Foolin' Myself - Lee Konitz

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I stay away, but every day
I'm just foolin myself

Tell my friends that I don't care
I shrug my shoulders at the whole affair
But all know it isn't so
I'm just foolin myself

And every time I pass
And see my face in a looking glass
I tip my hat and say
"How do you do, you fool
You're trowing your life away"
I'm acting gay
I'm acting proud
And every time I see you in a crowd
I may pretend
But in the end
I'm just fooling myselfLyrics provided by TANCODEhttp://lyricsever.com/" readonly=""/>

Foolin' Myself Lyrics

I try to keep you out of my heart
But somehow I find
Trying to keep you out of my heart
I'm out of my mind
I tell myself "I'm through with you
And I'll having nothing more to do with you"
I stay away, but every day
I'm just foolin myself

Tell my friends that I don't care
I shrug my shoulders at the whole affair
But all know it isn't so
I'm just foolin myself

And every time I pass
And see my face in a looking glass
I tip my hat and say
"How do you do, you fool
You're trowing your life away"
I'm acting gay
I'm acting proud
And every time I see you in a crowd
I may pretend
But in the end
I'm just fooling myself

Lyrics provided by LyricsEver.com
Lee Konitz (born October 13, 1927 in Chicago, Illinois) is an American jazz composer and saxophone player.

Konitz is sometimes regarded as the preeminent cool jazz saxophonist, because he performed and recorded with Claude Thornhill, Lennie Tristano (both often cited as important cool jazz proponents of the mid 1940s), and with Miles Davis' on his epochal Birth of the Cool, which gave the form its name.

Konitz has also been repeatedly noted as one of the few jazz saxophonists of the late 1940s and 1950s who did not seem imitative of the massively influential Charlie Parker.

In the early 1950s, Konitz recorded and toured with Stan Kenton's orchestra.

In 1961, he recorded Motion with Elvin Jones on drums and Sonny Dallas on bass. This spontaneous session, widely regarded as a classic in the cool genre, consisted entirely of standards. The loose trio format aptly featured Konitz's unorthodox phrasing and chromaticism.

In 1967, Konitz recorded The Lee Konitz Duets, a series of duets with various musicians. The duo configurations were often unusual for the period (saxophone and trombone, two saxophones). The recordings drew on very nearly the entire history of jazz, from a Louis Armstrong dixieland number with valve trombonist Marshall Brown to two completely free duos: one with a Duke Ellington associate, violinist Ray Nance, and one with guitarist Jim Hall.

Konitz has been quite prolific, recording dozens of albums as a band leader. He has also recorded or performed with Dave Brubeck, Ornette Coleman, Charles Mingus, Gerry Mulligan, Elvin Jones and others.

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Lee Konitz