Tennessee Stud - Ramblin' Jack Elliott

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Tennessee Stud Lyrics

Along about eighteen and twenty-five
i left tennessee very much alive
i never would have made it through the arkansas mud
if i hadn't been a-riding on the tennessee stud

the tennessee stud was long and lean
the color of the sun and his eyes were green
he had the nerve and he had the blood
and there never was a horse like the tennessee stud


i had some trouble with my sweetheart's pa
one of her brothers was a bad outlaw
i sent her a letter by my uncle thud
and i rode away on the tennessee stud
One day i was riding in a beautiful land
i run smack into an indian band
they jumped their nags with a whoop and a yell
and away we rode like a bat out of hell
I circled their camp for a time or two
just to show what a tennessee horse can do
the redskin boys couldn't get my blood
'cause i was a-riding on the tennessee stud
I drifted on down into no man's land
i crossed the river called the rio grande
i raced my horse with the spaniards bold
'til i got me a skinful of silver and gold
Me and a gambler, we couldn't agree
we got in a fight over tennessee
we jerked our guns, he fell with a thud
and i got away on the tennessee stud
Well i got as lonesome as a man can be
a-dreaming of my girl in tennessee
and the tennessee stud's green eyes turned blue
'cause he was a-dreaming of a sweetheart too
I loped on back across arkansas
and i whupped her brother and i whupped her pa
i found that girl with the golden hair
and she was a-riding on a tennessee mare
Stirrup to stirrup and side by side
we crossed the mountains and the valleys wide
we came to big muddy and we forded the flood
on the tennessee mare and the tennessee stud
Pretty little baby on the cabin floor
and a little horse colt playing 'round the door
i love the girl with the golden hair
and the tennessee stud loves the tennessee mare.

Lyrics provided by LyricsEver.com
Ramblin' Jack Elliott (born Elliott Charles Adnopoz, 1 August 1931) is a Grammy Award winning American folk performer.

Originally from New York, Elliott grew up in a Jewish family and had always wanted to be a cowboy. Pressured by his parents to follow in his father's footsteps and become a doctor, Elliott resisted and inspired by the rodeos he attended at Madison Square Garden, he ran away from home at the age of 15 and joined the J.E. Ranch Rodeo. Although he was only with the rodeo for three months (before his parents tracked him down and he was sent home), Elliott was exposed to his first singing cowboy, a rodeo clown who played guitar and banjo and sang songs.

Returning home, Elliott taught himself to play guitar and started busking for a living. Eventually he hooked up with Woody Guthrie and lived with him as a kind of student.

With banjo player Derroll Adams, he later toured Great Britain and Europe and had a lasting effect on the music scene there. By 1960, he had made three folk albums for the British label, Topic. Playing in the small clubs and pubs of London by day, he would then take his act to the smart, west end night clubs. Upon arriving back in the U.S., Elliott discovered he had become well-known within the folk scene.

Elliott's greatest influence was Woody Guthrie. Guthrie's son, Arlo, has said that because of his dad's illness and early death, he never really got to know him. Arlo acknowledged that he learned his dad's songs and musical style through Elliott.

Elliott's musical style influenced Bob Dylan so heavily that Dylan's first gig in New York City was billed as "Son of Jack Elliott." While Dylan rose to prominence through his compositions, Elliott continued as an interpretive troubadour, bringing old songs to new audiences in an idiosyncratic manner.

Elliott appeared on Dylan's Rolling Thunder Revue and played Longheno de Castro in Dylan's Renaldo and Clara.

Jack Elliott's style is distinctive in its use of excellent guitar technique matched with laconic, humorous storytelling and an emotional intensity in the singing.

Elliott's nickname is due not to his travel habits, but rather to the countless stories he would relate before answering the simplest of questions. Folk singer Odetta claims that it was her mother who gave him the name by remarking, "Oh Jack Elliott, yeah, he can sure ramble on!"

He was famously parodied in on the BBC in the 1960s by Kenneth Williams as Rambling Syd Rumpo who was a recurring character on Round the Horne. His claims of authenticity as a folk artist (despite being a Jewish doctor's son from New York City) and disparagement of other folk artists were also parodied by the Folksmen (Christopher Guest, Michael McKean, and Harry Shearer) in A Mighty Wind both in the name of their "hit" Ramblin' and in their claims that their version was more authentic than the New Main Street Singers's version.

Jack Elliott's first recording in 20 years, "South Coast", earned him his first Grammy in 1995. He was awarded the National Medal of Arts in 1998. Ramblin' Jack's long career and strained relationship with his daughter Aiyana were chronicled in her 2000 documentary, "The Ballad of Ramblin' Jack".

At 75, he has recently changed labels and released "I Stand Alone" on the Anti- label, with an assortment of guest backup players including members of the Red Hot Chili Peppers; again, an idiosyncratic collection of little-known music delivered with humor and intensity. He is on record as saying his intention was to title the album "Not For The Tourists" because it was recorded in response to his daughter's request for songs he loved but never played in concert. When she asked why he did not play them in public, he replied "These songs are not for the tourists". Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Ramblin' Jack Elliott