'Imperial Bedroom' (1982); 'Punch The Clock' (1983); 'Goodbye Cruel World' (1984); 'Blood and Chocolate' (1986), and 'All This Useless Beauty' (1996). The full band plays on some, but not all, tracks on the 1994 release 'Brutal Youth', which is credited to Costello alone. In addition, The Attractions also recorded an album without Costello, titled 'Mad About the Wrong Boy', which they released in 1980.

Elvis Costello & The Attractions most recently appeared together, although they didn't play, when they were inducted into the Rock and Roll Hall of Fame in 2003. The band's work has continued to receive much airplay and sell quite well over the years. 'Mad About the Wrong Boy', while obscure, has been a collectors item for many new wave and power pop fans. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Elvis Costello & The Attractions