Something For the Girl With Everything - Sparks

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Something For the Girl With Everything Lyrics

See, the writing's on the wall
You bought the girl a wall
Complete with matching ball-point pen
You can breathe another day
Secure in knowing she won't break you (yet)

Something for the girl with everything
Have another sweet my dear
Don't try to talk my dear
Your tiny little mouth is full
Here's a flavour you ain't tried
You shouldn't try to talk, your mouth is full

Something for the girl with everything
Three wise men are here
Three wise men are here
Bearing gifts to aid amnesia
She knows everything
She knows everything
She knew you way back when you weren't yourself

Here's a really pretty car
I hope it takes you far
I hope it takes you fast and far
Wow, the engine's really loud
Nobody's gonna hear a thing you say

Something for the girl with everything
Three wise men are here
Three wise men are here
Where should they leave these imported gimmicks
Leave them anywhere
Anywhere
Make sure that there's a clear path to the door

Something for the girl with everything
Something for the girl with everything
Something for the girl with everything
Something for the girl with everything
Three wise men are here
Three wise men are here
Three wise men are here
Three wise men are here

Here's a partridge in a tree,
A gardener for the tree
Complete with ornithologist
Careful, careful with that crate
You wouldn't want to dent Sinatra, no

Something for the girl who has got everything,
Yes everything
Hey, come out and say hello
Before our friends all go
But say no more than just hello
Ah, the little girl is shy
You see of late she's been quite speechless, very speechless
She's got everything

Lyrics provided by LyricsEver.com
Sparks are an American rock and pop music band formed in Los Angeles in 1970 by brothers Ron Mael (keyboards) and Russell Mael (vocals), initially under the name Halfnelson. Best known for their quirky approach to song writing, Sparks' music is often accompanied by cutting and acerbic lyrics, and an idiosyncratic stage presence, typified in the contrast between Russell's wide-eyed hyperactive frontman antics and Ron's sedentary scowling.

The band's long career has seen them successfully adopt many different musical genres; including glam pop, power pop, electronic dance music and mainstream pop. Despite these many styles, a recognizable "Sparks sound" remains throughout, and they have enjoyed a large cult following since their first releases. Sparks have been highly influential on the development of popular music, in particular on the late 1970s scene, when in collaboration with Giorgio Moroder (and Telex subsequently), they reinvented themselves as an electronic pop duo, and abandoned the traditional rock band line up. In contrast to the esteem in which they are held by such peers as Depeche Mode, New Order, Morrissey and They Might Be Giants, who all cite Sparks as a major influence, their almost constantly changing styles and unique visual presentations have sometimes seen them dismissed as a novelty act.

The 2002 release of Lil' Beethoven, their self-described "genre-defining opus", and 2006's Hello Young Lovers (their 20th studio album) have brought Sparks renewed critical and commercial success, and seen them continue to "steer clear of pop conventions." Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Sparks