I Know Who He Is - William Michael Morgan

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Looking right through me is not at all the way I see him
I don't mind at all remembering for him
He doesn't have to get why I adore him
He don't have to know me I know who he is
My Dad, my coach, my friend
The voice behind "Boy where the hell you been"
The lover of my mamma through thick and thin
The best man I've ever known
All time quarterback when us kids were in a bind
Cheek full of Red Man in a duck blind
And no offense Doc
But if you don't mind I'd like some time alone
I don't want to hear "He's going downhill"
What about "Thank god he's around still"?
Looking right through me is not at all the way I see him
I don't mind at all remembering for him
He doesn't have to get why I adore him
He don't have to know me I know who he is
Full of pride, baby boy on his knee there
Full of life with a beer and a beach chair
Ah, he's a fixture In my head full of pictures
I don't mind at all remembering for him
He doesn't have to get why I adore him
He don't have to know me I know who he is
Oh, I know who he is
Yeah, I love who he is
Yeah, I love, I love, I love who he isLyrics provided by TANCODEhttp://lyricsever.com/" readonly=""/>

I Know Who He Is Lyrics

Please Doc put away your chart
You can save your heart to heart
I've got some memories and a deck of cards
That could use some shuffling through
Looks like hes still wide awake
Looks like he still wont take
Those pills you put there yesterday
Huh, Just stubborn as a mule
I don't want to hear "He's going downhill"
What about "Thank god he's around still"?
Looking right through me is not at all the way I see him
I don't mind at all remembering for him
He doesn't have to get why I adore him
He don't have to know me I know who he is
My Dad, my coach, my friend
The voice behind "Boy where the hell you been"
The lover of my mamma through thick and thin
The best man I've ever known
All time quarterback when us kids were in a bind
Cheek full of Red Man in a duck blind
And no offense Doc
But if you don't mind I'd like some time alone
I don't want to hear "He's going downhill"
What about "Thank god he's around still"?
Looking right through me is not at all the way I see him
I don't mind at all remembering for him
He doesn't have to get why I adore him
He don't have to know me I know who he is
Full of pride, baby boy on his knee there
Full of life with a beer and a beach chair
Ah, he's a fixture In my head full of pictures
I don't mind at all remembering for him
He doesn't have to get why I adore him
He don't have to know me I know who he is
Oh, I know who he is
Yeah, I love who he is
Yeah, I love, I love, I love who he is

Lyrics provided by LyricsEver.com
Debut album, Vinyl, now available for pre-order! Get it now and receive "I Met A Girl" and "Missing" instantly!
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As a Grammy nominated producer and Executive Vice President of A&R at Warner Music Nashville, you might say that Scott Hendricks qualifies as an expert on country singers. So when he gets excited about someone, it’s worth paying attention. And right now he’s excited about Warner Bros. Records newcomer William Michael Morgan.

The tall, easy-going, unfailingly polite 22-year-old from Vicksburg, Mississippi, has the look you’d hope for in a young entertainer and the stature to wear a black cowboy hat, a symbol that stands for something in the country music world. And he’s certainly got the chops as an award-winning young performer, who earned recording and publishing deals before turning 20. But for Hendricks, it all comes down to that voice.

“William Michael Morgan is seriously one of the very best singers I have ever recorded and I have recorded a bunch,” Hendricks said. “Recording a voice typically reveals any and all imperfections. I will never forget the first time we went into the studio and heard William Michael's voice come across the speakers. It was a jaw-dropping experience. I'm anxious for the world to hear what I heard. It truly is a special voice.”

Country fans will get their introduction to Morgan with “I Met a Girl,” his sweetly romantic debut single. Old and new, fast and slow, steel and piano, the song will give fans exact GPS coordinates of where Morgan is coming from.

“I like to sing about love. I’m a lover, not a fighter,” Morgan says with a Mississippi lilt in his voice. “I like to write about having a good time. I’m a typical 22 year old.”

Well, not really. Most folks are still trying to figure themselves out at 22. Morgan knew where he was going from an early age and his parents were always there for him. In the ninth grade, Morgan put together a band of middle-aged musicians who shared his love of Keith Whitley, Merle Haggard and George Jones.

“We didn’t really have much of a name for the band, we just loved to get together and play,” Morgan said. “The great thing about finding those guys who were older than me is they all loved the same kind of music I did and we just blended so well. I was lucky enough to have a steel guitar player all those years, and I just fell in love with that sound.”

The no-name band played honky tonks on the weekends while Morgan worked odd jobs – he was a roofer, a cashier at the Piggly Wiggly – during the week. He began traveling back and forth to Nashville to write by the time he was 16. Morgan moved to town permanently when he was 18.

“Honestly, I didn’t know how to wash my clothes,” Morgan said. He didn’t have any money to plug into the coin slot anyway. But contacts he built with Managers Joe Carter and Mike Taliaferro along with producer Jimmy Ritchey quickly paid off when he signed a record deal with Warner Music Nashville and a publishing deal with Warner/Chappell at 19.

These developments exposed him to Music Row, where he learned to expand his musical repertoire and education. He still keeps his ear out for those special songs like the ones by his musical heroes, though, and thinks he’s found one in “I Met a Girl,” co-produced by Hendricks and Ritchey and co-written by Shane McAnally, Trevor Rosen and Sam Hunt. It’s the kind of song that goes perfectly with that timeless voice of Morgan’s.

“That was the thing about those older songs by Haggard and Jones: they had those lyrics that really, really hit home. Whether it be a fun up-tempo ‘Working Man Blues’ kind of song or ‘The Cold, Hard Truth.’ Each lyric just hits you at home. I think that’s what I try to do. Whether it be happy or sad, I try to put the most heart into I can.”
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William Michael Morgan