Living with the Big Lie (1998 Remastered Version) - Marillion

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Living with the Big Lie (1998 Remastered Version) Lyrics

It all began with the bright light
The bright light and the noise
The chaos of the senses and the scream of desire

Touching and being touched
A million loose ends to tie up
Ticking of the clock and the cradle rock

The colours stand still
And then they move around
Comin' in and out of focus upside down

Empty winter trees
How space feels Love of the soft ... flowers and the sky

One fine day
The chaos subsides
Bleeds into awareness
And a lifetime of surprise

The beauty of your mother's eyes
The pain when you fall
You drink it in and marvel at it all
But you never really figure it out

You get used to it

The babble of the family
And the dumb TV
Roar of the traffic and the thunder of jets

Chemicals in the water
Drugs in the food
The heat of the kitchen and the beat of the system

The attitude of authority
The laws and the rules
Hit me square in the face, first morning at school


The heroes and the zeroes
The first love of my life
When to kiss and to kick and to keep your head down when they're choosing the sides
I was never any good at it
I was terrified most of the time
I never got over it
I got used to it

Alone in the city at seventeen
With the hollow, the lonely
The drowning and the drowned
I was made to feel worthless
The wretched and the mean
Beat me up like a weapon
I can't run away from or find a way round
Holdin' on, holdin' on

The greed and the missiles
Exploding somewhere every day
Hideous dark secrets under the sea and in holes in the ground

The cold war's gone
Those bastards'll find us another one
They're here to protect you, don't you know?
So get used to it Get used to it!

The clash of religions
The loaded prayers
Information
The face of starvation and the state of the nation

The sense that it's useless
And the fear to try
Not believing the leaders, the media that feeds us
Living with the big lie

You get used to it

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Marillion are a rock band formed in Aylesbury, England . Their 30-year career is marked by two distinctive phases; the early years fronted by Fish which saw their greatest commercial success, and much longer period fronted by Steve Hogarth in which the band have constantly re-invented themselves so as to continue to be relevant into the 21st century.

The Fish era is often categorized as neo-progressive. They originally started as "Silmarillion" (from Tolkien's book) with heavy influences from classic Genesis but went on to develop their own distinctive sound. The band was formed in 1979 by Mick Pointer (drums), Steve Rothery (guitar), Doug 'Rastus' Irvine (bass), and others, soon adding vocalist Fish (real name Derek W. Dick), Diz Minitt (bass), and Brian Jelliman. By the time of their first album, 1983's Script for a Jester's Tear, the bass position had been taken over by Pete Trewavas and keyboards by Mark Kelly.

The studio albums Fugazi (1984), Misplaced Childhood (1985), and Clutching at Straws (1987), as well as the 1984 live album Real to Reel all sold respectably, and the band scored a hit single in Britain with Kayleigh in 1985.

When Fish left the band in 1988 after four albums he was replaced by Steve Hogarth. A former member of The Europeans and some-time collaborator with The The and Julian Cope, Hogarth brought a new energy to the band.

Across a further ten albums, Hogarth – along with existing members Rothery, Kelly, Trewavas, and Mosley – have reinvigorated and constantly redefined Marillion’s sound. They forged into new musical territories with a succession of inventive, emotional albums, displaying little regard to the vagaries of hit charts or radio playlists.

After the release of 1999’s marillion.com the band freed themselves from record company pressure once and for all by launching their own record label, the Intact imprint.

Thanks to their pioneering embrace of the Internet through their website http://marillion.com, Marillion have developed a unique and intimate relationship with their fans. From sponsoring entire tours of the USA to funding the recording of recent albums, Marillion’s global fan-base is unique in its affection and dedication. As a result, such passionate, wholesale support has allowed Marillion to step outside of the conventional music industry and find their own path.

In 2001 Anoraknophobia saw Marillion take the groundbreaking step of asking fans to pre-order an album 12 months before release. An amazing 12,000 people signed up, helping to finance the recording. The band once again took pre-orders for the 2004 release Marbles, but this time the money was channelled into a campaign fund to promote its launch. The success of singles Don't Hurt Yourself and You're Gone – the latter making it all the way to number 7 – vindicated the band's independent strategy.

Their 2007 album Somewhere Else reached number 24 in the UK album chart with their most recent single Thankyou Whoever You Are hitting the UK singles chart at number 15. The band shows no signs of fading away after more than 25 years of activity.

Their 15th album, "Happiness is the road", was physically released in October 2008 but was originally available exclusively from the band's website. It was released with little promotion and a deluxe pre-order package was made available as with Marbles. 'Happiness is the Road' is the second studio double album of a long career (2004's Marbles was the other). A UK and European tour followed the album's release, and the band is taking special effort to record every show in the "Happiness on the Road" tour, making the recordings available from the band's website.
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