Freaks Come Out At Night - Whodini

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Freaks Come Out At Night Lyrics

[Chorus]
The freaks come out at night
The freaks come out at night
The freaks come out at night
(the freaks come out)
The freaks come out at night

Discos don't open till after dark
And it ain't till twelve till the party really starts
And I always had to be home by ten
Right before the fun was about to begin
Crowds of people lined up inside and out
Just one reason, to rock the house
But in the day time the streets was clear
You couldn't find a good freak anywhere, 'cause

[Chorus]

Now when freaks get dressed to go out at night
They like to wear leather jackets, chains and spikes
They wear rips and zippers all in their shirts
Real tight pants and fresh mini skirts
All kinds of colors runnin' through their hair
And you could just about find a freak anywhere
But then again, you could know someone all their life
But might not know they're a freak unless you see them at night, 'cause

[Chorus]


Now the party's jumpin', the place is packed
And when the crowd's like this, I'm ready to rap
But before I could bust a rhyme on the mic
Freaks are all over me like white on rice
Freaks come in all shapes, sizes and colors
But what I like about 'em most is that they're real good lovers
They do it in the park, they do it in the dark
But most freaks are known for breakin' hearts
You could never tell what a freak was thinkin' of
And you may never catch a freak without at least one glove
And they don't walk, when they step, they strut
And nine times out of ten they drive you nuts
But take my advice, you don't stand a chance
Freaks are so bad they got their own dance
So if you wanna live a nice quiet life
Do yourself a favor, don't come out at night, 'cause

[Chorus]

Hut one, hut two
Hut hut hut

[Chorus]

Lyrics provided by LyricsEver.com
Whodini is a hip hop group formed in the 1980s, made up of Jalil (Jalil Hutchins), Ecstasy (John Fletcher) and Grandmaster Dee (Drew Carter).

Along with Run-D.M.C. and Fat Boys, Whodini were among the first rap groups to cultivate a high-profile national following for hip-hop music, and made significant inroads on Urban radio. The Brooklyn, New York-based trio consisted of vocalist/chief lyricist Jalil Hutchens, (one of the few rappers to go by his real name), co-vocalist John Fletcher, aka Ecstasy (so-named before the drug trend), who tended to wear a Zorro-style hat as his trademark; and DJ Drew Carter, aka Grandmaster Dee. Contemporaries of Run DMC, they were managed by Russell Simmons, brother of Joey “Run” Simmons. Signed to NY-based indie Jive Records in 1982, they enjoyed a string of hits, mostly charting on Urban/R&B stations. The bulk of production on their releases was done by Larry Smith, a bass player who also handled much of Run DMC’s early work. In keeping with 80’s trends, Whodini’s cuts tended to be synthesizer driven with a heavy electronic drumbeat. The sampling technology that became identified with rap hadn’t really become prominent during Whodini’s early days, and their works were thoroughly original compositions.

“Haunted House of Rock” was their first single, a whimsical Halloween-themed number. Synth-pop pioneer Thomas Dolby produced another of their early singles, “Magic’s Wand”. Speaking with Songfacts about "Magic's Wand" in a 2011 interview, Dolbyexplained that he hooked up with Whodini after sending his demo tape to the music publisher Zomba, who had launched the label Jive Records. Whodini was one of the acts on the label, and Zomba put Dolby together with the New York rap trio.
The group culled a female audience with such relationship-themed cut as “Friends” and “One Love”. Backstage partying was extolled in the mildly controversial “I’m a Ho”. “Fugitive” was guitar-driven funk. From 1982 - 1986 was the band’s heyday, touring with Run DMC, LL Cool J, the Fat Boys, and other prominent R&B and funk outfits of the 80’s.

Their albums Whodini (1983), Escape (1984), and Back in Black (1986; no relation to AC/DC) were all well-received by rap fans and youthful R&B enthusiasts. The ‘Fresh Fest’ tours were the first arena-sized tours to feature all hip-hop lineups, but full-fledged crossover fame seemed to elude them, however. The group had earned their share of gold singles and albums by 1987, when the hits started to slump. Open Sesame, their release that year, failed to produce any hits. After that point, the band eked out their tenure on Jive by occasionally releasing singles, including “Anyway I Gotta Swing it” for the Nightmare on Elm Street 5 movie soundtrack. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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