On Ornette Coleman’s recommendation, ESP-Disk’ owner Bernard Stollman signed up pianist Lowell Davidson (then majoring in biochemistry at Harvard) for the only recording ever released by Davidson without having heard him play.
Davidson came to New York and got to work with the elite rhythm section of drummer Milford Graves and bassist Gary Peacock, both stalwarts of the ESP catalog.
The interplay among the members of the trio is dazzling, but in all ways the pianist is the star of the album. His playing inevitably drew comparisons to Cecil Taylor (can’t blame the critics too much, as there just weren’t that many pianists going this far out in 1965, so there weren’t many comparisons available), but he is his own man stylistically, and puts more space around his notes. He’s equally likely to unleash complexly intertwining two-handed runs, spicy dissonances, shimmering Impressionism, or poignant lyricism.

Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.