Ladykillers - Lush

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Embed: She's sitting in the corner looking rather uptight

So I say "hello" and I try to be nice
But I see he's feeling itchy
Trying to play us off each other
"Girls, girls, please don't fight"
(You get the picture)

Hey you, the muscles and the long hair
Telling me that women are superior to men
Most guys just don't appreciate this
You just try convincing me you're better than them

So he talks for hours 'bout his sensitive soul
And his favourite subject is sex
I don't even think he really wanted it
But, Christ, this guy's too much

(I wanna tell him)
I'm as human as the next girl
I like a bit of flattery
But I don't need your practised lines
Your school of charm mentality so
Save your breath for someone else and
Credit me with something more
When it comes to men like you
I know the score, I've heard it all before

(Here comes the next one)
Blondie was with me for a summer
He flirted like a maniac but I wouldn't bite
I'm weak and he was so persistent
He only had to have me 'cause I put up a fight

Oh God, the boy had such an ego
He liked to talk about himself all day and all night
You think you're such a ladykiller
But you were nothing special 'til you turned out the light

When he's nice to me he's just nice to himself
And he's watching his reflection
I'm a five foot mirror for adoring himself
Here's seven years' bad luck

(I wanna tell him)
When you say you love me
You're just flattering your vanity
But I don't need your practised lines,
Your school of charm mentality so
Save your breath for someone else and
Credit me with something more
When it comes to men like you,
I know the score, I've heard it all before

Ooh, you're such a ladykiller,
Always on a winner, thinking that you're in there
Oh boy, you're such a ladykiller,
Super sexy mister, call it what you will, oh
You think you're such a ladykiller,
I just bet you're still there, posing in the mirror
Hey girls, he's such a ladykiller,
But we know where he's coming from and we know the score.Lyrics provided by TANCODEhttp://lyricsever.com/" readonly=""/>

Ladykillers Lyrics

Here we go, I'm hanging out in Camden
Drinking with my girlfriends on a Saturday night
This guy says, "come and meet my girlfriend"
She's sitting in the corner looking rather uptight

So I say "hello" and I try to be nice
But I see he's feeling itchy
Trying to play us off each other
"Girls, girls, please don't fight"
(You get the picture)

Hey you, the muscles and the long hair
Telling me that women are superior to men
Most guys just don't appreciate this
You just try convincing me you're better than them

So he talks for hours 'bout his sensitive soul
And his favourite subject is sex
I don't even think he really wanted it
But, Christ, this guy's too much

(I wanna tell him)
I'm as human as the next girl
I like a bit of flattery
But I don't need your practised lines
Your school of charm mentality so
Save your breath for someone else and
Credit me with something more
When it comes to men like you
I know the score, I've heard it all before

(Here comes the next one)
Blondie was with me for a summer
He flirted like a maniac but I wouldn't bite
I'm weak and he was so persistent
He only had to have me 'cause I put up a fight

Oh God, the boy had such an ego
He liked to talk about himself all day and all night
You think you're such a ladykiller
But you were nothing special 'til you turned out the light

When he's nice to me he's just nice to himself
And he's watching his reflection
I'm a five foot mirror for adoring himself
Here's seven years' bad luck

(I wanna tell him)
When you say you love me
You're just flattering your vanity
But I don't need your practised lines,
Your school of charm mentality so
Save your breath for someone else and
Credit me with something more
When it comes to men like you,
I know the score, I've heard it all before

Ooh, you're such a ladykiller,
Always on a winner, thinking that you're in there
Oh boy, you're such a ladykiller,
Super sexy mister, call it what you will, oh
You think you're such a ladykiller,
I just bet you're still there, posing in the mirror
Hey girls, he's such a ladykiller,
But we know where he's coming from and we know the score.

Lyrics provided by LyricsEver.com
There are two artists that have used the name Lush:

1. Lush is a shoegaze/alternative rock band, formed in 1987 in London, England. The group consisted of Miki Berenyi and Emma Anderson on guitars and vocals, Philip King on bass, and Chris Acland on drums. Other members were the bassist Steve Rippon (from 1987 to 1992) and the vocalist Meriel Barham (from 1987 to 1988). Lush was one of the first shoegaze bands, later moving toward Britpop.

Anderson and Berenyi had been friends since the early 1980s, and published the Alphabet Soup fanzine together. In 1986 Anderson joined The Rover Girls as bassist and Berenyi joined The Bugs as guitarist but neither band lasted long.

Lush formed in 1987, initially named The Baby Machines, with a line-up of Meriel Barham (vocals), Emma Anderson (guitar), Miki Berenyi (guitar), Steve Rippon (bass), and Chris Acland (drums). After Rippon joined, the band members decided on a change of name to Lush, making their live debut at the Camden Falcon on 6 March 1988. Barham was fired, with the rest of the band deciding she lacked commitment (she later joined Pale Saints). Anderson and Berenyi then took on lead vocal duties.

Lush gained recognition when Robin Guthrie helped the band sign to 4AD. The band's first release was Scar, an EP, in 1989. Critical praise for Scar and a wildly popular live show established Lush as one of the best-selling alternative bands of the period. That year the EPs Mad Love, produced by Robin Guthrie, and Sweetness and Light, produced by Tim Friese-Greene of Talk Talk fame, followed.

In 1990 the compilation Gala, which combined the material from the first three EPs, was released by Reprise in the United States, this being the first exposure of Lush in North America.

Lush's first full-length album of completely new material was Spooky in 1992. Produced by Robin Guthrie, Spooky featured a sound very similar to Guthrie's band Cocteau Twins, with walls of sound and a great deal of flange. Reviews were mixed and critics of the album hold that Guthrie's production brought the sound away from the band's original creative vision. Bassist Steve Rippon left the band at this stage in order to concentrate on writing, though his book Cold Turkey Sandwich - a fictionalized chronicle of his time in touring - was rejected by publishers. He was replaced by Phil King. Also in 1992, Lush toured America as part of the Lollapalooza festival.

The band's second studio album Split was released in 1994 and featured a harsher sound alternated with long and softer tracks as "Desire Lines" and "Never-Never". Despite critical praise, the album sold poorly.

After adapting to the newly popular sounds of the Britpop era, Lush's 1996 Lovelife became the biggest seller of their career, including the hit singles "Ladykillers", "500" and "Single Girl", which was released in several different versions with different tracks along with the title track. Also on this album, Jarvis Cocker from Pulp contributed guest vocals to "Ciao!" and the record included the now classic/melancholic favorite "Last Night".

In 1996, drummer Chris Acland committed suicide by hanging, at his parents' house, allegedly due to depression. The situation proved too hard for the band, and in 23 February 1998 the three remaining members of Lush decided to disband.

Emma Anderson has since formed a new band, Sing-Sing, who have released two full-length albums to date.

On September 28th 2015 Lush announced their reunion. The reunited band consists of Anderson, Berenyi & King with the addition of Justin Welch on drums, an old friend of Acland.

Lush discography:
Scar EP (1989)
Mad Love EP (1990)
Sweetness and Light EP (1990)
Gala compliation of the above EPs (1990)
Spooky (1992)
Split (1994)
Lovelife (1996)

___________________________


2. Lush formed in Canada consists of Jill Vitols, Wendy Solomon, Amy Laing, And Orly Bitov who are Toronto cellists. Their repertoire consists of jazz standards, broadway and popular tunes, arranged by Wendy Solomon. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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