Cups and Cups - Field Report

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Cups and Cups Lyrics

I got a love that brings me home; got no need to terraform
tried to guide by the stars but I took it too far--
to the river that the ancient icesheets borne
I came to with fruitflesh in my teeth; skin stuck in my front teeth
and the scales dropped off as the sun came up and I knew that I
could never go back to not knowing I was nude
in my jacket and and my pants and my boots
all my love was dammed up here to you


with my nose pressed into your hair I could smell with seven senses
danger, preservation in the air
and I got four kinds of love but the one I'm thinking of is all four
directions, here and there
and my bones cried out from sleeping on the ground,
partly in your arms from behind
you said there's an underground river that can go anywhere,
it's just where we choose to dig in and what we find
all my love was dammed up here to you
all my love was dammed up here to you


so I followed the river underground and drank it up:
cups and cups, and pocketed some
I'm always drunk, on the verge of spilling everything,
filled up like a pleurisied lung
Wash away the trail-- wonder what we left behind?
the extra cups and cups and cups
You could read me like a horse, with your legs and eyes;
I got spooked and bucked

When I'm pulling away I will say I feel you pulling away
all my love was dammed up to today

If I stayed would you stay with me right here?

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Field Report is an American folk band formed in 2011 in Milwaukee, Wisconsin. The band is led by singer/songwriter Christopher Porterfield (a form member of the Justin Vernon-led band DeYarmond Edison.

Field Report, an anagram of Porterfield's surname, was culled together in the studio while recording their 2012 self-titled debut. They suddenly found themselves championed by their former idols: offered support tours by Counting Crows and Aimee Mann, lauded by the likes of Mark Eitzel and Richard Thompson, and covered by Blind Boys Of Alabama.

The band honed itself from a septet to a quartet in the year that followed, focusing its sound and tightening the screws. With a heavy batch of songs under their arms, they retreated to snowy Ontario in December 2013 to record their sophomore album, Marigolden, with the help of producer Robbie Lackritz (Feist).

After time roaming around the US playing tiny venues and sold-out amphitheaters alike, Porterfield was uncertain whether he was leading the charge toward an artistic epiphany or headed down a misguided path of self-destruction. Marigolden reflects this, as he ruminates across homesick tension and an un-grounded anxiety. But rather than wallow in melancholy, Porterfield finds solace and inspiration through his songs, which reveal themselves as uplifting and celebratory. The album is brighter than their 2012 debut, but somehow remains just as elegantly ominous. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Field Report