MABISYO - DEAD BRAINS
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Dead Brains: The Unyielding & Uncensored Biography
It all started with Christmas caroling in Taytay, Rizal—an unexpected genesis that launched The Dead Brains on a unique and unyielding path to becoming a resilient and outspoken force in the Philippine punk rock scene. Their journey is a testament to raw passion, unbridled energy, and an unwavering commitment to their distinct "Bad Habit Punk Rock" sound.
The seeds for the band were planted in vocalist Johnny’s personal discovery of punk. His musical awakening began when his cousin gave him a set of cassette tapes containing seminal albums: the Philippine Violators’ “Balanse,” The Wuds’ “At Nakalimutan Ang Diyos,” and the Sex Pistols’ compilation “Kiss This.” These formative records ignited a passion that would define the band's direction. The idea to form a proper punk rock band sparked among the founding members—Johnny (vocals), Jackzie (guitar), Kaltog (bass), and Ringo (drums)—in December 2005. The band was officially formed in 2006, with their first practices commencing in January of that year.
This unique origin quickly transitioned into serious musical pursuit. In February 2006, The Dead Brains took to the stage at a local Fiesta Battle of the Bands in Taytay. While they did not win the official competition, their aggressive sound resonated powerfully with the audience. The crowd, captivated by their raw energy, chanted the band's name, signaling an undeniable impact and a promising future.
Their opportunity to enter the Manila scene came through a series of events rooted in the scene's tight-knit community. While the band was watching a gig from the street outside the iconic Column Bar in Timog, Quezon City, they were discovered by Louie Brazal, the drummer of the band Askals. Recognizing their potential, Louie Brazal personally introduced them to Bong Espiritu, the vocalist of the legendary Philippine Violators. Following this introduction, it was the Philippine Violators who lined them up for a show under their own production arm, RMD Production—the band's first official gig in the Manila circuit, held inside that very same bar. That same year, they also made their mark playing at the "Brave New World" concert series in Paco, Manila.
Shortly after their initial recognition in the Manila scene, a significant lineup change solidified their sound. Founding members Jackzie and Kaltog departed, and Johnny and Ringo brought in new blood, with Peejay stepping in on guitar and George joining on bass. This new lineup—Johnny (vocals), Ringo (drums), Peejay (guitar), and George (bass)—quickly found its stride, becoming a more cohesive unit.
It was this lineup that truly defined the band's early sound. As they continued to play gigs, like the anniversary show for Askals at the Center for Arts in 2007, they decided to formally capture their raw energy. In 2007, in a local rental studio in Taytay, the band recorded their first demos during a practice session, using bassist George's boombox. They produced three separate demo tapes: "First Attack," "Protest," and "Fuck You Everybody." These crucial early recordings were circulated on cassette, becoming underground artifacts of their "Bad Habit Punk Rock" sound.
By 2008, the same solid lineup—Johnny, Peejay, George, and Ringo—headed into Monopond Recording Studio in Pasig for their first official recording session. This resulted in their first professionally recorded tracks: "For My Future" and "Pretty Girl," which showcased a more polished sound compared to their raw 2007 demos. The band continued to be active on stage, and in 2010, they played at a Brave New World event in Parañaque City.
However, a profound tragedy struck the band in 2011. Just one week after recording a powerful new track titled "Sistemang Gobyerno" (Government System), their guitarist Peejay was tragically killed in a motorcycle accident. This devastating loss cast a dark shadow over the band, with "Sistemang Gobyerno" becoming an even more poignant piece in the wake of their personal heartbreak.
Despite the profound loss, The Dead Brains displayed remarkable resilience. By 2012, they were actively pushing forward. Their studio track "Pretty Girl" was included on the "Punk-U-Rat" compilation, released under Guerilla Music. That same year, they recorded another hard-hitting single, "Barumbado Basag Ulo." For this track, the lineup saw further changes, with Jay-r on bass and Steve on drums joining Johnny on vocals, and Jose Lazar featured on guitar.
This period of rebuilding culminated in 2013 with the launch of their highly anticipated self-titled album, "Dead Brains." This landmark release was a collaborative effort with Safety Pins Punk Movement, Spirit of the Street, and Perdegana Productions. For the album's launch, the band recruited Ramon in 2013 to be the guitarist. The performing lineup for the launch consisted of Johnny on vocals, Jay-r on bass, Steve on drums, and Ramon on guitar.
Continuing their work in the underground scene, the band was part of a 2015 split compilation titled "Bridging Statement," released on cassette under Threshold Records.
The band's journey continued to evolve with further lineup adjustments. In 2017, Jay-r and Steve departed, and Johnny and Ramon welcomed Geedee on bass and Tommy on drums, forming a fresh and invigorated rhythm section. This new lineup returned to Monopond Recording Studio, their work culminating in the release of the powerful album, "Mental Disorder," in 2018. Released under Mutilated Noise, Spirit of the Street, and Safety Pins Punk Movement, the album was defined by its "massively aggressive" sound and "uncensored lyrics," with provocative titles such as "Putang Ina Mo," "Ang Kupal Mo," and "Mamatay Kana."
The Dead Brains further expanded their sonic capabilities in 2020 with the addition of Akong on guitar and backing vocals, making the band a formidable five-piece: Johnny (vocals), Ramon (guitar), Akong (guitar/backing vocals), Geedee (bass), and Tommy (drums). With this expanded sound, they released their album "Underground Syndrome" in 2020 through Threshold Records. Characterized by its raw DIY recording style and released as a limited CDr, the album demonstrated the band's continued commitment to authentic, unfiltered punk rock.
Message, Scene, and Survival.
Beyond the timeline of members and releases, the core of The Dead Brains is fueled by a distinct philosophy. Their "uncensored" lyrical approach is a deliberate choice. For them, punk is the most direct and honest form of expression, a necessary vehicle for confronting uncomfortable truths. Songs like "Barumbado Basag-ulo" are not just noise; they are raw commentaries born from the frustrations of daily life in the Philippines, tackling societal hypocrisy and systemic failures head-on. This refusal to self-censor is the essence of their "Bad Habit Punk Rock" ethos.
This philosophy extends to their actions. Being a DIY band in the Philippines for nearly two decades means creating everything from the ground up—booking shows, fostering connections, printing merchandise independently, and often, having to borrow equipment from fellow bands just to perform. This struggle is not a burden but a guarantee of freedom. Their frequent participation in "Food Not Bombs" events is a natural extension of this belief, embodying the punk principle of community support and direct action. For The Dead Brains, punk is not a genre to be consumed; it is a community to be built and sustained.
After years of tragedy, lineup shifts, and navigating the challenges of the underground, The Dead Brains remain a vital presence. The same raw energy that sparked their formation continues to drive them. Today, the band continues to write new material, holding true to the authentic, aggressive sound they’ve honed since their earliest days. Their story is a compelling narrative of passion, persistence, and survival, cementing their place as an enduring voice in the Philippine punk scene. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
It all started with Christmas caroling in Taytay, Rizal—an unexpected genesis that launched The Dead Brains on a unique and unyielding path to becoming a resilient and outspoken force in the Philippine punk rock scene. Their journey is a testament to raw passion, unbridled energy, and an unwavering commitment to their distinct "Bad Habit Punk Rock" sound.
The seeds for the band were planted in vocalist Johnny’s personal discovery of punk. His musical awakening began when his cousin gave him a set of cassette tapes containing seminal albums: the Philippine Violators’ “Balanse,” The Wuds’ “At Nakalimutan Ang Diyos,” and the Sex Pistols’ compilation “Kiss This.” These formative records ignited a passion that would define the band's direction. The idea to form a proper punk rock band sparked among the founding members—Johnny (vocals), Jackzie (guitar), Kaltog (bass), and Ringo (drums)—in December 2005. The band was officially formed in 2006, with their first practices commencing in January of that year.
This unique origin quickly transitioned into serious musical pursuit. In February 2006, The Dead Brains took to the stage at a local Fiesta Battle of the Bands in Taytay. While they did not win the official competition, their aggressive sound resonated powerfully with the audience. The crowd, captivated by their raw energy, chanted the band's name, signaling an undeniable impact and a promising future.
Their opportunity to enter the Manila scene came through a series of events rooted in the scene's tight-knit community. While the band was watching a gig from the street outside the iconic Column Bar in Timog, Quezon City, they were discovered by Louie Brazal, the drummer of the band Askals. Recognizing their potential, Louie Brazal personally introduced them to Bong Espiritu, the vocalist of the legendary Philippine Violators. Following this introduction, it was the Philippine Violators who lined them up for a show under their own production arm, RMD Production—the band's first official gig in the Manila circuit, held inside that very same bar. That same year, they also made their mark playing at the "Brave New World" concert series in Paco, Manila.
Shortly after their initial recognition in the Manila scene, a significant lineup change solidified their sound. Founding members Jackzie and Kaltog departed, and Johnny and Ringo brought in new blood, with Peejay stepping in on guitar and George joining on bass. This new lineup—Johnny (vocals), Ringo (drums), Peejay (guitar), and George (bass)—quickly found its stride, becoming a more cohesive unit.
It was this lineup that truly defined the band's early sound. As they continued to play gigs, like the anniversary show for Askals at the Center for Arts in 2007, they decided to formally capture their raw energy. In 2007, in a local rental studio in Taytay, the band recorded their first demos during a practice session, using bassist George's boombox. They produced three separate demo tapes: "First Attack," "Protest," and "Fuck You Everybody." These crucial early recordings were circulated on cassette, becoming underground artifacts of their "Bad Habit Punk Rock" sound.
By 2008, the same solid lineup—Johnny, Peejay, George, and Ringo—headed into Monopond Recording Studio in Pasig for their first official recording session. This resulted in their first professionally recorded tracks: "For My Future" and "Pretty Girl," which showcased a more polished sound compared to their raw 2007 demos. The band continued to be active on stage, and in 2010, they played at a Brave New World event in Parañaque City.
However, a profound tragedy struck the band in 2011. Just one week after recording a powerful new track titled "Sistemang Gobyerno" (Government System), their guitarist Peejay was tragically killed in a motorcycle accident. This devastating loss cast a dark shadow over the band, with "Sistemang Gobyerno" becoming an even more poignant piece in the wake of their personal heartbreak.
Despite the profound loss, The Dead Brains displayed remarkable resilience. By 2012, they were actively pushing forward. Their studio track "Pretty Girl" was included on the "Punk-U-Rat" compilation, released under Guerilla Music. That same year, they recorded another hard-hitting single, "Barumbado Basag Ulo." For this track, the lineup saw further changes, with Jay-r on bass and Steve on drums joining Johnny on vocals, and Jose Lazar featured on guitar.
This period of rebuilding culminated in 2013 with the launch of their highly anticipated self-titled album, "Dead Brains." This landmark release was a collaborative effort with Safety Pins Punk Movement, Spirit of the Street, and Perdegana Productions. For the album's launch, the band recruited Ramon in 2013 to be the guitarist. The performing lineup for the launch consisted of Johnny on vocals, Jay-r on bass, Steve on drums, and Ramon on guitar.
Continuing their work in the underground scene, the band was part of a 2015 split compilation titled "Bridging Statement," released on cassette under Threshold Records.
The band's journey continued to evolve with further lineup adjustments. In 2017, Jay-r and Steve departed, and Johnny and Ramon welcomed Geedee on bass and Tommy on drums, forming a fresh and invigorated rhythm section. This new lineup returned to Monopond Recording Studio, their work culminating in the release of the powerful album, "Mental Disorder," in 2018. Released under Mutilated Noise, Spirit of the Street, and Safety Pins Punk Movement, the album was defined by its "massively aggressive" sound and "uncensored lyrics," with provocative titles such as "Putang Ina Mo," "Ang Kupal Mo," and "Mamatay Kana."
The Dead Brains further expanded their sonic capabilities in 2020 with the addition of Akong on guitar and backing vocals, making the band a formidable five-piece: Johnny (vocals), Ramon (guitar), Akong (guitar/backing vocals), Geedee (bass), and Tommy (drums). With this expanded sound, they released their album "Underground Syndrome" in 2020 through Threshold Records. Characterized by its raw DIY recording style and released as a limited CDr, the album demonstrated the band's continued commitment to authentic, unfiltered punk rock.
Message, Scene, and Survival.
Beyond the timeline of members and releases, the core of The Dead Brains is fueled by a distinct philosophy. Their "uncensored" lyrical approach is a deliberate choice. For them, punk is the most direct and honest form of expression, a necessary vehicle for confronting uncomfortable truths. Songs like "Barumbado Basag-ulo" are not just noise; they are raw commentaries born from the frustrations of daily life in the Philippines, tackling societal hypocrisy and systemic failures head-on. This refusal to self-censor is the essence of their "Bad Habit Punk Rock" ethos.
This philosophy extends to their actions. Being a DIY band in the Philippines for nearly two decades means creating everything from the ground up—booking shows, fostering connections, printing merchandise independently, and often, having to borrow equipment from fellow bands just to perform. This struggle is not a burden but a guarantee of freedom. Their frequent participation in "Food Not Bombs" events is a natural extension of this belief, embodying the punk principle of community support and direct action. For The Dead Brains, punk is not a genre to be consumed; it is a community to be built and sustained.
After years of tragedy, lineup shifts, and navigating the challenges of the underground, The Dead Brains remain a vital presence. The same raw energy that sparked their formation continues to drive them. Today, the band continues to write new material, holding true to the authentic, aggressive sound they’ve honed since their earliest days. Their story is a compelling narrative of passion, persistence, and survival, cementing their place as an enduring voice in the Philippine punk scene. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.