Melissa Wright and Daniel Zezeski explore the potential of sonic minimalism in country music. What could happen if each song was reduced to its purest form? A telecaster guitar, weeping plucking and gliding over harmony, a simple three-piece drum kit crooning alongside, and above it, a singular powerful voice. Citing influence from artists like Patsy Cline, Hank Williams, Neil Young, and The Beatles, their sound is raw, earthy and smells like a long and winding road that weaves around an undeniable longing, calling to mind early Tom Petty and shades of Patti Smith.

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