Shadows 'Neath the Black Pyramid - Bal-Sagoth

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Shadows 'Neath the Black Pyramid Lyrics

I hearken to the grisly murmer of nameless fiends,
Black jaws drooling blasphemy,
Beyond the witch-song, darkly sweet,
The wyrm-horn sounds cross Dagon's mere,
Shadow-gate (portal to the Black Pyramid) yawns wide, beckoning...
Spells scrawled in blood and frosty rime,
Squamous god encoils the onyx shrine,
(by the bleeding stone) I am enraptured by ophidian eyes.

Pungent odour of engorged flesh,
Vaults of eon-veiled horror,
Embraced by delerium, witches' balms anoint me.

Veils of frost entwine me in the haze of baleful moon-cursed dreams,
I hear the High Ones whispering ancient spells in the long-dead tongues,
There is the gleam of blackened steel in the flickering torchlight,
And I embrace the balm of sublime forgetfulness...

By the blaze of the burning skulls,
Beneath the Well of the Black Flame,
In the vaults of the dreaming gods,
Shackled to the slime-smeared bleeding stone.
Squamous orbs, black sword, drink deep, blood oath.

Supine shapes dancing in the mist,
(Serpent-tongued) priestess bares her pale flesh,
Shadows crawl to the sundered stones,
The Eternal Fiends exult in rapture.

Tomb-worms bloat on carnal blood,
Trickling onto wraith-carved stone,
Dark laughter echoes through the vaults,
Black-winged, cruel as envenomed steel.
In the Well of Black Flame, squamous shapes writhe,
A dark tide of shadows follows me,
Ravening fiends unleashed to feed,
Incantations pour in torrents from my lips...

Wraiths and fiends whirl to my bidding...
Horrors 'neath the pyramid.

Lyrics provided by LyricsEver.com
Bal-Sagoth are an extreme metal band from Sheffield, Yorkshire, England, combining elements of black metal, symphonic, and classical music. Vocalist/lyricist Byron Roberts, who came up with the idea for the band around 1989, took the name 'Bal-Sagoth' from a Robert E. Howard short story "The Gods of Bal-Sagoth". Their first demo was released in 1993; they have since released three albums on Cacophonous and three on Nuclear Blast.

The band incorporates black metal influences and symphonic elements into an overall grandiose canvas, with the elaborate lyrics of Byron Roberts painting a picture of battles in an antediluvian age where Atlantis had not yet been destroyed and the continents were still joined in a Pangaean mass. A predominant feature is the use of epic keyboards played by Jonny Maudling who composes and arranges the music. The guitar, drums and keyboards work together as an integral entity rather like a symphonic work. The vocals of Byron Roberts are a mixture of spoken word and black metal screams making the songs more like stories set to music than anything else. The stories are told like a play, with many characters (or groups of characters, speaking in unison) exchanging dialogue. Byron uses different vocalizations and effects to set them apart. The songs frequently have very long titles. Byron intends to release some short stories and novellas based on his lyrics and also some graphic novels created in collaboration with the artist Martin Hanford.

They currently have six albums out. The music for the latest one, "The Chthonic Chronicles" was recorded and produced at Jonny Maudling's studio "Waylands Forge", while the vocals were recorded at Academy Music Studio, the same studio where the band's previous five albums were recorded. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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