Hold On - Emily Lynch

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Embed: So she left Monte Rio son
Just like a bullet leaves a gun
With charcoal eyes and Monroe hips
She went and took that California trip
Well, the moon was gold and her hair like wind
She said don't look back just come on Jim

Ohhh you got to
Hold on, Hold on
You gotta hold on
Take my hand
I'm standing right here
You gotta hold on

He gave her a dime store watch
And a ring made from a spoon
Everyone's looking for someone to blame
But you share my bed and you share my name
Well go ahead and call the cops
You won't meet nice girls in coffee shops
She said baby, I still love you
But sometimes there's nothin' left to do

Ohhh well you got to
Hold on, hold on
You gotta hold on
Take my hand
I'm standing right here
You gotta hold on

God bless your crooked little heart
St. Louis got the best of me
I miss your broken-china voice
How I wish you were still here with me
Well you build it up and you wreck it down
Then you burn your mansion to the ground
When there's nothing left to keep you here
When you're falling behind in this big blue world

Ohhh well you got to
Hold on, hold on
Baby gotta hold on
Take my hand
I'm standing right here
You gotta hold on

Down by the Riverside motel
It's ten below and falling
By a ninety-nine cent store
She closed her eyes and started swaying
Well it's so hard to dance that way
When it's cold and there's no music
When your old hometown is so far away
But inside your head there's a record that's playin' a song called

Hold on, hold on
Baby gotta hold on
Take my hand
I'm standing right here
You gotta hold on
Oh you gotta hold on, hold on
Baby gotta hold on
Take my hand I'm standing right here
You gotta hold
Oh take my hand
I'm standing right here
You gotta hold on
You gotta hold onLyrics provided by TANCODEhttp://lyricsever.com/" readonly=""/>

Hold On Lyrics

They hung a sign up in our town
"if you live it up, you won't live it down"
So she left Monte Rio son
Just like a bullet leaves a gun
With charcoal eyes and Monroe hips
She went and took that California trip
Well, the moon was gold and her hair like wind
She said don't look back just come on Jim

Ohhh you got to
Hold on, Hold on
You gotta hold on
Take my hand
I'm standing right here
You gotta hold on

He gave her a dime store watch
And a ring made from a spoon
Everyone's looking for someone to blame
But you share my bed and you share my name
Well go ahead and call the cops
You won't meet nice girls in coffee shops
She said baby, I still love you
But sometimes there's nothin' left to do

Ohhh well you got to
Hold on, hold on
You gotta hold on
Take my hand
I'm standing right here
You gotta hold on

God bless your crooked little heart
St. Louis got the best of me
I miss your broken-china voice
How I wish you were still here with me
Well you build it up and you wreck it down
Then you burn your mansion to the ground
When there's nothing left to keep you here
When you're falling behind in this big blue world

Ohhh well you got to
Hold on, hold on
Baby gotta hold on
Take my hand
I'm standing right here
You gotta hold on

Down by the Riverside motel
It's ten below and falling
By a ninety-nine cent store
She closed her eyes and started swaying
Well it's so hard to dance that way
When it's cold and there's no music
When your old hometown is so far away
But inside your head there's a record that's playin' a song called

Hold on, hold on
Baby gotta hold on
Take my hand
I'm standing right here
You gotta hold on
Oh you gotta hold on, hold on
Baby gotta hold on
Take my hand I'm standing right here
You gotta hold
Oh take my hand
I'm standing right here
You gotta hold on
You gotta hold on

Lyrics provided by LyricsEver.com
Emily Lynch is a young singer-songwriter hailing from Atlanta, Georgia with more than just a pretty face. She sings with experience, humility, and a sweet vintage voice that truly sets her apart. Her voice has been compared to that of Alison Krauss, Patty Griffin, and Emmylou Harris. She is a proficient guitarist and songwriter with an undeniably endearing and engaging presence and a heart full of songs that captivate her audiences.

After a brief stint as an intern with OMG Entertainment, in Greenville, SC, Emily was introduced to producer, Dan Hannon (Manchester Orchestra, A Rocket To The Moon, Aaron Shust), in May of 2008. Hannon’s initial impression was very favorable, and he agreed to help Emily develop her style and ‘find her voice’ as an artist. In the ensuing months, Emily wrote and demoed an astonishing 80 songs. “It’s rare to find an artist as dedicated and as driven as Emily”, says Hannon. “There are plenty of artists who expect to show up and have a career delivered to them on a silver platter”. Emily has greatly enjoyed and benefited from working alongside Hannon. "Dan is the one who pushes me to be the best--always raising the standard. He keeps me focused on the important things, even when it's difficult, and I've grown to appreciate and respect him for it. We make a good team and I am a better artist because of his influence" , says Lynch.

Emily’s much-anticipated self-titled debut album has been recorded, mixed, and mastered, and is slated for a February 15, 2011 release on the newly formed Eldest Only Recordings label.

Balancing her life on the road, Emily co-writes frequently across the States, including collaborations with some of the best and brightest writers in Atlanta, Nashville, and Charleston. Always writing and creating new melodies, Emily has penned over 60 new songs since she finished her debut. Lynch muses that “that kind of discipline is the least I can do, if I’m trying to follow in the footsteps of the greats---Emmy Lou Harris, Loretta Lynn, Patty Griffin, and Alison Krauss”.


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