Back To My Roots - Steel Pulse

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Back To My Roots Lyrics

Woe Na Na Na
Hey Yeh Yeh Oh Yeh
This is to whom it may concern
Raggamuffin rastaman return
Says we all got a lesson to learn
This is the reason that

I'm back to my roots
Back to my roots
I'm back to my roots

We took that commercial road
Searching for some fame and gold
And gained the whole wide world
And almost lost our souls

Some say we should have lead the way
Take it over from Bob Marley
Got brainwashed by the system yeah
What a heavy price we paid

It's time to go back
The way we was
Reggae Raggamuffin rub-a-dub
Back to my roots
Back to my roots
Back to my roots
There ain't no turning back
We pon de culture track

Some a seh that we gone soft
Whatever happened to the pulse so hard
They use to take a militant stance
Now all we're hearing is a song and a dance

Well we tried all the pop and jive
To keep the band and the music alive
So here's my promise to everyone
I'll serve the sufferers from this day on

It's time to go back to the way we was
Reggae Raggamuffin rub-a-dub

Back to my roots
Back to my roots

It's time to go back to the way we was
Reggae Raggamuffin rub-a-dub

Back to my roots
Back to my roots

This is to whom it may concern
Raggamuffin rastaman return
Says we all got a lesson to learn
Help I and I mek babylon burn yah!
Back to my roots
There ain't no turning back
We pon de culture track

Lyrics provided by LyricsEver.com
Steel Pulse is a British roots reggae band from Birmingham, England. They were the first non-Jamaican act to win the Grammy Award for Best Reggae Album for their 1986 album Babylon The Bandit.

Steel Pulse originally formed at Handsworth Wood Boys School, Birmingham, and comprised David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals) and Ronnie McQueen (bass).

However, it is Hinds who, as songwriter, has always been the engine behind Steel Pulse, from their early days establishing themselves in the Birmingham club scene onwards. Formed in 1975, their debut release, 'Kibudu, Mansetta And Abuku" arrived on the small independent label Dip, and linked the plight of urban black youth with the image of a greater African homeland. They followed it with 'Nyah Love' for Anchor.

Surprisingly, they were initially refused live dates in Caribbean venues in the Midlands because of their Rastafarian beliefs. Aligning themselves closely with the Rock Against Racism 1 organisation, they chose to tour instead with sympathetic elements of the punk movement, including the Stranglers, XTC etc.: "Punks had a way of enjoying themselves - throw hordes at you, beer, spit at you, that kind of thing".

Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Their first release for Island was the 'Ku Klux Klan' 45 rpm, a considered tilt at the evils of racism, and one often accompanied by a visual parody of the sect on stage.

By this time their ranks had swelled to include Selwyn 'Bumbo' Brown (keyboards), Steve 'Grizzly' Nesbitt (drums), Fonso Martin (vocals, percussion) and Michael Riley (vocals). Handsworth Revolution was an accomplished long playing debut and one of the major landmarks in the evolution of British reggae.

However, despite critical and moderate commercial success over three albums, the relationship with Island had soured by the advent of Caught You (released in the US as Reggae Fever). They switched to Elektra, and unveiled their most consistent collection of songs since their debut with True Democracy, distinguished by the Garveyeulogising 'Rally Around' cut.

A further definitive set arrived in Earth Crisis. Unfortunately, Elektra chose to take a leaf out of Island's book in trying to coerce Steel Pulse into a more mainstream vein, asking them to emulate the pop-reggae stance of Eddy Grant. Babylon Bandit was consequently weakened, but did contain the anthemic 'Not King james Version', which was a powerful indictment on the omission of black people and history from certain versions of the Bible.

Their next move was id Hinds of Steel Pulse to MCA for State Of Emergency, which retained some of the synthesized dance elements of its predecessor. Though it was a significantly happier compromise, it still paled before any of their earlier albums.

Rastafari Centennial was recorded live at the Elysee Montmarte in Paris, and dedicated to the hundred year anniversary of the birth of Haile Selassie. It was the first recording since the defection of Fonso Martin, leaving the trio of David Hinds, Steve Nisbett and Selwyn Brown.

While they still faced inverted snobbery at the hands of British reggae fans, in America their reputation was growing, becoming the first ever reggae band to appear on the Tonight television show. Their profile was raised further when, in 1992, Hinds challenged the New York Taxi and Limousine Commission in the Supreme High Court, asserting that their cab drivers discriminated against black people in general and Rastas in particular.
Drummer Steve "Grizzly" Nisbett (15 March 1948 – 18 January 2018) died in 2018.
The band are still recording and touring. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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