The New Style - Beastie Boys

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The New Style Lyrics

And on the cool check in
Center stage on the mic
And we're puttin' it on wax
It's the new style

Four and three and two and one, what up
And when I'm on the mic, the suckers run, word
Down with Ad Rock and Mike D and you ain't
And I got more juice than Picasso got paint

Got rhymes that are rough and rhymes that are slick
I'm not surprised you're on my dick
B-E-A-S-T-I-E, what up Mike D
Ah yeah, that's me

I got franks and pork and beans
Always bust the new routines
I get it, I got it, I know it's good
The rhymes I write, you wish you would

I'm never in training, my voice is not straining
People always biting, and I'm sick of complaining
So I went into the locker room during classes
Went into your locker, and I smashed your glasses

You're from Secausus, I'm from Manhattan
You're jealous of me because your girlfriend is cattin'

There it is, kick it

Father to many, married to none
And in case you're unaware, I carry a gun, where?
Stepped into the party, the place was over packed
Saw the kid that dissed my homeboy, shot him in the back

Man, I had to get a beeper 'cause my phone is tapped
You better keep your mouth shut 'cause I'm fully strapped
I got money in the bank, I can still get high
That's why your girlfriend thinks that I'm so fly

I've got money and juice, twin sisters in my bed
Their father had envy, so I shot him in the head
And if I played guitar, I'd be Jimmy Page
The girlies I like are underage, check it

Girls with boyfriends are the kinds I like
I'll steal your honey like I stole your bike
My father, he's jealous 'cause I'm making that green
I've got most the girlies' numbers from the places I been

There it is, kick it

You wanna know why, because I'm October 31st
That is my date of birth
I got to the party, you know what? I did the Smurf
Taxing all females from coast to coast
And when I get my fill, I'm chilly most

We rag-tag girlies back at the hotel
And then we all switch places when I ring the bell
I chill at White Castle 'cause it's the best
But I fly at Fat Burger when I'm way out west

K-I-N-G-A-D, whammy
All the fine ladies, they are on my jammy
Went to the prom, wore the fly blue rental
Got six girlies in my Lincoln Continental

I met this girl at the party, and she started to flirt
I told her some rhymes, and she pulled up her skirt
Spent some bank, got a high powered jumbo
Rolled up the wooly and I watched Colombo

Let me clear my throat, kick it over here baby pop
And let all the fly skimmies, feel the beat drop

Coolin' on the corner on a hot summer day
Just me, my posse and MCA
A lot of beer, a lot of girls, and a lot of cursing
Twenty-two automatic on my person

Got my hand in my pocket and my finger's on the trigger
My posse's gettin' big, and my posse's gettin' bigger
Some voices got treble, some voices got bass
We got the kind of voices that are in your face

Like the bun to the burger, and like the burger to the bun
Like the cherry to the apple to the peach to the plum
I'm the king of the Ave., and I'm the king of the block
Well, I'm MCA, and I'm the King Ad Rock

Well, I'm Mike D, I got all the fly juice
On the checkin' at the party on the forty deuce
Walking down the block with the fresh fly threads
Beastie Boys fly the biggest heads

Brooklyn

Lyrics provided by LyricsEver.com
Beastie Boys were an American hip-hop trio from New York City, United States: Brooklyn and Manhattan. Originally formed as a four-piece hardcore punk band, The Young Aborigines, in 1978 by Michael Diamond (vocals), John Berry (guitar; died May 2016), Adam Yauch (bass) and Kate Schellenbach (drums), for the majority of its career the group consisted of Mike D (real name Michael Diamond), Ad-Rock (Adam Horovitz) and, until his death in May 2012, MCA (Adam Yauch).

The Beastie Boys were the first successful white rap group and one of the few acts from the early days of hip-hop that still enjoyed major success their whole career. Their rock and punk-influenced rap has had a significant impact on artists both in and outside the hip-hop scene. And they were the first rap group to gain a substantial following with alternative rock fans.

The Beastie Boys came together in 1979 as a punk band called The Young Aboriginies. In 1981 MCA joined the group and from the suggestion of their guitarist John Berry, they changed their name to Beastie Boys. Their line up then consisted of Adam Yauch (aka MCA) on bass, drummer Kate Schellenbach (later of Luscious Jackson), guitarist John Berry (of Big Fat Love), and Mike Diamond (aka Mike D) on the mic. Beastie Boys' debut EP, the Pollywog Stew vinyl 7" was released in 1982.

The band's first foray into hip hop, the Cooky Puss 12", followed in 1983, with The Young and the Useless guitarist Adam Horovitz (aka Adrock) replacing John Berry. "Cooky Puss" would be the first B Boys record to receive play at NYC clubs like Danceteria as the band played its first shows outside the city.

The Mike D/MCA/Adrock Beastie Boys lineup debuted in 1984 with the "Rock Hard"/"Beastie Groove" 12." Produced by Rick Rubin, who went on to produce albums for the Red Hot Chili Peppers, Johnny Cash and Audioslave. The "She's On It"/ "Slow And Low" 12" followed in 1985 and Beastie Boys went on Madonna's "Virgin Tour." as her opening act.

Licensed to Ill dropped in fall 1986 and became the first Beastie Boys album--and the first Rap album ever--to go #1. Fueled by Fight for Your Right and No Sleep Till Brooklyn it remained at #1 for seven weeks and simultaneously reached #2 on the urban chart, becoming the fastest selling debut to date for Columbia and the first hip hop record to break 5 million.

In 1989 Beastie Boys released their second album Paul’s Boutique produced by Beastie Boys and the Dust Brothers. Paul's Boutique laid down the blueprint for a generation of emergent genres and went over the collective head of a nation. The likes of "Shake Your Rump," "Lookin' Down The Barrel Of A Gun," "Car Thief," Shadrach," and the hip hop "suite" "B-Boy Bouillabaisse" contained lyrical and musical references too plentiful and diverse for the average mind to compute in one sitting.

Check Your Head, released in 1992, heralded the return of live instrumentation into the B Boys mix. The album was produced by the band and Mario Caldato Jr. (who first worked with B Boys as engineer on Paul's Boutique), Check Your Head would yield a watershed of new B Boys staples, including So Whatcha' Want, Pass The Mic, "Gratitude" and "Jimmy James." With the assistance of Keyboard Money Mark, Eric Bobo and assorted percussionists, Beastie Boys returned to the touring circuit and Check Your Head hit double platinum.

In the summer of 1994, Ill Communication, also produced by the band and Mario Caldato Jr., entered the charts #1. The album featured such hits Sure Shot and Sabotage. Ill Communication was supported by Beastie Boys' first arena headline tour since the '80s. Following the tour's conclusion, Beastie Boys recorded and released Aglio e Olio consisting of eight songs clocking in at 11 minutes, the EP recalls the vintage hardcore punk of the band's infancy.

On July 14 1998, their fifth album titled Hello Nasty was released. Spurred by the monster success of the "Intergalactic" single and video, the record clocked first week sales of nearly 700,000 in the U.S. and went straight in at #1 in England, Germany, Australia, Holland, New Zealand and Sweden. Early in the tour, Beastie Boys made live tracks available for free download to fans unable to attend the shows-and were blindsided by their label pulling the tracks down.

Having closed 1998 by accepting the Video Vanguard lifetime achievement honor at the MTV Video Music Awards, Beastie Boys rang in 1999 with Artist, Band and/or Record of the Year accolades from the likes of Rolling Stone, SPIN, The New Yorker and Playboy, among others. A month later, at the 41st Annual Grammy Awards, the now quadruple-platinum Hello Nasty took Best Alternative Music Performance, while "Intergalactic," nailed Best Rap Performance By A Duo Or Group--the first time an artist has ever won in both Rap and Alternative categories.1999 would also see "Intergalactic" take Best Hip Hop Video honors at the 1999 MTV Video Music Awards.

Beastie Boys' sixth studio album, To The 5 Boroughs, released in summer 2004, was the band's third consecutive #1 debut-and Rolling Stone magazine's only 5-star review of the year. To The 5 Boroughs was supported by world tour - traveling pageant - supported by Talib Kweli and Bob Moore's Amazing Mongrels (yes, a live dog show, hence the pageant appellation).

2006 saw the release of the film, Awesome, I Fuckin' Shot That!, a concert film made up of footage filmed by audience members, which debuted at Sundance in early 2006 and was released theatrically the same year.

In 2007 Beastie Boys released The Mix-Up, first ever full length offering of all-new, all-original instrumental recordings.

On February 3rd, 2009, they digitally remastered and released Paul's Boutique on their website.

The band's next record, "Hot Sauce Committee Part 2" was released in the first quarter of 2011. It features the same tracklisting as the previously announced "Hot Sauce Committee Part 1", which was delayed indefinitely after Yauch was diagnosed with a tumor on his parotid gland (which was successfully removed).

Bassist and vocalist Adam Yauch died on May 4, 2012 of cancer.

In June 2014, Mike D stated that the Beastie Boys would not continue their careers as a group, as a promise to Adam Yauch. "We have not been able to tour since MCA, Adam Yauch, died," Diamond said. "We can't make new music." Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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