the 'Denial-of-Service' (aka the density-of-state, ex-Cpinalonga, ex-UVA, ex-keene, ex-Ponzi Scheme) is the A/V vehicle of a h.martis.

apart from a plethora of personal releases, under miscellaneous guises and via various independent labels he has worked for & with various other artists including remix & video work for Attrition (uk), remixes & video work for Extrawelt (de), remix & video work for DimDJ (gr), video promo work for Kraftwerk (de), A/V & interactive work for MUTE records (uk), audio work with Alan Fischer (Hula, Cabaret Voltaire) (uk), ambisonic sound design for John Eacot (Test Dept.) & Martin Ware (Heaven 17)(uk), programming work for the
Killing Joke (uk), post production & mastering for Spies (fr), production & mastering for many Poeta Negra (gr) releases, sound design and incidental sonic work for various installation & exhibition pieces etc.

so far live performances have been somewhat sparse especially after the late-90's with most noted exceptions those with Kris Kylven (UX, EoN Project, Killing Joke)(fin/fr/uk) & Mike McGuire (Juno Reactor)(uk), as well as G.Bandoek (gr), twice at the Sync and twice at the Reworks festivals (including a return to the bleaker form acting as lead vocalist with the short-lived Ponzi Scheme at the Coo last year).

currently, and after an almost 15-year-long hiatus, the do-S sonics exhibit direct and distinct influences by early Skinny Puppy, Front242, Portion Control, Kraftwerk, Kraut and ClockDVA.
the do-S thematic lines are heavily informed & explained along guidelines set by the aforementioned, as well as, favoured visionaries PKD, W.Gibson, N.Spinrad, J.G.Ballard, England's Hidden Reverse and the hardcore & horror underground.

the do-S sonics comprise near exclusively analogue generated rhythm-sections, balanced by grim digital atmospherics and heavily treated vocals & voice samples in an attempt to bring the proto-cyberpunk and proper electro-industrial sound up to date.

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