Tinseltown to the Boogiedown - Scritti Politti

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Tinseltown to the Boogiedown Lyrics

Time keeps slipping, keeps slipping
Time, time keeps slipping
Time, time keeps slipping
Time, time keeps slipping

Yo, the only thing Major don't waste is time in bed
My time is rare, take time, time to prepare
No time for fear, how many times I said it this year?
At what time ya going to realize that time is near?

Call a time out, Scritti Politti, Major climb down
The cracks of the streets waste no time on beats
Mos' Def, most definitely the rap chief
The new release, time to make cream, time to take a piece

And at the same time, time to rebuild, time is rilla
I swear I bring the heat, the tracks to Val Kilmer
You know that time waits for no man, in time you'll see
That you're wasting all you time while you're watching TV

And yo' Scritti, I'm on it like walls to graffiti
From night sticks, to plungers, to NYPD
From Lucille BB King, you've seen me rhyme
You stay away from drama if it's wasting your time

The time tables keep turning from Tinseltown
You've got the both ends burning up to the Boogiedown
(Time, time keeps slipping)
They play for time and work for spaces

The time tables keep turning and clocks are wound
You've got the both ends burning up and worked around
(Time, time keeps slipping)
And in their prime they change their faces

Yeah, from Boogiedown to the Tinseltown I had em' all gettin' down
My baggage claim's got exotic names, I get around
How I'm livin' now, well that's a whole lot different now
From where I'm sitting now, got a whole clearer vision now

I played the tables hard, wild cards I was flipping now
My partners hittin' pounds, somewhere up in prison now
I'm flippin' high, things switch and change so suddenly
The way you act today is tomorrow's where you wanna be

You company shifts when you start livin' comfortably
Spotlights switch and then you dip right from under me
Don't front for me, I want to be perfectly clear
Time is here, I'm keepin' yesterday in the rear

A current affair, Mos' Def and Lee Majors appear
Bout to write this little ditty with the Scritti, you hear
And it's about that time, so if you could be then would you
Sit back and look at who time's bein' good to

The time tables keep turning from Tinseltown
You've got the both ends burning up to the Boogiedown
(Time, time keeps slipping)
They play for time and work for spaces

The time tables keep turning and clocks are wound
You've got the both ends burning up and worked around
(Time, time keeps slipping)
And in their prime they change their faces

At one time I thought I had it all, mass of broads
Flash awards, cash cards, time's a double-edged sword
One day you hear applause, next day when you leave
You catch a L in the C like Christopher Reeves

Do you all believe that these cats threw dirt on my name?
Give 'em time, they couldn't win if I gave 'em point game
At times I used to swerve, now I'm learning my lane
Trapped in time, what a shame with nobody to blame

I waits for no one and fat and slow ones, the rich no funs
The Samurai's and Shoguns, the first stringer no runs
Ayyo gun, you'd better hope to it or you blow, son
This time keeps slipping, make no difference if you don't come

It's bein' well recorded how we advise we
Get on our game and spend these moments wisely
It's time to make chase, give pace, no time to waste
First you on, then you gone so long, you been replaced

The time tables keep turning from Cali High
You've got the both ends burning up to the do or die
(Time, time keeps slipping)
They set their hearts and fix their courses

The time tables keep turning and dreams of dreams
You've got the both ends burning up of how it seems
(Time, time keeps slipping)
They steel themselves, they are resources

The time tables keep turning from Tinseltown
You've got the both ends burning up to the Boogiedown
(Time, time keeps slipping)
They play for time and work for spaces

The time tables keep turning and clocks are wound
You've got the both ends burning up and worked around
(Time, time keeps slipping)
And in their prime they change their faces

The time tables keep turning
You've got the both ends burning up
And all the lies you've been learning
To keep the future on hold

The time tables keep turning
You've got the both ends burning up
And all the lies you've been learning
To keep the future on hold

Lyrics provided by LyricsEver.com
Scritti Politti is a musical group that was formed in 1977 in Leeds, England, being primarily a vehicle for singer-songwriter Green Gartside (born Paul Julian Strohmeyer on 22 June 1956, Cardiff, Wales). Initially a left-wing-inspired post-punk rock act, the band developed into a more new wave and mainstream pop based project in the early to mid-80s (following two heavy lineup changes). The group's most successful album, 1985's 'Cupid & Psyche 85', proved innovative in its early use of the techniques of sampling and MIDI sequencing, also producing hit singles such as "Perfect Way", "The Word Girl", "Wood Beez", and "Absolute".

Released on the Rough Trade record label in 1981, "The Sweetest Girl" (also known as "Sweetest Girl") became Scritti Politti's first song to be a hit, peaking at #64 on the U.K. singles chart. According to the The Sweetest Girl Songfacts, was cited by The New York Times as one of the ten best singles of the year. Scritti Politti went on to enjoy significant success in the music charts in the U.K. and U.S. as the decade went on, rivaling slick new wave contemporaries such as Duran Duran, The Human League, Simple Minds, and others.

Following this period of fame, however, Gartside became disillusioned with the music industry and the related pressures of being an artist. He retired to the South Wales of his childhood for nearly a decade. He returned to music-making in the late 90s, releasing two critically-acclaimed albums (in 1999 and 2006). As well, the success of the 2006 Mercury Music Prize-nominated 'White Bread Black Beer' release proved to be a major comeback for Gartside. He toured the U.K., Ireland, the U.S.A., and Japan in the same year, these efforts being his first time performing live on stage for about twenty-five years.

Gartside is known for his distinctive, whispering vocal style; he was described by one critic as having "a voice that's eternally 14 years old". Born in Cardiff in 1956, Gartside attended Leeds Polytechnic and experienced the Sex Pistols' infamous 'Anarchy tour' in 1977. Like so many others who saw this musical and cultural car crash, he felt inspired to make music. As well, again like so many others, he swiftly became disillusioned with punk's stylistic parameters of the time. Following years of work evolving Scritti Politti's sound, the group's debut studio album, titled 'Songs to Remember', came out on 3 September 1982. Though not a commercial hit, the relase's eccentric set of influences,including 60s pop rock and 70s soul, and many philosophical lyrical references, with Gartside avoiding direct left-wing preaching in favour of confessional storytelling, brought the band serious critical praise.

In 1989, the British music magazine 'Record Mirror' placed 'Songs to Remember' at number fourteen in their critics' list of the best albums of the 80s. Nonetheless, heavy line-up changes occured after that album's release. When 1985's 'Cupid & Psyche 85' came out, that work proved both to be a commercial smash as well as to be innovative in terms its early use of the techniques of sampling and MIDI sequencing. Hit singles such as "Perfect Way", "The Word Girl", "Wood Beez", and "Absolute" brought the group legions of fans.

As stated before, Scritti Politti is known for being, at times, a commercially-friendly outfit, particularly during when Gartside worked with American producer and keyboard player David Gamson and drummer Fred Maher, yet its songs still retained a critically acclaimed, heavily poetic look on life (a factor which, no matter what sound or guise Gartside's current band may adopt, has always been carried through).

In a recent BBC Radio 2 interview, Gartside enthusiastically stated that he will be working on two further albums in the future, one being hip-hop based (a la 1999's Anomie & Bonhomie).

Recently, Gartside has been performing live with Alexis Taylor of Hot Chip - a fellow Mercury Music Prize nominee - and it is rumoured that the pair are currently writing a joint album. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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