212 (feat. Lazy Jay) - Azealia Banks

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212 (feat. Lazy Jay) Lyrics

Hey, I can be the answer
I'm ready to dance when the vamp up
And when I hit that dip, get your camera
You could see I been that bitch since the pamper

And that I am that young sis, the beacon
The bitch who wants to compete and
I could freak a 'fit, that pump with the peep and
You know what your bitch become when her weave in

I just wanna sip that punch with your peeps and
Sit in that lunch if you're treatin'
Kick it with ya bitch who come from Parisian
She know where I get mine from and the season

Now she wanna lick my plum in the evening
And fit that ton-tongue d-deep in
I guess that cunt getting eaten
I guess that cunt getting eaten

I guess that cunt getting eaten
I guess that cunt getting eaten
I guess that cunt getting eaten

I was in the 212
On the uptown A, nigga you know what's up or don't you?
Word to who made ya
I'm a rude bitch nigga, what are you made up of?

I'm a eat ya food up boo
I could bust your 8, I'ma do one too, fuck ya gon' do?
When you do make bucks, I'ma look right nigga, bet ya do want to fuck...
Fuck him like ya do want to cum

Your gay to get discovered in my two-one-deuce
Cock-a-licking in the water by the blue bayou
Caught the warm goo, in your doo-rag too, son?
Nigga you're a kool-aid dude

Plus your bitch might lick it, wonder who let you come to one-two
With ya doo-doo crew son... fuck are you into, huh?
Niggas better oooh-run-run
You could get shot homie, if ya do want to

Put ya guns up, tell your crew don't front
I'm a hoodlum nigga, you know you were too once
Bitch I'm 'bout to blew up too
I'm the one today, I'm the new shit, boo, young Rapunzel

Who are you bitch, new lunch?
I'ma ruin you cunt
I'ma ruin you cunt
I'ma ruin you cunt

I'ma ruin you cunt
Ayo (ayo), I heard you're riding with the same tall, tall tale
Telling them you made some (made some)
Saying you're grinding but you ain't going nowhere
Why procrastinate girl? (nate girl)
You got a lot, but you just waste all yours and

They'll forget your name soon (name soon)
And won't nobody be to blame but yourself, yeah
What you gon' do when I appear?
W-when-when I premiere?
Bitch the end of your lives are near
This shit been mine, mine

What you gon' do when I appear?
W-when-when I premiere?
Bitch the end of your lives are near
This shit been mine, mine

Bitch I'm in the 212
With the fifth cocked nigga, its the two-one-zoo
Fuck you gon' do, when your goon sprayed up?
Bet his bitch won't get him, betcha you won't do much

See even if you do want to bust, your bitch'll get you cut and touch you crew up too
Pop, you're playing with your butter like your boo won't true cock
The gun to where you do eat poom hun?
I'm fucking with your cutie-q

What's your dick like homie, what are you into, what's the run dude?
Where do you wake up? Tell your bitch keep hating, I'm the new one two huh...
See I remember you when you were
The young new face but you do like to slumber don't you?
Now your boo up too hon...
I'm a ruin you cunt
What you gon' do when I appear?
W-when-when I premiere?
Bitch the end of your lives are near
This shit been mine, mine
What you gon' do when I appear?
W-when-when I premiere?
Bitch the end of your lives are near
This shit been mine, mine
This shit been mine, mine
This shit been mine, mine

Lyrics provided by LyricsEver.com
Azealia Amanda Banks (born May 31, 1991) is an American rapper, singer, and songwriter from Harlem, New York, USA, formerly known under the pseudonym Miss Bank$. Banks rose in notability in 2011 when she topped NME's "Cool List", finished third in BBC's Sound of 2012 and released her breakout debut single 212 (feat. Lazy Jay). Releasing the 1991 EP and Fantasea mixtape in 2012, her debut album Broke With Expensive Taste was delayed for three years, being released in November 2014.

Growing up, Bank's mother raised her and two older sisters in Harlem after their father died when Banks was two. At a young age she became interested in musical theater, acting, and singing. She performed in off-Broadway musicals with the Tada! Youth Theater, and attended LaGuardia High School of Performing Arts where she starred in the school production of City of Angels at sixteen. An agent became interested in her, and she dropped out of high school in order to pursue a music career. Under the moniker 'Miss Bank$', she released her debut Gimme A Chance (accompanied by Seventeen) onto the internet in February 2009. Later that year, Banks signed to record label XL Records and began working with producer Richard Russell; she left the label later that year due to conflicting ideas.

Following this, Banks left behind the 'Miss Bank$' moniker and formally became Azealia Banks, which preceded a move to Montreal. Banks uploaded several demo tracks on Youtube - including L8R and a cover of Slow Hands by Interpol. In September 2011, Banks released her debut single 212 (feat. Lazy Jay) as a free digital download from her website, which was subsequently released officially on December 6, 2011 as the lead single from one of Banks' future releases. The track attained European chart success, peaking at number seventeen in Netherlands, number twelve in the United Kingdom and at number seven in Ireland. Though unsigned at the time, Banks began working with British producer Paul Epworth on a debut studio album. In December 2011, it was announced that Banks would feature on Scissor Sisters' single Shady Love, though uncredited.

On January 16, 2012, Banks released NEEDSUMLUV (SXLND), coinciding with the thirty-third birthday of the late singer Aaliyah, who is sampled on the track. A week later it was announced that the Paul Epworth-produced Bambi had been selected as the soundtrack for the Mugler F/W 2012 men's show. In February, she announced that her upcoming debut album would be titled Broke With Expensive Taste. In May, Banks announced plans to release a mixtape called Fantastic (later changed to Fantasea). Preceding its release was Jumanji on May 11, Aquababe on June 13, and Nathan ft. Styles Pon June 30. Fantasea was released on July 11.

Banks' first extended play, 1991, was released in the United Kingdom on May 28, 2012 and in the United States the following day. Both the title track and the EP itself achieved success, charting in Europe and the U.S while reaching gold in Australia. The music video for Liquorice was released on June 14. BWET, originally planned for release in September, was pushed back to January 2013.

During this time period, Banks maintained several feuds with celebrities and other artists (Angel Haze, Perez Hilton, Lady Gaga, Lily Allen, T.I., Baauer, A$AP Rocky, Lorde, Disclosure) on Twitter. In March 2013, her account was handed over to management and all tweets were deleted. However, she regained access. BWET singles Miss Amor, Soda and Chasing Time were announced but not released. However, Yung Rapunxel and ATM Jam featuring Pharrell were released in January 2013 and September 2013, respectively. In January 2014, Banks said she was "literally begging to be dropped" from Interscope via Twitter, as BWET was moved back to March. In February, her Soundcloud was deleted due to copyright infringement on Fuck Up the Fun. Banks, frustrated with delays to her album, announced on Twitter that she would be leaking BWET on April 15, but the album was not leaked. New single Wallace was announced but not released.

In July 2014, Banks announced she was being released from her label and announced Heavy Metal and Reflective as her next single. This was followed by Chasing Time in September. On November 6, Banks dropped Broke With Expensive Taste on iTunes with little warning. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Azealia Banks