Enchantment - Field Report

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Enchantment Lyrics

Easter morning in New Mexico:
the Son is risen on another day
blasting grace on telephone poles;
rows of crosses, rows of trebuchets
Cashed in my thirty day chip for a kiss
in an air-conditioned bar in Truth or Consequences
with a gameshow on, the stakes high enough to risk;
it didn't taste like I remembered it

chasing sundogs to believe; I miss you more than tongues miss pulled teeth


i drove four hours north, with one eye closed
to El Santuario de Chimayo
for a handful of dirt or a final roll;
my friend from back home said I should go.
The tourists packed in but no one talked
and by the looks of it, everyone could walk
so I swiped a crutch that was leaning against the wall
that the Padres have the maintenance guy keep stocked

chasing sundogs to believe; I miss you more than tongues miss pulled teeth


now it's growing wide around us, this feeling in these bones
as we shoot the wind with rifles and then bludgeon it with stones
the Lord came in the wind and the dirt--
where he sometimes can be found if you
squint; soften it to silhouettes--
His tessellated love is all around

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Field Report is an American folk band formed in 2011 in Milwaukee, Wisconsin. The band is led by singer/songwriter Christopher Porterfield (a form member of the Justin Vernon-led band DeYarmond Edison.

Field Report, an anagram of Porterfield's surname, was culled together in the studio while recording their 2012 self-titled debut. They suddenly found themselves championed by their former idols: offered support tours by Counting Crows and Aimee Mann, lauded by the likes of Mark Eitzel and Richard Thompson, and covered by Blind Boys Of Alabama.

The band honed itself from a septet to a quartet in the year that followed, focusing its sound and tightening the screws. With a heavy batch of songs under their arms, they retreated to snowy Ontario in December 2013 to record their sophomore album, Marigolden, with the help of producer Robbie Lackritz (Feist).

After time roaming around the US playing tiny venues and sold-out amphitheaters alike, Porterfield was uncertain whether he was leading the charge toward an artistic epiphany or headed down a misguided path of self-destruction. Marigolden reflects this, as he ruminates across homesick tension and an un-grounded anxiety. But rather than wallow in melancholy, Porterfield finds solace and inspiration through his songs, which reveal themselves as uplifting and celebratory. The album is brighter than their 2012 debut, but somehow remains just as elegantly ominous. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Field Report