This Strange Engine - Marillion

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And ever since I was a boy
I never felt that I belonged
Like everything they did to me
Was an experiment to see
How I would cope with the illusion
In which direction would I jump
Would I do it all the same
As the actors in the game
Or would I spit it back at them
And not get caught up in their rules
And live according to my own
And not be used, not be used
To find the fundamental truths
It was going to take some time
Thirty five summers down the line
The wisdom of each passing year
Seems to serve only to confuse
Seems to serve only to confuse

Daddy came out the navy and took us away
To his dirty grey home town
And he worked down on a coal mine for National Service
So that he could be around
There was a magical purple in the chrome of the exhaust
Of his Triumph motor bike
And a warmth of oil and metal and the thrill of the hard corner
Holding tight

From the horizon
Came home from the Navy to the mine
From the horizon
To buried alive
Took his dream underground
Buried his treasure in his faraway eyes

And one day as the boy lay sleeping in the sunshine
Of a half remembered afternoon
A cloud of bees with no particular aim, and no brain
Found the boy, decided that his time had come
Came down out of the sky
Stung him in the face
Again and again
Blue pain
Screaming like baptism
Intravenous, Jesus!
Like being chosen
Blue pain from something with no brain
I can't explain
It's happening again
It's happening again

Oh Mummy, Daddy, will you sit a while with me
Oh Mummy, Daddy, will you jog my memory
Tell me tall tales of Montego Bay
Table mountain, flying fish, banana spiders, pots of paint
And the sun on the equator
Setting like an ember thrown to deep water
From crimson to black
But coming back
Tomorrow
On the horizon

The blue pain
Fades to a point where it doesn't fade
It stayed
Blue
Stirred his red coat heart to this strange engine
This love

This love
This inconvenient, blind, blood-diamond
This puzzle
I don't understand
That knows no faith
And tries and fails
And tries again
Stares at the sea
The night's dark deep
For one last time
And bleeds
And bleeds
And dies for you
And lies
And is to blame
And is ashamed
And is not the same
And is true
And is trueLyrics provided by TANCODEhttp://lyricsever.com/" readonly=""/>

This Strange Engine Lyrics

There was a boy who came into this world
At the hands of a holy woman in a holy place
He wore a red coat and walked a bulldog
Saw them reflected in the mirror of the lakes
Lived in the shadow of the mountains
With the smells of disinfectant, dusty old leather
And the polished wood of his bed
No more than a baby feeding swans on the river
Holding the hands of his mother
And the wax paper bag of yesterday's bread
And his father on the other side of the world
On the ships railings and some far away tide
With the silent dry tear of home thoughts from abroad
In his far away eyes
In his far away eyes

The smell of the wax on the wooden floor
Mixture of polish and soap
No children to fear or to play with
Rows of empty hooks for the coats
An upright piano and the boys in the choir
Still remind him of just before he was born
Remind him of just before he was breathing
Strange misty visions of God
Turn the cities into families
Into villages of souls
Hovering in the air while they're sleeping
With their houses invisible
Chase the moon between the buildings
Running as fast as I could run
Send to me the ghosts of Christmas
Whispering, "You're the only one"

And ever since I was a boy
I never felt that I belonged
Like everything they did to me
Was an experiment to see
How I would cope with the illusion
In which direction would I jump
Would I do it all the same
As the actors in the game
Or would I spit it back at them
And not get caught up in their rules
And live according to my own
And not be used, not be used
To find the fundamental truths
It was going to take some time
Thirty five summers down the line
The wisdom of each passing year
Seems to serve only to confuse
Seems to serve only to confuse

Daddy came out the navy and took us away
To his dirty grey home town
And he worked down on a coal mine for National Service
So that he could be around
There was a magical purple in the chrome of the exhaust
Of his Triumph motor bike
And a warmth of oil and metal and the thrill of the hard corner
Holding tight

From the horizon
Came home from the Navy to the mine
From the horizon
To buried alive
Took his dream underground
Buried his treasure in his faraway eyes

And one day as the boy lay sleeping in the sunshine
Of a half remembered afternoon
A cloud of bees with no particular aim, and no brain
Found the boy, decided that his time had come
Came down out of the sky
Stung him in the face
Again and again
Blue pain
Screaming like baptism
Intravenous, Jesus!
Like being chosen
Blue pain from something with no brain
I can't explain
It's happening again
It's happening again

Oh Mummy, Daddy, will you sit a while with me
Oh Mummy, Daddy, will you jog my memory
Tell me tall tales of Montego Bay
Table mountain, flying fish, banana spiders, pots of paint
And the sun on the equator
Setting like an ember thrown to deep water
From crimson to black
But coming back
Tomorrow
On the horizon

The blue pain
Fades to a point where it doesn't fade
It stayed
Blue
Stirred his red coat heart to this strange engine
This love

This love
This inconvenient, blind, blood-diamond
This puzzle
I don't understand
That knows no faith
And tries and fails
And tries again
Stares at the sea
The night's dark deep
For one last time
And bleeds
And bleeds
And dies for you
And lies
And is to blame
And is ashamed
And is not the same
And is true
And is true

Lyrics provided by LyricsEver.com
Marillion are a rock band formed in Aylesbury, England . Their 30-year career is marked by two distinctive phases; the early years fronted by Fish which saw their greatest commercial success, and much longer period fronted by Steve Hogarth in which the band have constantly re-invented themselves so as to continue to be relevant into the 21st century.

The Fish era is often categorized as neo-progressive. They originally started as "Silmarillion" (from Tolkien's book) with heavy influences from classic Genesis but went on to develop their own distinctive sound. The band was formed in 1979 by Mick Pointer (drums), Steve Rothery (guitar), Doug 'Rastus' Irvine (bass), and others, soon adding vocalist Fish (real name Derek W. Dick), Diz Minitt (bass), and Brian Jelliman. By the time of their first album, 1983's Script for a Jester's Tear, the bass position had been taken over by Pete Trewavas and keyboards by Mark Kelly.

The studio albums Fugazi (1984), Misplaced Childhood (1985), and Clutching at Straws (1987), as well as the 1984 live album Real to Reel all sold respectably, and the band scored a hit single in Britain with Kayleigh in 1985.

When Fish left the band in 1988 after four albums he was replaced by Steve Hogarth. A former member of The Europeans and some-time collaborator with The The and Julian Cope, Hogarth brought a new energy to the band.

Across a further ten albums, Hogarth – along with existing members Rothery, Kelly, Trewavas, and Mosley – have reinvigorated and constantly redefined Marillion’s sound. They forged into new musical territories with a succession of inventive, emotional albums, displaying little regard to the vagaries of hit charts or radio playlists.

After the release of 1999’s marillion.com the band freed themselves from record company pressure once and for all by launching their own record label, the Intact imprint.

Thanks to their pioneering embrace of the Internet through their website http://marillion.com, Marillion have developed a unique and intimate relationship with their fans. From sponsoring entire tours of the USA to funding the recording of recent albums, Marillion’s global fan-base is unique in its affection and dedication. As a result, such passionate, wholesale support has allowed Marillion to step outside of the conventional music industry and find their own path.

In 2001 Anoraknophobia saw Marillion take the groundbreaking step of asking fans to pre-order an album 12 months before release. An amazing 12,000 people signed up, helping to finance the recording. The band once again took pre-orders for the 2004 release Marbles, but this time the money was channelled into a campaign fund to promote its launch. The success of singles Don't Hurt Yourself and You're Gone – the latter making it all the way to number 7 – vindicated the band's independent strategy.

Their 2007 album Somewhere Else reached number 24 in the UK album chart with their most recent single Thankyou Whoever You Are hitting the UK singles chart at number 15. The band shows no signs of fading away after more than 25 years of activity.

Their 15th album, "Happiness is the road", was physically released in October 2008 but was originally available exclusively from the band's website. It was released with little promotion and a deluxe pre-order package was made available as with Marbles. 'Happiness is the Road' is the second studio double album of a long career (2004's Marbles was the other). A UK and European tour followed the album's release, and the band is taking special effort to record every show in the "Happiness on the Road" tour, making the recordings available from the band's website.
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