St. Louise Is Listening - Soul Coughing

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St. Louise Is Listening Lyrics

I stopped the thought before it's drip became insistent
I rubbed it out and loved the spot where it was missing
She's widely known the only maquereau that pays her taxes
I got to box her for the money, said it might end

Reeling and stumbling I've, I've got to bump around a while

You don't use words like that, St. Louise is listening
You don't use words like that, St. Louise is listening

You rang the Eskimo to meet you at the station
Oh, he's like milk to you half Swedish and half Asian
And your aphasia strikes a bargain with the barter yard
I got to box you for the money, said it might end


Reeling and stumbling I've, I've got to bump around a while

You don't use words like that, St. Louise is listening
You don't use words like that, St. Louise is listening

Let me get up on it, let me get up on it, let me, let me
Let me get up on it, let me get up on it
Let me get up on it, let me get up on it, let me, let me
Let me get up on it, let me get up on it

I could be your baby doll, I could be your doll baby
I could be the things you want, I could do it all for you
I could be your baby doll, I could be your doll baby
I could be the things you want, I could do it all for you

You don't use words like that, St. Louise is listening
You don't use words like that, St. Louise is listening

Let me get up on it, let me get up on it
Let me get up on it, let me get up on it
Let me get up on it, let me get up on it, let me, let me
Let me get up on it, let me get up on it

Let me get up on it, let me get up on it, let me, let me
Let me get up on it, let me get up on it
Let me get up on it, let me get up on it, let me, let me
Let me get up on it, let me get up on it, let me, let me

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Soul Coughing was a New York-based alternative rock band. The band found modest mainstream success during the mid-to-late 90's. Soul Coughing developed a devout fanbase and have garnered largely positive response from critics. Steve Huey describes the band as "one of the most unique cult bands of the '90s ... driven by frontman M. Doughty's stream-of-consciousness poetry, Soul Coughing's sound was a willfully idiosyncratic mix of improvisational jazz grooves, oddball samples, hip-hop, electronics, and noisy experimentalism (described by Doughty as 'deep slacker jazz').

Soul Coughing,was founded by vocalist and guitarist Mike Doughty (who billed himself at the time as 'M. Doughty'), a folk singer, slam poet, and music writer.

Doughty was a doorman at the old Knitting Factory on Houston Street in New York. While working there he met sampler artist Mark De Gli Antoni, upright bass player Sebastian Steinberg, drummer Yuval Gabay, and artist David Linton. Doughty convinced them to join him in forming a new band. They played their first gig, as 'M. Doughty's Soul Coughing' at the Knitting Factory on June 15, 1992, a late-Monday night slot that Doughty cadged from his boss because nobody else wanted it. In 1993, he founded a club night called SLAW at CBGB's 313 Gallery, which was meant to emulate the popular jazz and hip hop club Giant Step, but eventually became a showcase for Soul Coughing. Posters for SLAW were headlined 'Deep Slacker Jazz' (a parody of The Who's slogan 'Maximum R&B'), which became an enduring description of the band's sound.

The band was signed within a year to Warner Brothers subsidiary Slash Records, and released three albums: Ruby Vroom (1994), Irresistible Bliss (1996), and El Oso (1998). They enjoyed minor hit singles with "Circles," "Super Bon Bon," and "Screenwriter's Blues."

The band broke up in 2000, after years of feuding over songwriting credits and publishing money. Doughty continued as a solo artist, and Gabay, Steinberg, and De Gli Antoni have been involved with other projects including a trio disc sans Doughty in 2004.



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