Nash the Slash has been creating his unique concept of sound and vision for over twenty years. His first live presentation of music to film was a performance to the surreal silent film Un Chien Andalou at the Roxy Theatre in Toronto.

Nash the Slash was born of silent film. The name comes from a killer butler encountered by Laurel and Hardy in their first film, Do Detectives Think (1927). Nash the musician has gone on to create the music scores for such recent cult films as Roadkill and Highway 61, both directed by Bruce McDonald.

Between experiments with film and music, Nash the Slash became a familiar name to music fans through his association with the pop electronic group FM. Having co-written the hit songs Phasors on Stun and Just Like You, Nash established his credibility as a versatile artist. His talents have been recognized with a U-KNOW (later called CASBY) award for best instrumental artist as well as a Juno nomination for best new male vocalist. Nash's profile was raised on the international stage when he toured the world with the likes of Gary Numan and Iggy Pop. Other high-profile shows include opening for The Who at C.N.E. Stadium in Toronto to a crowd of 70,000 people and opening for The Tubes at a sold-out Maple Leaf Gardens.

CaligariNosferatu Nash has recently recorded new music for the silent film classics The Cabinet of Dr. Caligari (1919), The Lost World (1925), and most recently his highly successful soundtrack to Nosferatu (1922), which he performed at the SKIF Music Festival in St. Petersburg, Russia. Nash continues to do unique film scores for other silent film classics, such as the original Phantom of the Opera.

Nash has released numerous solo albums, the best known being Children of the Night with the hit single Dead Man's Curve. Other albums include Decomposing, the first record playable at any speed (reviewed in Playboy Magazine, 1982); and American Bandages, a collection of all-American classics such as We're an American Band, Who Do You Love, and Psychotic Reaction. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.