Language of Violence - The Disposable Heroes of Hiphoprisy

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Language of Violence Lyrics

The first day of school was always the hardest
The first day of school, the hallways the darkest

Like a gauntlet
The voices haunted
Walking in with his thin skin lowered chin
He knew the names that they would taunt him with

Fagot sissy punk queen queer
Although he'd never had sex in his 15 years
And when they harassed him, it was for a reason
And when they provoked him, it became open season

For the fox and the hunter, the sparks and the thunder
That pushed the boy under, then pillage and plunder
It kind of makes you wonder
How one can hurt another

But dehumanizing the victim makes things simpler
It's like breathing with a respirator
It eases the conscience of even the most conscious
And calculating violator

Words can reduce a person to an object
Something more easy to hate
An inanimate entity, completely disposable
No problem to obliterate

But death is the silence
In this language of violence
Death is the silence
But death is the silence
In this cycle of violence
Death is the silence

It's tough to be young, the young long to be tougher
When we pick on someone else it might make us feel rougher
Abused by their fathers but was at home though
So to prove to each other that they were not homos

The exclamation of the phobic fury
Executioner, a judge and jury
The mob mentality, individuality was nowhere
Dignity forgotten at the bottom of a dumb
Old dare and a numb cold stare

On the way home it was back to name calling
Ten against one they had his back up against the wall and
They reveled in their laughter as they surrounded him
But it wasn't a game when they up jumped and grounded him

They picked up their bats with their muscles straining
And they decided they were gonna beat this fella's brain in
With an awful, powerful, showerful, an hour full of violence
Inflict the strictest brutality and dominance

They didn't hear him screaming, they didn't hear him pleading
They ran like cowards and left the boy bleeding
In a pool of red 'til all tears were shed
And his eyes quietly slid into the back of his head
Dead

But death is the silence
In this language of violence
Death is the silence
But death is the silence
In this cycle of violence
Death is the silence

But death is the silence
In this language of violence
Death is the silence
But death is the silence
In this cycle of violence
Death is the silence

You won't see the face 'til the eyelids drop
You won't hear the screaming until it stops
The boy's parents were gone and his grandmother had raised him
She was mad, she had no form of retaliation

The pack didn't have to worry about being on a hit list
But the thing they never thought about was that there was a witness
To this senseless crime, right place wrong time
Tried as an adult one of them was gonna do hard time

The first day of prison was always the hardest
The first day of prison, the hallways the darkest

Like a gauntlet
The voices haunted
Fagot, sissy, punk, queen, queer
Words he used before had a new meaning in here

As a group of men in front of him came near
For the first time in his life the young bully felt fear
He'd never been on this side of the name calling
Five against one they had his back up against the wall and

He had never questioned his own sexuality
But this group of men didn't hesitate in their reality
With an awful, powerful, showerful, an hour full of violence
Inflict the strictest brutality and dominance

They didn't hear him screaming
They didn't hear him pleading
They took what they wanted and then left him bleeding in the corner
The giant reduced to Jack Horner

But dehumanizing the victim makes things simpler
It's like breathing with a respirator
It eases the conscience of even the most conscious
And calculating violator

The power of words, don't take it for granted
When you hear a man ranting
Don't just read the lips, be more sublime than this
Put everything in context

Is this a tale of rough justice
In a land where there's no justice at all?
Who is really the victim
Or are we all the cause and victim of it all?

But death is the silence
In this language of violence
Death is the silence
But death is the silence
In this cycle of violence
Death is the silence

But death is the silence
In this language of violence
Death is the silence
But death is the silence
In this cycle of violence
Death is the silence

You won't see the face 'til the eyelids drop
You won't hear the screaming until it stops

Lyrics provided by LyricsEver.com
The Disposable Heroes of Hiphoprisy were a transitional Rap/Hip-Hop band from San Francisco, California, USA active during the early 1990's. The band was formed in 1990 by Michael Franti and Rono Tse, who both previously were part of the raw, musically aggressive industrial influenced group The Beatnigs who also debuted on the Alternative Tentacles label. The group, who soon secured a deal with Chris Blackwell's Island label, were named in part from the phrase "The Disposable Heroes of Hypocrisy", used in some Socialist literature,and predate's Michael Franti establishing his long running group Spearhead in the latter part of the 90's.

The Disposable Heroes of Hiphoprisy had problems being accepted in the commercial hip-hop scene due to Franti's deeply literate and overtly political lyrics, and their avowed disinterest in gangsta party anthems, mysogyny and homophobia prevalent in that genre. They found audiences opening shows for other major politically conscious acts like U2, Billy Bragg, Rage Against The Machine, Nirvana and Arrested Development. Critics associated them by genre with sampling groups of the time, like Pop Will Eat Itself and The KLF . They also were compared to Gil Scott-Heron due to the spoken vocal styles of Franti, the fresh 7 string jazz guitar stylings contributed by Charlie Hunter and the up-front political messages in the music.

Their debut album, Hypocrisy Is the Greatest Luxury, received critical and underground acclaim upon its release in 1992, but was never commercially successful. Franti's lyrics address a wide range of issues, from Mass Media bias and abuse on "Television: Drug of the Nation" to racial equality on "Socio-Genetic Experiment", in large part inspired by his own childhood. The album also included a cover of the Dead Kennedys track "California Uber Alles" (with updated lyrics about then Governor Pete Wilson). "Television," which received wide airplay on college and alternative radio stations, had previously been recorded by Michael Franti's first band, The Beatnigs.

In common with other bands of the time on both sides of the Atlantic Ocean, the Disposable Heroes of Hiphoprisy used sampling and scratching as a primary tool of music recording, and mixed Rock, Hip-Hop, Rap, and Jazz in combinations that were ground breaking for the time. Later artists such as The Prodigy, Aphex Twin all built on approach to music creation used by The Disposable Heroes of Hiphoprisy, among others.

Among their contemporaries, the band had strong artistic, political, and personal ties to both Meat Beat Manifesto and Consolidated. The recording of Hypocrisy is the Greatest Luxury was co-produced by Consolidated's Mark Pistel, and prolific Meat Beat Manifesto frontman Jack Dangers assisted with mixing.

In 1993 the duo worked with William S. Burroughs, recording music for a collaborative album entitled Spare Ass Annie and Other Tales. This album diverged greatly from the style of the band's previous work, as they were largely providing musical background and accompaniment to Burroughs' spoken readings from several of his books. The Disposable Heroes split up shortly after. Michael Franti formed Spearhead, which (to date) have released 5 albums and are still a going concern, while Tse worked with the Mystik Journeymen. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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The Disposable Heroes of Hiphoprisy