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法国音乐家Jean-Pierre Limborg就明显地沉迷于俗世人文的风雅情趣,长久来都着迷于对民俗传统的探究实验,其中也有不少精采的作品。但2002年的唱片La Maison du Feng Shui(风水)就很是未能免俗地如同其它诸多new age乐人一样把东方文化附庸了一把。可惜就像上面提到的Peter Greenaway的Pillow Book那样,隔山望水,照猫画虎,仿其神而未得其髓,只是一张迎合西方普通雅皮人仕的休闲背景唱片而已,像这种旅游采风式的创作如果只是为其音乐添加装饰新意,是无可厚非的,但完全用来标榜,就未免装腔造势了。虽然数落了大堆上纲上线的不是,但其实音乐仍是能讨喜耳朵的,必竟Limborg是曾获选入Heavenly Voices的名字,在可听性上自然是不俗的。Mo mông,越南语里“做梦”的意思,全曲悠长环复,乐音平缓恬淡,很典型的怡神new age出品,唯有内里带丁点实验色彩的女声采样处理手法仍能显示出Limborg有别于一般new age乐手的身份。
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Jean Pierre Limborg