Sentencing - Boys Night Out

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Sentencing Lyrics

The smell of her perfume
Struggles to cover everything,
Inside this ringing room
Though once subdued, the silence seems to sing
Whoa-oh, I told you so!
Whoa-oh, I told you so!

My name is evidence
My role is undeniable
Unless I've become inadmissable
In crimes of consequence,
I'm only as reliable as the defendant's defense is defendable

I am the kill
Though I'm unwilling to be still and accept evil
As my own personal - and sentient will

Nothing makes sense anymore
When murder's just a smistake that you have made
Nothing makees sense anymore
So a sick and guilty man will be born again with conscience saved

Judicial precendent will see to that
I'll see to that
He'll see to that
It's impossible given the incident,
Given his catatonic state, to imagine it playing out any other way

He was admitted on that day
As the doctor read his case,
There were implausibilities he couldn't place
It was obvious that there was something more to this patient
Something had been missed
It's this hole I can see in each of his eyes
Where all the events that happen in this real world just kind of fall through.
It's loneliness, it's loneliness

Nothing makes sense anymore
When murder's just a mistake that you have made
Nothing makes sense anymore
So a sick and guilty man will be born again with conscience saved

Lyrics provided by LyricsEver.com
Boys Night Out of Burlington, Ontario officially formed in 2001 when lead vocalist Connor Lovat-Fraser and current guitarist Jeff Davis began collaborating on songs. Their work eventually led to a four-song demo known as You Are My Canvas. The release was followed by a signing to One Day Savior Records and the release of their debut EP, Broken Bones & Bloody Kisses.

Interest in the band was immediate and a short while later they signed to New Jersey based Ferret Records. Their debut full-length, 2003's Make Yourself Sick, was to the shock of some fans much lighter and punk-pop-oriented, but with the same heavy screaming and guitars found on earlier releases. It was shortly after this when drummer Ben Arseneau parted with the band and was replaced by former Fordirelifesake guitarist Brian Southall.

The band's next effort came in the form of 2005's Trainwreck. This release was a somewhat more subdued, experimental concept record based on a man's loss of sanity. It was in this same album where the boys made a brave move by introducing Kara Dupuy, who brought with her not only a fresh, new synth to their sound but female vocals as well. But all good things have to end and after only a short stint with the band they parted ways.

Trainwreck tells the story of a man who murders his wife, with whom he is deeply in love with, all while under the influence of deeply troubling dreams. Upon waking from these dreams, he realizes what he's done and slips into a catatonic state. The remainder of the album follows the man from his release from a psych ward, through his obsession with a song heard only by him. He belives the song influences himself to kill more, so he cuts off both his own hands, to never kill again. The eventual conclusion of the story where he dies from a overdose and a infection from the rusty machine used to cut his hands off. Trainwreck is a tribute to the versatility of Boys Night Out. Their style has evolved and matured, but the components that are explicitly BNO remain in their music.

In early 2006, Kara Dupuy (vocals and synthesizer/keyboard) left Boys Night Out due to her engagement. She has not currently been replaced. Later that year, Andy Lewis, formerly of The Fullblast, joined Boys Night Out on guitar, and Ben Arseneau, the original drummer in the band, re-joined after Brian Southall left to join The Receiving End of Sirens. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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