Funeral, Swords and Souls - Old Man's Child

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Funeral, Swords and Souls Lyrics

I proclaim the victim's fall
Now I shudder by the sight of you
Crucified by my nails
You hunger by my hammer

Born in pity, so raised in pity
And grown to be what's weak
Suffering beneath my blade
As you bend your knees to the dust

Voices, spirits and smoke
From the pyre up by the glistering
Never more was this seen
In happiness and joy

Memorize the ash

Beyond the shell
Of souls enfolded in blood
Raining flat, my hands
Sacramental juice from stabbed wounds

Born in pity, so raised in pity
And grown to be what's weak
Suffering beneath my blade
As you bend your knees to the dust

Voices spirits and smoke
From the pyre up by the glistering
Never more was this seen
In happiness and joy


Despise it. I do
The rise of mankind
Seen by time, all the years that went by
The rumbling of the night-thunder
Witnessed the stoning

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Old Man's Child is a Melodic Black Metal band formed in Oslo, Norway in the summer of 1993 when guitarist/vocalist Galder (originally known as Grusom), guitarist Jardar and drummer Tjodalv decided to form a band dedicated to classic death metal. They soon discovered their mutual love for extreme black metal and when ex-Dimmu Borgir bassist Brynjard Tristan joined their new musical direction was clear... a combination of classic thrash mixed with death metal and melodic black metal. Their earlier albums are viking metal orientated, continuing through to symphonic black metal, whilst their later albums have a more groovier sound to them.

In November of 1994, the band entered the studio to record their 5-song demo, In The Shades Of Life, which gained the attention of Dimmu Borgir vocalist Shagrath's label Hot Records. The group instantly began working on their debut album, Born Of The Flickering, which made an impact on the exploding black metal scene. Its raw sound aroused the interests of Century Media who signed the band and reissued the album, giving the band a more international presence.

The black metal community's raves continued with OMC's second album, The Pagan Prosperity. This new lineup featured two former members of Tulus: drummer Sarke - replacing Tjodlav, who joined Dimmu Borgir - and bassist Blodstrup. In 1997, Galder immediately began working on his next album, Ill-Natured Spiritual Invasion, featuring Gene Hoglan (Strapping Young Lad, Dark Angel, Death, Testament) on drums and was recorded in Sweden's famous Sunlight Studios with engineer Tomas Skogsberg (Entombed, Dismember). With Hoglan's brilliant playing matching Galder's creative skills, this thrashier release upped the ante once again for OMC, and gained the band further recognition

For the recording of 2000's Revelation 666: The Curse Of Damnation, Galder recruited original OMC guitarist Jardar, as well as guest drummer Tjodlav. Fresh from Dimmu Borgir, Tjodlav lent an imposing black metal feel to four of the album's eight tracks. In addition, the broad use of keyboards and atmospheric nuances added darker and more serious elements to OMC's sound. Peter Tägtgren engineered Revelation 666 and co-produced it with Galder in his famous Abyss Studios (Dimmu Borgir, Hypocrisy, Immortal). This record earned the band its highest accolades.

OLD MAN'S CHILD took a short hiatus when Galder joined black metal titans Dimmu Borgir in 2000. Nevertheless, the dark legions have come together once again and in 2002 Galder started work on In Defiance Of Existence. He was again joined by Jardar (guitars) to create another piece of atmospheric black metal in true OMC fashion. The only thing missing was a drummer that could match the intensity of both guitarists. He needed to look no further than his own Dimmu Borgir bandmate Nicholas Barker (ex-Cradle Of Filth). Galder produced the album himself and it was recorded in Sweden's famous Studio Fredman (In Flames, Arch Enemy) together with engineer Fredrik Nordström. There is also a guest appearance by Gus G. (Dream Evil), who provided guitar solos on two tracks. The combination of two skilled axe-wielders and a potent drummer is the signature of the Old Man's Child sound. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Old Man's Child