Devil Can Blues - Ramon Taranco

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RAMON TARANCO is a New York City-based, Toronto raised-and-educated, Cuban-Mexican composer & guitarist whose world beat fusion music runs the gamut from Afro-Cuban Jazz & Blues to Southern Rock & New Orleans Funk.

Solo, duo & band performances in New York City include a March 2011 concert at Monroe College in The Bronx, New York's Soul of the Blues Festival @ The Cornelia Street Cafe in Greenwich Village, 8 concerts in the Guggenheim Museum's World Beat Jazz Series, "Celebrating the Diaspora: Strummin the Americas" for African-American Heritage Month @ Bronx Museum of Fine Arts, the on-stage performing guitarist in Liz Swados' opera "Missionaries" @ Brooklyn Academy of Music's Majestic Theater, Queens Museum of Art, Harborside Jazz Festival, New York State University @ Stony Brook, Manhattanville College, The Plymouth Church of the Pilgrims, Latino Heritage Month Celebration @ Javits Convention Center, Astoria's Hellenic Cultural Center, in a concert celebrating Martin Luther King Jr's birthday @ Newark Public Library, numerous corporate events and private functions, and regular appearances in NYC jazz and blues clubs ie Izzy Bar, The Mozart Cafe and Cabaret Nights and Jazz Brunches at La Belle Epoque.

Ramon Taranco + His Havana Blues Revue is currently playing in Manhattan and the Boroughs as a quartet with Ramon on guitars and singing lead vocals, Judd Nielsen on Hammond B3, David Cutler on bass, and Cinque Ubangi Kemp on drums.

Prior to moving to New York in December 1994, Ramon was based in Toronto Canada. Ramon played blues, jazz and classical guitar in many of Toronto's premier venues including the Harbourfront Centre's Brigantine Room & the Water's Edge Cafe, C'est What, The Riverboat, University of Toronto's Hart House Theatre, the Windsor Arms Hotel's Courtyard Cafe, the Art Gallery of Ontario, the St. Lawrence Centre for the Arts, and in the Senator Hotel's Top O' the Senator Guitar Bar Series among others.

Ramon has also toured in Western Canada & several times across Ontario (including Sudbury's Laurentian University) giving concerts, lecture/recitals & guitar clinics.

Live radio performances and interviews include The Gutbucket Blues Show on NYC's WBAI, the CBC's Morningside & Musical Friends and on CKLN (Toronto.) Ramon also gave live interviews on WBAI's New World Gallery & Radio Libre & on KPFT's Son Pacifica (Houston Texas.) Ramon's April 10th 2011 interview with host Ibrahim Gonzales on Radio Libre.

Ramon's 2 CDs, Music From the Bermuda Triangle and The Adventures of Bo Segovia, present 16 of his organic and very natural eclectic compositions. Encompassing a wide variety of styles, they range from solo guitar (electric and acoustic) to full band. Music From the Bermuda Triangle is primarily a world beat jazz album with some blues accents. The Adventures of Bo Segovia is mostly blues and funk.

Blues, indie jazz and eclectic free form radio shows on public and commercial stations often play Ramon's Spirit of Muddy Waters and Ghost Dance tracks but all 16 tracks from his 2 CDs get regular airplay. To date, Ramon's music has received airplay on at least 350 stations in 50 countries around the globe. In the USA alone, we know of 131 stations across 41 states that have played Ramon's music.

In February 2010, The Adventures of Bo Segovia CD was #3 on the Roots Music Report international top 100 jazz charts and #10 on the New York State top 100 roots artists (all genres) chart; where rating are tallied based on airplay on 500 affiliated stations worldwide.

MUSIC FROM THE BERMUDA TRIANGLE

Ramon's first CD of original music, “Music From the Bermuda Triangle,” is an Afro-Jazz-Latin fusion album. Strong on percussion, it offers a balanced blend of instrumental and vocal songs using authentic ancient traditional instruments as well as electric guitars and keyboards. “Snow Scorpion,” “Mantiki I” and “Mantiki II” are African-related instrumental pieces. “Yoruba Cuba” and “Music From the Bermuda Triangle” are Afro-Cuban inspired songs with vocals. For some classic southern rock, there’s “Sugar Can Rider” where Ramon shares special memories of his childhood in Cuba. There’s also a tango on the CD, “Tango Solito.” And for R&B lovers, there’s the gospel-influenced “Hard Work.”

Recorded in Toronto, Canada and mixed by Grammy and Juno Award Winning engineer, Kevin Doyle, this fascinating World Beat Fusion gem features musicians from Argentina, Canada, Colombia, Cuba, Ghana, Holland, Jamaica, Portugal, South Africa and the USA. Vocalists: Raul Galvez, Yohanna van der Kley, Cooly Koaho, Betty Richardson, Jackie Richardson, Ramon Taranco, Pat Thomas and Liz Tilden. On violin, Ben Mink; harmonica, Carlos del Junco; accordion, Jose Sousa; organ, Peter Nunn; saxophones, Pat Labarbera and Mark Promane; electric and acoustic guitars, Ramon Taranco; cello, Doug Innis; double bass, Kieran Overs; electric bass, Jeff Jones and John Yelland; drums and percussion, Memo Acevedo, Bob Becker, Steve Foster, Basi Mahlasela and Dick Smith.

“Music From the Bermuda Triangle” received extensive radio airplay across Europe Germany, Sweden, the UK, Belgium, France, Spain] and North America [New York, Philadelphia, Los Angeles, Houston, Portland, Toronto...], in Havana, Cuba, the Bahamas, and Moscow, Russia. It was often featured on Iñaki Peña’s unique Trébede, the highly popular and original strictly World Music radio show on Madrid’s Radio Naçional de España.

THE ADVENTURES OF BO SEGOVIA

In the Fall of 2007, Ramon released his 2nd CD of original songs titled “The Adventures of Bo Segovia.” Recorded in New York, it features some of that city’s finest vocalists: Denosh Bennett, Eddie Bobe, Craig Derry, Danny Frazier, Marchelle Jackson, Eunique Mack, Ramon Taranco and Lee Williams. Instrumentalists who performed on the recording include: Eddie Bobe, John Jenkins, Danny Sadownick and Ernesto Simpson (on drums and percussion); William Galison (on harmonica), Craig Handy (on tenor sax and clarinet), Greg Lewis and Danny Mixon (on organ), Samir Shukry (on violin); electric bass players: Essiet Okon Essiet, Buster Hemphill aned Harvie S. and Ramon Taranco on guitars.

All the tracks were produced by Ramon Taranco, mixed by Ethan Donaldson (New York) and mastered by Tom Rogers at Atomix Studios in Los Angeles.

“The Adventures of Bo Segovia” includes 2 songs with Native Indian themes, “Buffalo Skies” and “Ghost Dance.” “Buffalo Skies” is a spontaneous outpouring inspired by Ramon’s fascination with the ghost dance and the odyssey of the Plains Indians. Its Shoshone and Sioux imagery and its New Orleans Funk rhythms make it an interesting musical and lyrical marriage. “Ghost Dance” is a song about materialism versus the spiritual. It has an Afro-Blues feel and a dazzling Middle Eastern violin solo. The title song, “The Adventures of Bo Segovia” tells the true life story of Ramon’s grandfather who fought with Pancho Villa in the Mexican Revolution, escaped into Texas, rode the rails to Chicago, and eventually settled in Los Angeles. “Babes Elusive” is a funk-soul-reggae ballad. “Isolation Blues” has a jazz feel that cuts into a latin-rhumba groove. “Spirit of Muddy Waters,” “Blues Keep Thrillin’ Me” and “St. George Street Overture” are blues-oriented.

FILM COMPOSER AND MUSICAL ADVISOR

A track from the CD, “Tango Solito,” (written and produced by Taranco) was commissioned by the Canadian Film Centre (founded by Norman Jewison) for the film “L’Hombre” (Catherine Martin, director) that premiered at the Montreal Film Festival. Another track, “Mantiki II,” was featured on the soundtrack of documentary Academy Award winners Peter Kinoy and Pamela Yates’ documentary, “Poverty Outlaw” that premiered at the Sundance Film Festival.

Ramon also served as a music consultant and guitar teacher for the 20th Century Fox feature film “PCU.” Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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