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Chan Chan Lyrics

De Alto Cedro voy para Marcané
Llego a Cueto, voy para Mayarí

De Alto Cedro voy para Marcané
Llego a Cueto, voy para Mayarí

De Alto Cedro voy para Marcané
Llego a Cueto, voy para Mayarí

El cariño que te tengo
No te lo puedo negar
Se me sale la babita
Yo no lo puedo evitar


Cuando Juanica y Chan Chan
En el mar cernían arena
Como sacudía el jibe
A Chan Chan le daba pena

Limpia el camino de pajas
Que yo me quiero sentar
En aquél tronco que veo
Y así no puedo llegar

De alto Cedro voy para Marcané
Llegó a Cueto voy para Mayarí

De alto Cedro voy para Marcané
Llegó a Cueto voy para Mayarí

De alto Cedro voy para Marcané
Llegó a Cueto voy para Mayarí

De alto Cedro voy para Marcané
Llegó a Cueto voy para Mayarí

De alto Cedro voy para Marcané
Llegó a Cueto voy para Mayarí

De alto Cedro voy para Marcané
Llegó a Cueto voy para Mayarí

Lyrics provided by LyricsEver.com
Buena Vista Social Club is an ensemble of Cuban musicians established in 1996 to revive the music of pre-revolutionary Cuba. The project was organized by World Circuit executive Nick Gold, produced by American guitarist Ry Cooder and directed by Juan de Marcos González. They named the group after the homonymous members' club in the Buenavista quarter of Havana, a popular music venue in the 1940s. To showcase the popular styles of the time, such as son, bolero and danzón, they recruited a dozen veteran musicians, many of whom had been retired for years.

The group's eponymous album was recorded in March 1996 and released in September 1997, quickly becoming an international success, which prompted the ensemble to perform with a full line-up in Amsterdam and New York in 1998. German director Wim Wenders captured the performance on film for a documentary—also called Buena Vista Social Club—that included interviews with the musicians conducted in Havana. Wenders' film was released in June 1999 to critical acclaim, receiving an Academy Award nomination for Best Documentary feature and winning numerous accolades including Best Documentary at the European Film Awards.

The success of both the album and film sparked a revival of interest in traditional Cuban music and Latin American music in general. Some of the Cuban performers later released well-received solo albums and recorded collaborations with stars from different musical genres. The "Buena Vista Social Club" name became an umbrella term to describe these performances and releases, and has been likened to a brand label that encapsulates Cuba's "musical golden age" between the 1930s and 1950s. The new success was fleeting for the most recognizable artists in the ensemble: Compay Segundo, Rubén González, and Ibrahim Ferrer, who died at the ages of ninety-five, eighty-four, and seventy-eight respectively; Compay Segundo and González in 2003, then Ferrer in 2005.

Several surviving members of the Buena Vista Social Club, such as veteran singer Omara Portuondo, trumpeter Manuel "Guajiro" Mirabal, laúd player Barbarito Torres and trombonist and conductor Jesús "Aguaje" Ramos currently tour worldwide, to popular acclaim, with new members such as singer Carlos Calunga and pianist Rolando Luna, as part of a 13-member band called Orquesta Buena Vista Social Club. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Buena Vista Social Club